The Reason I Jump (2021)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $114,828 | Details |
| Worldwide Box Office | $114,828 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $6,684 | |
| Total | $6,684 | |
| OpusData ID: 442810100 More info... | ||
| Further financial details... | ||
Synopsis
An immersive cinematic exploration of neurodiversity through the experiences of nonspeaking autistic people from around the world. The film blends Higashida's revelatory insights into autism, written when he was just 13, with intimate portraits of five remarkable young people. It opens a window for audiences into an intense and overwhelming, but often joyful, sensory universe. Moments in the lives of each of the characters are linked by the journey of a young Japanese boy through an epic landscape; narrated passages from Naoki’s writing reflect on what his autism means to him and others, how his perception of the world differs, and why he acts in the way he does: the reason he jumps. The film distils these elements into a sensually rich tapestry that leads us to Naoki’s core message: not being able to speak does not mean there is nothing to say.
Metrics
Movie Details
| Domestic Releases: | January 8th, 2021 (Virtual) by Kino Lorber |
| International Releases: | June 18th, 2021 (Limited) (United Kingdom)
July 28th, 2022 (Limited) (Australia) |
| Video Release: | May 11th, 2021 by Kino Lorber |
| Running Time: | 82 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Geographical setting: | Japan |
| Plot point: | Autism, Mute |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | BFI, An Ideas Room, Metfilm, Vulcan Productions, Runaway Fridge |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/28/2022 | $1,362 | 4 | 4 | 16 | $11,175 | 9/19/2022 | |||
| United Kingdom | 6/18/2021 | $19,873 | 38 | 38 | 127 | $103,653 | 1/5/2022 | |||
| International Total | $114,828 | 9/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Jerry Rothwell | Director | |
| Jeremy Dear | Producer | |
| Stevie Lee | Producer | |
| Al Morrow | Producer | |
| Stewart Le Marechal | Executive Producer | |
| Jonny Persey | Executive Producer | |
| Peter Webber | Executive Producer | |
| Jody Allen | Executive Producer | |
| Paul G. Allen | Executive Producer | |
| Rocky Collins | Executive Producer | |
| Jannat Gargi | Executive Producer | |
| Ruth Johnston | Executive Producer | |
| Carole Tomko | Executive Producer | |
| Sara Edelson | Co-Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Sam Payne | Co-Producer | |
| David Charap | Editor | |
| Nainita Desai | Composer | |
| Ruben Woodin Dechamps | Director of Photography | |
| Sara De Oliveira Lima | Sound Recordist | |
| Nick Ryan | Sound Designer | |
| Naoki Higashida | Story by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An immersive cinematic exploration of neurodiversity through the experiences of nonspeaking autistic people from around the world. The film blends Higashida's revelatory insights into autism, written when he was just 13, with intimate portraits of five remarkable young people. It opens a window for audiences into an intense and overwhelming, but often joyful, sensory universe. Moments in the lives of each of the characters are linked by the journey of a young Japanese boy through an epic landscape; narrated passages from Naoki’s writing reflect on what his autism means to him and others, how his perception of the world differs, and why he acts in the way he does: the reason he jumps. The film distils these elements into a sensually rich tapestry that leads us to Naoki’s core message: not being able to speak does not mean there is nothing to say.
Metrics
Movie Details
| Domestic Releases: | January 8th, 2021 (Virtual) by Kino Lorber |
| International Releases: | June 18th, 2021 (Limited) (United Kingdom)
July 28th, 2022 (Limited) (Australia) |
| Video Release: | May 11th, 2021 by Kino Lorber |
| Running Time: | 82 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Geographical setting: | Japan |
| Plot point: | Autism, Mute |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | BFI, An Ideas Room, Metfilm, Vulcan Productions, Runaway Fridge |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/28/2022 | $1,362 | 4 | 4 | 16 | $11,175 | 9/19/2022 | |||
| United Kingdom | 6/18/2021 | $19,873 | 38 | 38 | 127 | $103,653 | 1/5/2022 | |||
| International Total | $114,828 | 9/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Jerry Rothwell | Director | |
| Jeremy Dear | Producer | |
| Stevie Lee | Producer | |
| Al Morrow | Producer | |
| Stewart Le Marechal | Executive Producer | |
| Jonny Persey | Executive Producer | |
| Peter Webber | Executive Producer | |
| Jody Allen | Executive Producer | |
| Paul G. Allen | Executive Producer | |
| Rocky Collins | Executive Producer | |
| Jannat Gargi | Executive Producer | |
| Ruth Johnston | Executive Producer | |
| Carole Tomko | Executive Producer | |
| Sara Edelson | Co-Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Sam Payne | Co-Producer | |
| David Charap | Editor | |
| Nainita Desai | Composer | |
| Ruben Woodin Dechamps | Director of Photography | |
| Sara De Oliveira Lima | Sound Recordist | |
| Nick Ryan | Sound Designer | |
| Naoki Higashida | Story by |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.