Red Army (2015)
| Theatrical Performance | ||
| Domestic Box Office | $694,647 | Details |
| International Box Office | $108,703 | Details |
| Worldwide Box Office | $803,350 | |
| OpusData ID: 212670100 More info... | ||
| Further financial details... | ||
Synopsis
A feature documentary about the Soviet Union and the most successful dynasty in sports history: the Red Army hockey team. Told from the perspective of its captain Slava Fetisov, the story portrays his transformation from national hero to political enemy. From the USSR to Russia, the film examines how sport mirrors social and cultural movements and parallels the rise and fall of the Red Army team with the Soviet Union.
Metrics
| Opening Weekend: | $20,100 (2.9% of total gross) |
| Legs: | 8.88 (domestic box office/biggest weekend) |
| Domestic Share: | 86.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/84 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $985,528 |
Movie Details
| Domestic Releases: | January 23rd, 2015 (Limited) by Sony Pictures Classics |
| International Releases: | February 13th, 2015 (Wide) (Spain)
February 27th, 2015 (Wide) (France) October 9th, 2015 (Wide) (United Kingdom) |
| Video Release: | May 26th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for thematic material and language. (Rating bulletin 2335, 8/13/2014) |
| Running Time: | 85 minutes |
| Geographical setting: | Russia |
| Plot point: | Hockey |
| Social setting: | Cold War |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Werner Herzog, Jerry Weintraub |
| Production Countries: | United States, Russian Federation |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2015 | 59 | $20,100 | 3 | $6,700 | $20,100 | 1 | |
| Feb 6, 2015 | 48 | $61,416 | 14 | $4,387 | $123,718 | 3 | |
| Feb 13, 2015 | 51 | $42,018 | -32% | 16 | $2,626 | $188,340 | 4 |
| Feb 20, 2015 | 54 | $30,738 | -27% | 9 | $3,415 | $244,515 | 5 |
| Feb 27, 2015 | 50 | $45,561 | +48% | 21 | $2,170 | $290,042 | 6 |
| Mar 6, 2015 | 49 | $63,400 | +39% | 40 | $1,585 | $375,400 | 7 |
| Mar 13, 2015 | 41 | $77,068 | +22% | 58 | $1,329 | $475,248 | 8 |
| Mar 20, 2015 | 37 | $78,222 | +1% | 84 | $931 | $574,858 | 9 |
| Mar 27, 2015 | 45 | $42,844 | -45% | 71 | $603 | $648,997 | 10 |
| Apr 3, 2015 | 58 | $17,953 | -58% | 47 | $382 | $694,647 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 20, 2015 | 64 | $30,378 | 9 | $3,375 | $244,481 | 5 | |
| Feb 27, 2015 | 54 | $67,590 | +122% | 21 | $3,219 | $312,071 | 6 |
| Mar 6, 2015 | 49 | $86,109 | +27% | 40 | $2,153 | $398,180 | 7 |
| Mar 13, 2015 | 43 | $98,456 | +14% | 58 | $1,698 | $496,636 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 2/27/2015 | $38,826 | 0 | 0 | 0 | $38,826 | 10/25/2018 | |||
| Spain | 2/13/2015 | $26,363 | 21 | 26 | 62 | $44,835 | 11/27/2018 | |||
| United Kingdom | 10/9/2015 | $9,783 | 7 | 7 | 23 | $25,042 | 12/1/2015 | |||
| International Total | $108,703 | 11/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Slava Fetisov | Himself | |
| Vladislav Tretiak | Himself | |
| Scotty Bowman | Himself | |
| Vladimir Pozner | Himself |
Production and Technical Credits
| Gabe Polsky | Director | |
| Gabe Polsky | Screenwriter | |
| Gabe Polsky | Producer | |
| Werner Herzog | Executive Producer | |
| Jerry Weintraub | Executive Producer | |
| Liam Satre-Meloy | Executive Producer | |
| Peter Zeitlinger | Director of Photography | |
| Svetlana Cvetko | Director of Photography | |
| Eli Despres | Editor | |
| Kurt Engfehr | Editor | |
| Christophe Beck | Composer | |
| Leo Birenberg | Composer | |
| E.J. Holowicki | Sound Editor | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A feature documentary about the Soviet Union and the most successful dynasty in sports history: the Red Army hockey team. Told from the perspective of its captain Slava Fetisov, the story portrays his transformation from national hero to political enemy. From the USSR to Russia, the film examines how sport mirrors social and cultural movements and parallels the rise and fall of the Red Army team with the Soviet Union.
Metrics
| Opening Weekend: | $20,100 (2.9% of total gross) |
| Legs: | 8.88 (domestic box office/biggest weekend) |
| Domestic Share: | 86.5% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/84 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $985,528 |
Movie Details
| Domestic Releases: | January 23rd, 2015 (Limited) by Sony Pictures Classics |
| International Releases: | February 13th, 2015 (Wide) (Spain)
February 27th, 2015 (Wide) (France) October 9th, 2015 (Wide) (United Kingdom) |
| Video Release: | May 26th, 2015 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for thematic material and language. (Rating bulletin 2335, 8/13/2014) |
| Running Time: | 85 minutes |
| Geographical setting: | Russia |
| Plot point: | Hockey |
| Social setting: | Cold War |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Werner Herzog, Jerry Weintraub |
| Production Countries: | United States, Russian Federation |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2015 | 59 | $20,100 | 3 | $6,700 | $20,100 | 1 | |
| Feb 6, 2015 | 48 | $61,416 | 14 | $4,387 | $123,718 | 3 | |
| Feb 13, 2015 | 51 | $42,018 | -32% | 16 | $2,626 | $188,340 | 4 |
| Feb 20, 2015 | 54 | $30,738 | -27% | 9 | $3,415 | $244,515 | 5 |
| Feb 27, 2015 | 50 | $45,561 | +48% | 21 | $2,170 | $290,042 | 6 |
| Mar 6, 2015 | 49 | $63,400 | +39% | 40 | $1,585 | $375,400 | 7 |
| Mar 13, 2015 | 41 | $77,068 | +22% | 58 | $1,329 | $475,248 | 8 |
| Mar 20, 2015 | 37 | $78,222 | +1% | 84 | $931 | $574,858 | 9 |
| Mar 27, 2015 | 45 | $42,844 | -45% | 71 | $603 | $648,997 | 10 |
| Apr 3, 2015 | 58 | $17,953 | -58% | 47 | $382 | $694,647 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 20, 2015 | 64 | $30,378 | 9 | $3,375 | $244,481 | 5 | |
| Feb 27, 2015 | 54 | $67,590 | +122% | 21 | $3,219 | $312,071 | 6 |
| Mar 6, 2015 | 49 | $86,109 | +27% | 40 | $2,153 | $398,180 | 7 |
| Mar 13, 2015 | 43 | $98,456 | +14% | 58 | $1,698 | $496,636 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 2/27/2015 | $38,826 | 0 | 0 | 0 | $38,826 | 10/25/2018 | |||
| Spain | 2/13/2015 | $26,363 | 21 | 26 | 62 | $44,835 | 11/27/2018 | |||
| United Kingdom | 10/9/2015 | $9,783 | 7 | 7 | 23 | $25,042 | 12/1/2015 | |||
| International Total | $108,703 | 11/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Slava Fetisov | Himself | |
| Vladislav Tretiak | Himself | |
| Scotty Bowman | Himself | |
| Vladimir Pozner | Himself |
Production and Technical Credits
| Gabe Polsky | Director | |
| Gabe Polsky | Screenwriter | |
| Gabe Polsky | Producer | |
| Werner Herzog | Executive Producer | |
| Jerry Weintraub | Executive Producer | |
| Liam Satre-Meloy | Executive Producer | |
| Peter Zeitlinger | Director of Photography | |
| Svetlana Cvetko | Director of Photography | |
| Eli Despres | Editor | |
| Kurt Engfehr | Editor | |
| Christophe Beck | Composer | |
| Leo Birenberg | Composer | |
| E.J. Holowicki | Sound Editor | |
| Jon Mooney | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.