Ratchet and Clank (2016)
| Theatrical Performance | ||
| Domestic Box Office | $8,813,410 | Details |
| International Box Office | $5,552,229 | Details |
| Worldwide Box Office | $14,365,639 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $833,615 | |
| Blu-ray Sales (estimated) | $1,191,974 | |
| Total | $2,025,589 | |
| OpusData ID: 232500100 More info... | ||
| Further financial details... | ||
Synopsis
The story of two unlikely heroes as they struggle to stop a vile alien named Chairman Drek from destroying every planet in the Solana Galaxy. When the two stumble upon a dangerous weapon capable of destroying entire planets, they must join forces with a team of colorful heroes called The Galactic Rangers in order to save the galaxy. Along the way they'll learn about heroism, friendship, and the importance of discovering one's own identity.
Metrics
| Opening Weekend: | $4,869,278 (55.2% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 61.4% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,891 opening theaters/2,895 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,185,936 |
Movie Details
| Domestic Releases: | April 29th, 2016 (Wide) by Focus Features |
| International Releases: | April 15th, 2016 (Wide) (France)
April 21st, 2016 (Wide) (Netherlands) April 22nd, 2016 (Wide) (Poland) April 28th, 2016 (Wide) (Slovenia) April 29th, 2016 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | August 9th, 2016 by Universal Home Entertainment |
| MPA Rating: | PG for action and some rude humor. (Rating bulletin 2393, 9/30/2015) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Film format: | 3-D, 3-D - Post-production Conversion |
| Geographical setting: | Outer Space |
| Plot point: | Good vs. Evil, Origin Story, Robot, Talking Animals |
| Social setting: | Space Opera |
| Subgenre: | Family Adventure |
| Source: | Based on Game |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Blockade, Rainmaker Entertainment, Gramercy Pictures, Aperture Media Partners, Film Financial Services, Peak Distribution Partners LLC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 7 | $4,869,278 | 2,891 | $1,684 | $4,869,278 | 1 | |
| May 6, 2016 | 9 | $1,460,161 | -70% | 2,895 | $504 | $7,093,794 | 2 |
| May 13, 2016 | 11 | $629,742 | -57% | 1,258 | $501 | $8,146,999 | 3 |
| May 20, 2016 | 25 | $200,180 | -68% | 346 | $579 | $8,549,740 | 4 |
| May 27, 2016 | 23 | $186,693 | -7% | 159 | $1,174 | $8,783,463 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 6 | $1,495,344 | 2,891 | $517 | $1,495,344 | 1 | ||
| Apr 30, 2016 | 7 | $1,998,280 | +34% | 2,891 | $691 | $3,493,624 | 2 | |
| May 1, 2016 | 7 | $1,375,654 | -31% | 2,891 | $476 | $4,869,278 | 3 | |
| May 2, 2016 | 9 | $198,246 | -86% | 2,891 | $69 | $5,067,524 | 4 | |
| May 3, 2016 | 9 | $254,918 | +29% | 2,891 | $88 | $5,322,442 | 5 | |
| May 4, 2016 | 9 | $175,670 | -31% | 2,891 | $61 | $5,498,112 | 6 | |
| May 5, 2016 | 9 | $135,521 | -23% | 2,891 | $47 | $5,633,633 | 7 | |
| May 6, 2016 | 9 | $329,161 | +143% | -78% | 2,895 | $114 | $5,962,794 | 8 |
| May 7, 2016 | 9 | $651,854 | +98% | -67% | 2,895 | $225 | $6,614,648 | 9 |
| May 8, 2016 | 9 | $482,235 | -26% | -65% | 2,895 | $167 | $7,096,883 | 10 |
| May 9, 2016 | 10 | $94,807 | -80% | -52% | 2,895 | $33 | $7,191,690 | 11 |
| May 10, 2016 | 9 | $140,862 | +49% | -45% | 2,895 | $49 | $7,332,552 | 12 |
| May 11, 2016 | 10 | $99,069 | -30% | -44% | 2,895 | $34 | $7,431,621 | 13 |
| May 12, 2016 | 10 | $85,636 | -14% | -37% | 2,895 | $30 | $7,517,257 | 14 |
| May 13, 2016 | - | $110,169 | +29% | -67% | 1,258 | $88 | $7,627,426 | 15 |
| May 14, 2016 | 12 | $283,937 | +158% | -56% | 1,258 | $226 | $7,911,363 | 16 |
| May 15, 2016 | 11 | $235,636 | -17% | -51% | 1,258 | $187 | $8,146,999 | 17 |
| May 16, 2016 | 14 | $49,750 | -79% | -48% | 1,258 | $40 | $8,196,749 | 18 |
| May 17, 2016 | 15 | $61,169 | +23% | -57% | 1,258 | $49 | $8,257,918 | 19 |
| May 18, 2016 | - | $50,377 | -18% | -49% | 1,258 | $40 | $8,308,295 | 20 |
| May 19, 2016 | - | $41,265 | -18% | -52% | 1,258 | $33 | $8,349,560 | 21 |
| May 20, 2016 | - | $64,326 | +56% | -42% | 346 | $186 | $8,413,886 | 22 |
| May 21, 2016 | - | $94,691 | +47% | -67% | 346 | $274 | $8,508,577 | 23 |
| May 22, 2016 | - | $41,163 | -57% | -83% | 346 | $119 | $8,549,740 | 24 |
| May 23, 2016 | - | $14,710 | -64% | -70% | 346 | $43 | $8,564,450 | 25 |
| May 24, 2016 | - | $11,194 | -24% | -82% | 346 | $32 | $8,575,644 | 26 |
| May 25, 2016 | - | $11,318 | +1% | -78% | 346 | $33 | $8,586,962 | 27 |
| May 26, 2016 | - | $9,808 | -13% | -76% | 346 | $28 | $8,596,770 | 28 |
| May 27, 2016 | - | $51,242 | +422% | -20% | 159 | $322 | $8,648,012 | 29 |
| May 28, 2016 | - | $70,957 | +38% | -25% | 159 | $446 | $8,718,969 | 30 |
| May 29, 2016 | - | $64,494 | -9% | +57% | 159 | $406 | $8,783,463 | 31 |
| May 30, 2016 | - | $17,445 | -73% | +19% | 159 | $110 | $8,800,908 | 32 |
| May 31, 2016 | - | $6,114 | -65% | -45% | 159 | $38 | $8,807,022 | 33 |
| Jun 1, 2016 | - | $6,388 | +4% | -44% | 159 | $40 | $8,813,410 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 7 | $5,633,633 | 2,891 | $1,949 | $5,633,633 | 1 | |
| May 6, 2016 | 9 | $1,883,624 | -67% | 2,895 | $651 | $7,517,257 | 2 |
| May 13, 2016 | 12 | $832,303 | -56% | 1,258 | $662 | $8,349,560 | 3 |
| May 20, 2016 | 26 | $247,210 | -70% | 346 | $714 | $8,596,770 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/6/2016 | $110,683 | 0 | 0 | 0 | $191,928 | 11/15/2018 | |||
| Bulgaria | 4/29/2016 | $7,871 | 0 | 0 | 0 | $26,266 | 2/26/2019 | |||
| China | 5/26/2017 | $149,763 | 0 | 0 | 0 | $370,256 | 8/14/2018 | |||
| Czech Republic | 6/23/2016 | $2,642 | 34 | 34 | 34 | $2,642 | 12/31/2018 | |||
| France | 4/15/2016 | $559,127 | 0 | 0 | 0 | $1,240,710 | 8/17/2018 | |||
| Italy | 7/1/2016 | $107,208 | 0 | 0 | 0 | $126,615 | 7/6/2016 | |||
| Lithuania | 6/17/2016 | $8,799 | 0 | 0 | 0 | $31,010 | 7/14/2016 | |||
| Mexico | 6/9/2016 | $76,949 | 0 | 0 | 0 | $81,577 | 6/14/2016 | |||
| Netherlands | 4/21/2016 | $39,523 | 88 | 88 | 264 | $245,179 | 6/9/2016 | |||
| Poland | 4/22/2016 | $93,314 | 0 | 0 | 0 | $285,330 | 12/31/2018 | |||
| Portugal | 5/5/2016 | $37,533 | 54 | 54 | 151 | $86,312 | 8/3/2016 | |||
| Russia (CIS) | 5/6/2016 | $137,075 | 750 | 750 | 1,508 | $240,205 | 11/14/2018 | |||
| Slovakia | 6/23/2016 | $6,445 | 43 | 43 | 141 | $31,156 | 8/9/2016 | |||
| Slovenia | 4/28/2016 | $3,303 | 21 | 21 | 33 | $8,447 | 6/9/2016 | |||
| South Korea | 8/2/2016 | $0 | 0 | 228 | 56 | $41,846 | 4/4/2026 | |||
| Spain | 4/29/2016 | $115,096 | 128 | 144 | 484 | $335,653 | 11/17/2018 | |||
| Turkey | 4/29/2016 | $24,209 | 145 | 145 | 145 | $35,773 | 2/26/2019 | |||
| United Kingdom | 4/29/2016 | $216,215 | 378 | 378 | 722 | $518,804 | 9/8/2018 | |||
| Rest of World | $1,652,520 | |||||||||
| International Total | $5,552,229 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Paul Giamatti | Chairman Drek | |
| John Goodman | Grimroth | |
| Bella Thorne | Cora | |
| Rosario Dawson | Elaris |
Leading
| James Arnold Taylor | Ratchet | |
| David Kaye | Clank |
Supporting
| Sylvester Stallone | Victor von Ion | |
| Jim Ward | Captain Qwark | |
| Armin Shimerman | Dr. Nefarious | |
| Vincent Tong | Brax | |
| Andrew Cownden | Zed | |
| Lee Tockar | Mr. Micron | |
| Alessandro Juliani | Stig |
Production and Technical Credits
| Kevin Munroe | Director | |
| Jericca Cleland | Co-Director | |
| Kevin Munroe | Screenwriter | |
| T.J. Fixman | Screenwriter | |
| Gerry Swallow | Screenwriter | |
| Kim Dent Wilder | Producer | |
| Brad Foxhoven | Producer | |
| David Wohl | Producer | |
| Michael Hefferon | Executive Producer | |
| Richard Rionda del Castro | Executive Producer | |
| Delna Bhesania | Executive Producer | |
| Bryant Pike | Executive Producer | |
| Slava Vladimirov | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Dan Reardon | Executive Producer | |
| Sung Ming | Executive Producer | |
| Jeremy Fan | Executive Producer | |
| Alan Elkin | Executive Producer | |
| Jason Cleveland | Executive Producer | |
| Brian Cleveland | Executive Producer | |
| Edward Noeltner | Executive Producer | |
| Connie Booth | Executive Producer | |
| Riley Russell | Executive Producer | |
| Kevin Munroe | Executive Producer | |
| David Shelton | Executive Producer | |
| T.J. Fixman | Associate Producer | |
| Ryan Schneider | Associate Producer | |
| Greg Phillips | Associate Producer | |
| Anthony Di Ninno | Director of Photography | |
| Ian Blum | Animation Director | |
| James Wood Wilson | Production Designer | |
| Braden Oberson | Editor | |
| Evan Wise | Composer | |
| Ned Lott | Casting Director | |
| Lana Carson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of two unlikely heroes as they struggle to stop a vile alien named Chairman Drek from destroying every planet in the Solana Galaxy. When the two stumble upon a dangerous weapon capable of destroying entire planets, they must join forces with a team of colorful heroes called The Galactic Rangers in order to save the galaxy. Along the way they'll learn about heroism, friendship, and the importance of discovering one's own identity.
Metrics
| Opening Weekend: | $4,869,278 (55.2% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 61.4% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,891 opening theaters/2,895 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,185,936 |
Movie Details
| Domestic Releases: | April 29th, 2016 (Wide) by Focus Features |
| International Releases: | April 15th, 2016 (Wide) (France)
April 21st, 2016 (Wide) (Netherlands) April 22nd, 2016 (Wide) (Poland) April 28th, 2016 (Wide) (Slovenia) April 29th, 2016 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | August 9th, 2016 by Universal Home Entertainment |
| MPA Rating: | PG for action and some rude humor. (Rating bulletin 2393, 9/30/2015) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Film format: | 3-D, 3-D - Post-production Conversion |
| Geographical setting: | Outer Space |
| Plot point: | Good vs. Evil, Origin Story, Robot, Talking Animals |
| Social setting: | Space Opera |
| Subgenre: | Family Adventure |
| Source: | Based on Game |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Blockade, Rainmaker Entertainment, Gramercy Pictures, Aperture Media Partners, Film Financial Services, Peak Distribution Partners LLC |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 7 | $4,869,278 | 2,891 | $1,684 | $4,869,278 | 1 | |
| May 6, 2016 | 9 | $1,460,161 | -70% | 2,895 | $504 | $7,093,794 | 2 |
| May 13, 2016 | 11 | $629,742 | -57% | 1,258 | $501 | $8,146,999 | 3 |
| May 20, 2016 | 25 | $200,180 | -68% | 346 | $579 | $8,549,740 | 4 |
| May 27, 2016 | 23 | $186,693 | -7% | 159 | $1,174 | $8,783,463 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 6 | $1,495,344 | 2,891 | $517 | $1,495,344 | 1 | ||
| Apr 30, 2016 | 7 | $1,998,280 | +34% | 2,891 | $691 | $3,493,624 | 2 | |
| May 1, 2016 | 7 | $1,375,654 | -31% | 2,891 | $476 | $4,869,278 | 3 | |
| May 2, 2016 | 9 | $198,246 | -86% | 2,891 | $69 | $5,067,524 | 4 | |
| May 3, 2016 | 9 | $254,918 | +29% | 2,891 | $88 | $5,322,442 | 5 | |
| May 4, 2016 | 9 | $175,670 | -31% | 2,891 | $61 | $5,498,112 | 6 | |
| May 5, 2016 | 9 | $135,521 | -23% | 2,891 | $47 | $5,633,633 | 7 | |
| May 6, 2016 | 9 | $329,161 | +143% | -78% | 2,895 | $114 | $5,962,794 | 8 |
| May 7, 2016 | 9 | $651,854 | +98% | -67% | 2,895 | $225 | $6,614,648 | 9 |
| May 8, 2016 | 9 | $482,235 | -26% | -65% | 2,895 | $167 | $7,096,883 | 10 |
| May 9, 2016 | 10 | $94,807 | -80% | -52% | 2,895 | $33 | $7,191,690 | 11 |
| May 10, 2016 | 9 | $140,862 | +49% | -45% | 2,895 | $49 | $7,332,552 | 12 |
| May 11, 2016 | 10 | $99,069 | -30% | -44% | 2,895 | $34 | $7,431,621 | 13 |
| May 12, 2016 | 10 | $85,636 | -14% | -37% | 2,895 | $30 | $7,517,257 | 14 |
| May 13, 2016 | - | $110,169 | +29% | -67% | 1,258 | $88 | $7,627,426 | 15 |
| May 14, 2016 | 12 | $283,937 | +158% | -56% | 1,258 | $226 | $7,911,363 | 16 |
| May 15, 2016 | 11 | $235,636 | -17% | -51% | 1,258 | $187 | $8,146,999 | 17 |
| May 16, 2016 | 14 | $49,750 | -79% | -48% | 1,258 | $40 | $8,196,749 | 18 |
| May 17, 2016 | 15 | $61,169 | +23% | -57% | 1,258 | $49 | $8,257,918 | 19 |
| May 18, 2016 | - | $50,377 | -18% | -49% | 1,258 | $40 | $8,308,295 | 20 |
| May 19, 2016 | - | $41,265 | -18% | -52% | 1,258 | $33 | $8,349,560 | 21 |
| May 20, 2016 | - | $64,326 | +56% | -42% | 346 | $186 | $8,413,886 | 22 |
| May 21, 2016 | - | $94,691 | +47% | -67% | 346 | $274 | $8,508,577 | 23 |
| May 22, 2016 | - | $41,163 | -57% | -83% | 346 | $119 | $8,549,740 | 24 |
| May 23, 2016 | - | $14,710 | -64% | -70% | 346 | $43 | $8,564,450 | 25 |
| May 24, 2016 | - | $11,194 | -24% | -82% | 346 | $32 | $8,575,644 | 26 |
| May 25, 2016 | - | $11,318 | +1% | -78% | 346 | $33 | $8,586,962 | 27 |
| May 26, 2016 | - | $9,808 | -13% | -76% | 346 | $28 | $8,596,770 | 28 |
| May 27, 2016 | - | $51,242 | +422% | -20% | 159 | $322 | $8,648,012 | 29 |
| May 28, 2016 | - | $70,957 | +38% | -25% | 159 | $446 | $8,718,969 | 30 |
| May 29, 2016 | - | $64,494 | -9% | +57% | 159 | $406 | $8,783,463 | 31 |
| May 30, 2016 | - | $17,445 | -73% | +19% | 159 | $110 | $8,800,908 | 32 |
| May 31, 2016 | - | $6,114 | -65% | -45% | 159 | $38 | $8,807,022 | 33 |
| Jun 1, 2016 | - | $6,388 | +4% | -44% | 159 | $40 | $8,813,410 | 34 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 29, 2016 | 7 | $5,633,633 | 2,891 | $1,949 | $5,633,633 | 1 | |
| May 6, 2016 | 9 | $1,883,624 | -67% | 2,895 | $651 | $7,517,257 | 2 |
| May 13, 2016 | 12 | $832,303 | -56% | 1,258 | $662 | $8,349,560 | 3 |
| May 20, 2016 | 26 | $247,210 | -70% | 346 | $714 | $8,596,770 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 5/6/2016 | $110,683 | 0 | 0 | 0 | $191,928 | 11/15/2018 | |||
| Bulgaria | 4/29/2016 | $7,871 | 0 | 0 | 0 | $26,266 | 2/26/2019 | |||
| China | 5/26/2017 | $149,763 | 0 | 0 | 0 | $370,256 | 8/14/2018 | |||
| Czech Republic | 6/23/2016 | $2,642 | 34 | 34 | 34 | $2,642 | 12/31/2018 | |||
| France | 4/15/2016 | $559,127 | 0 | 0 | 0 | $1,240,710 | 8/17/2018 | |||
| Italy | 7/1/2016 | $107,208 | 0 | 0 | 0 | $126,615 | 7/6/2016 | |||
| Lithuania | 6/17/2016 | $8,799 | 0 | 0 | 0 | $31,010 | 7/14/2016 | |||
| Mexico | 6/9/2016 | $76,949 | 0 | 0 | 0 | $81,577 | 6/14/2016 | |||
| Netherlands | 4/21/2016 | $39,523 | 88 | 88 | 264 | $245,179 | 6/9/2016 | |||
| Poland | 4/22/2016 | $93,314 | 0 | 0 | 0 | $285,330 | 12/31/2018 | |||
| Portugal | 5/5/2016 | $37,533 | 54 | 54 | 151 | $86,312 | 8/3/2016 | |||
| Russia (CIS) | 5/6/2016 | $137,075 | 750 | 750 | 1,508 | $240,205 | 11/14/2018 | |||
| Slovakia | 6/23/2016 | $6,445 | 43 | 43 | 141 | $31,156 | 8/9/2016 | |||
| Slovenia | 4/28/2016 | $3,303 | 21 | 21 | 33 | $8,447 | 6/9/2016 | |||
| South Korea | 8/2/2016 | $0 | 0 | 228 | 56 | $41,846 | 4/4/2026 | |||
| Spain | 4/29/2016 | $115,096 | 128 | 144 | 484 | $335,653 | 11/17/2018 | |||
| Turkey | 4/29/2016 | $24,209 | 145 | 145 | 145 | $35,773 | 2/26/2019 | |||
| United Kingdom | 4/29/2016 | $216,215 | 378 | 378 | 722 | $518,804 | 9/8/2018 | |||
| Rest of World | $1,652,520 | |||||||||
| International Total | $5,552,229 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Paul Giamatti | Chairman Drek | |
| John Goodman | Grimroth | |
| Bella Thorne | Cora | |
| Rosario Dawson | Elaris |
Leading
| James Arnold Taylor | Ratchet | |
| David Kaye | Clank |
Supporting
| Sylvester Stallone | Victor von Ion | |
| Jim Ward | Captain Qwark | |
| Armin Shimerman | Dr. Nefarious | |
| Vincent Tong | Brax | |
| Andrew Cownden | Zed | |
| Lee Tockar | Mr. Micron | |
| Alessandro Juliani | Stig |
Production and Technical Credits
| Kevin Munroe | Director | |
| Jericca Cleland | Co-Director | |
| Kevin Munroe | Screenwriter | |
| T.J. Fixman | Screenwriter | |
| Gerry Swallow | Screenwriter | |
| Kim Dent Wilder | Producer | |
| Brad Foxhoven | Producer | |
| David Wohl | Producer | |
| Michael Hefferon | Executive Producer | |
| Richard Rionda del Castro | Executive Producer | |
| Delna Bhesania | Executive Producer | |
| Bryant Pike | Executive Producer | |
| Slava Vladimirov | Executive Producer | |
| Jared D. Underwood | Executive Producer | |
| Dan Reardon | Executive Producer | |
| Sung Ming | Executive Producer | |
| Jeremy Fan | Executive Producer | |
| Alan Elkin | Executive Producer | |
| Jason Cleveland | Executive Producer | |
| Brian Cleveland | Executive Producer | |
| Edward Noeltner | Executive Producer | |
| Connie Booth | Executive Producer | |
| Riley Russell | Executive Producer | |
| Kevin Munroe | Executive Producer | |
| David Shelton | Executive Producer | |
| T.J. Fixman | Associate Producer | |
| Ryan Schneider | Associate Producer | |
| Greg Phillips | Associate Producer | |
| Anthony Di Ninno | Director of Photography | |
| Ian Blum | Animation Director | |
| James Wood Wilson | Production Designer | |
| Braden Oberson | Editor | |
| Evan Wise | Composer | |
| Ned Lott | Casting Director | |
| Lana Carson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.