The Reckoning (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $143,532 | Details |
| International Box Office | $321,645 | Details |
| Worldwide Box Office | $465,177 | |
| OpusData ID: 419960100 More info... | ||
| Further financial details... | ||
Synopsis
Set against the backdrop of the Great Plague and subsequent Witch-Hunts against women, Evelyn Haverstock must grapple with the tragic untimely death of her husband in a society completely consumed by fear and death. Because she rejects her landlord SquirePendleton’s advances, she is falsely accused of being a witch and thrown in jail fora crime she didn’t commit. Evelyn must endure physical persecution at the hands of England’s most ruthless witch-hunter Judge Reeves, and face her own inner demons as the devil himself starts to work his way into her mind, seeking to claim her soul in exchange for releasing her husband from eternal damnation.
Metrics
| Opening Weekend: | $64,911 (45.2% of total gross) |
| Legs: | 2.21 (domestic box office/biggest weekend) |
| Domestic Share: | 30.9% (domestic box office/worldwide) |
| Production Budget: | $3,500,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 175 opening theaters/175 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $168,791 |
Movie Details
| Domestic Releases: | February 5th, 2021 (Limited) by RLJ Entertainment |
| International Releases: | May 14th, 2021 (Wide), released as The Reckoning - O Derradeiro Julgamento (Portugal)
February 24th, 2022 (Wide), released as Pacto Con El Diablo (Mexico) |
| Video Release: | February 5th, 2021 by RLJ |
| Running Time: | 111 minutes |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Shudder Films, RLJ Entertainment, Fourth Culture Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2021 | - | $64,911 | 175 | $371 | $64,911 | 1 | |
| Feb 12, 2021 | - | $30,627 | -53% | 123 | $249 | $114,397 | 2 |
| Feb 19, 2021 | - | $12,992 | -58% | 70 | $186 | $134,802 | 3 |
| Feb 26, 2021 | - | $3,241 | -75% | 18 | $180 | $142,416 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2021 | - | $83,770 | 175 | $479 | $83,770 | 1 | |
| Feb 12, 2021 | - | $38,040 | -55% | 123 | $309 | $121,810 | 2 |
| Feb 19, 2021 | - | $17,365 | -54% | 70 | $248 | $139,175 | 3 |
| Feb 26, 2021 | - | $4,357 | -75% | 18 | $242 | $143,532 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 2/24/2022 | $200,833 | 0 | 0 | 0 | $320,023 | 3/8/2022 | |||
| Portugal | 5/14/2021 | $1,095 | 10 | 10 | 15 | $1,622 | 5/25/2021 | |||
| International Total | $321,645 | 3/8/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Charlotte Kirk | Grace Haverstock | |
| Matt Ryan | Peck | |
| Sean Pertwee | Judge Moorcroft | |
| Joe Anderson | Joseph | |
| Steven Waddington | Squire Pendleton |
Supporting
| Ian Whyte | The Devil | |
| Rick Warden | Rev. Malcolm | |
| Emma Holzer | Leonora | |
| Suzanne Magowan | ||
| Indianna Ryan |
Production and Technical Credits
| Neil Marshall | Director | |
| Ed Evers Swindell | Screenwriter | |
| Charlotte Kirk | Screenwriter | |
| Neil Marshall | Screenwriter | |
| Steffen Wild | Producer | |
| Daniel-Konrad Cooper | Producer | |
| Esther Turan | Co-Producer | |
| Sean Wheelan | Co-Producer | |
| Eric Gozlan | Executive Producer | |
| Richard Iott | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set against the backdrop of the Great Plague and subsequent Witch-Hunts against women, Evelyn Haverstock must grapple with the tragic untimely death of her husband in a society completely consumed by fear and death. Because she rejects her landlord SquirePendleton’s advances, she is falsely accused of being a witch and thrown in jail fora crime she didn’t commit. Evelyn must endure physical persecution at the hands of England’s most ruthless witch-hunter Judge Reeves, and face her own inner demons as the devil himself starts to work his way into her mind, seeking to claim her soul in exchange for releasing her husband from eternal damnation.
Metrics
| Opening Weekend: | $64,911 (45.2% of total gross) |
| Legs: | 2.21 (domestic box office/biggest weekend) |
| Domestic Share: | 30.9% (domestic box office/worldwide) |
| Production Budget: | $3,500,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 175 opening theaters/175 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $168,791 |
Movie Details
| Domestic Releases: | February 5th, 2021 (Limited) by RLJ Entertainment |
| International Releases: | May 14th, 2021 (Wide), released as The Reckoning - O Derradeiro Julgamento (Portugal)
February 24th, 2022 (Wide), released as Pacto Con El Diablo (Mexico) |
| Video Release: | February 5th, 2021 by RLJ |
| Running Time: | 111 minutes |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Shudder Films, RLJ Entertainment, Fourth Culture Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2021 | - | $64,911 | 175 | $371 | $64,911 | 1 | |
| Feb 12, 2021 | - | $30,627 | -53% | 123 | $249 | $114,397 | 2 |
| Feb 19, 2021 | - | $12,992 | -58% | 70 | $186 | $134,802 | 3 |
| Feb 26, 2021 | - | $3,241 | -75% | 18 | $180 | $142,416 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 5, 2021 | - | $83,770 | 175 | $479 | $83,770 | 1 | |
| Feb 12, 2021 | - | $38,040 | -55% | 123 | $309 | $121,810 | 2 |
| Feb 19, 2021 | - | $17,365 | -54% | 70 | $248 | $139,175 | 3 |
| Feb 26, 2021 | - | $4,357 | -75% | 18 | $242 | $143,532 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 2/24/2022 | $200,833 | 0 | 0 | 0 | $320,023 | 3/8/2022 | |||
| Portugal | 5/14/2021 | $1,095 | 10 | 10 | 15 | $1,622 | 5/25/2021 | |||
| International Total | $321,645 | 3/8/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Charlotte Kirk | Grace Haverstock | |
| Matt Ryan | Peck | |
| Sean Pertwee | Judge Moorcroft | |
| Joe Anderson | Joseph | |
| Steven Waddington | Squire Pendleton |
Supporting
| Ian Whyte | The Devil | |
| Rick Warden | Rev. Malcolm | |
| Emma Holzer | Leonora | |
| Suzanne Magowan | ||
| Indianna Ryan |
Production and Technical Credits
| Neil Marshall | Director | |
| Ed Evers Swindell | Screenwriter | |
| Charlotte Kirk | Screenwriter | |
| Neil Marshall | Screenwriter | |
| Steffen Wild | Producer | |
| Daniel-Konrad Cooper | Producer | |
| Esther Turan | Co-Producer | |
| Sean Wheelan | Co-Producer | |
| Eric Gozlan | Executive Producer | |
| Richard Iott | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.