Le Redoutable (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $82,264 | Details |
| International Box Office | $1,269,156 | Details |
| Worldwide Box Office | $1,351,420 | |
| OpusData ID: 308790100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $10,994 (13.4% of total gross) |
| Legs: | 5.61 (domestic box office/biggest weekend) |
| Domestic Share: | 6.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/20 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $107,999 |
Movie Details
| Domestic Releases: | April 20th, 2018 (Limited) by Cohen Media Group, released as Godard Mon Amour |
| International Releases: | September 15th, 2017 (Wide) (France)
October 13th, 2017 (Wide), released as Mal genio (Spain) October 31st, 2017 (Wide), released as Il mio Godard (Italy) November 17th, 2017 (Wide) (Russia (CIS)) December 15th, 2017 (Limited), released as Godard ve Ben (Turkey) ... Show all releases |
| MPA Rating: | R for graphic nudity, sexuality, and language. (Rating bulletin 2517 (Cert #51500), 3/7/2018) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Autobiographical, Intertitle, Slow Motion Scene, Voiceover/Narration |
| Geographical setting: | France, Italy |
| Plot point: | February / May Romance, Film Actor, Movie Director, Political Protest, Riots, Romance, Suicide Attempt |
| Social setting: | Movie Business |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | La Classe Americaine |
| Production Countries: | France, Myanmar |
| Languages: | French, English, Italian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 65 | $10,994 | 4 | $2,749 | $10,994 | 1 | |
| Apr 27, 2018 | 55 | $14,670 | +33% | 17 | $863 | $31,835 | 2 |
| May 4, 2018 | 59 | $11,293 | -23% | 20 | $565 | $51,222 | 3 |
| May 11, 2018 | 67 | $10,352 | -8% | 11 | $941 | $68,817 | 4 |
| May 18, 2018 | 79 | $3,729 | -64% | 10 | $373 | $78,401 | 5 |
| May 25, 2018 | 94 | $1,081 | -71% | 2 | $541 | $82,264 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 63 | $17,165 | 4 | $4,291 | $17,165 | 1 | |
| Apr 27, 2018 | 57 | $22,764 | +33% | 17 | $1,339 | $39,929 | 2 |
| May 4, 2018 | 58 | $18,536 | -19% | 11 | $1,685 | $58,465 | 3 |
| May 11, 2018 | 66 | $16,207 | -13% | 11 | $1,473 | $74,672 | 4 |
| May 18, 2018 | 76 | $6,511 | -60% | 10 | $651 | $81,183 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/11/2018 | $6,826 | 0 | 0 | 0 | $5,479 | 4/4/2026 | |||
| Australia | 3/16/2018 | $1,772 | 3 | 3 | 3 | $4,075 | 3/19/2018 | |||
| France | 9/15/2017 | $470,777 | 0 | 0 | 0 | $1,009,596 | 6/28/2018 | |||
| Italy | 10/31/2017 | $55,346 | 0 | 0 | 0 | $81,919 | 11/8/2017 | |||
| Portugal | 5/25/2018 | $1,489 | 4 | 4 | 6 | $3,501 | 6/12/2018 | |||
| Russia (CIS) | 11/17/2017 | $0 | 0 | 0 | 0 | $62,355 | 12/30/2018 | |||
| South Korea | 3/19/2020 | $5,314 | 93 | 93 | 93 | $7,063 | 3/25/2020 | |||
| Spain | 10/13/2017 | $16,219 | 41 | 41 | 41 | $21,655 | 10/24/2017 | |||
| Turkey | 12/15/2017 | $5,355 | 20 | 23 | 44 | $13,071 | 4/4/2026 | |||
| United Kingdom | 5/11/2018 | $52,897 | 26 | 26 | 26 | $52,897 | 4/4/2026 | |||
| Rest of World | $7,545 | |||||||||
| International Total | $1,269,156 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Michel Hazanavicius | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $10,994 (13.4% of total gross) |
| Legs: | 5.61 (domestic box office/biggest weekend) |
| Domestic Share: | 6.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/20 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $107,999 |
Movie Details
| Domestic Releases: | April 20th, 2018 (Limited) by Cohen Media Group, released as Godard Mon Amour |
| International Releases: | September 15th, 2017 (Wide) (France)
October 13th, 2017 (Wide), released as Mal genio (Spain) October 31st, 2017 (Wide), released as Il mio Godard (Italy) November 17th, 2017 (Wide) (Russia (CIS)) December 15th, 2017 (Limited), released as Godard ve Ben (Turkey) ... Show all releases |
| MPA Rating: | R for graphic nudity, sexuality, and language. (Rating bulletin 2517 (Cert #51500), 3/7/2018) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Autobiographical, Intertitle, Slow Motion Scene, Voiceover/Narration |
| Geographical setting: | France, Italy |
| Plot point: | February / May Romance, Film Actor, Movie Director, Political Protest, Riots, Romance, Suicide Attempt |
| Social setting: | Movie Business |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | La Classe Americaine |
| Production Countries: | France, Myanmar |
| Languages: | French, English, Italian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 65 | $10,994 | 4 | $2,749 | $10,994 | 1 | |
| Apr 27, 2018 | 55 | $14,670 | +33% | 17 | $863 | $31,835 | 2 |
| May 4, 2018 | 59 | $11,293 | -23% | 20 | $565 | $51,222 | 3 |
| May 11, 2018 | 67 | $10,352 | -8% | 11 | $941 | $68,817 | 4 |
| May 18, 2018 | 79 | $3,729 | -64% | 10 | $373 | $78,401 | 5 |
| May 25, 2018 | 94 | $1,081 | -71% | 2 | $541 | $82,264 | 6 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 20, 2018 | 63 | $17,165 | 4 | $4,291 | $17,165 | 1 | |
| Apr 27, 2018 | 57 | $22,764 | +33% | 17 | $1,339 | $39,929 | 2 |
| May 4, 2018 | 58 | $18,536 | -19% | 11 | $1,685 | $58,465 | 3 |
| May 11, 2018 | 66 | $16,207 | -13% | 11 | $1,473 | $74,672 | 4 |
| May 18, 2018 | 76 | $6,511 | -60% | 10 | $651 | $81,183 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/11/2018 | $6,826 | 0 | 0 | 0 | $5,479 | 4/4/2026 | |||
| Australia | 3/16/2018 | $1,772 | 3 | 3 | 3 | $4,075 | 3/19/2018 | |||
| France | 9/15/2017 | $470,777 | 0 | 0 | 0 | $1,009,596 | 6/28/2018 | |||
| Italy | 10/31/2017 | $55,346 | 0 | 0 | 0 | $81,919 | 11/8/2017 | |||
| Portugal | 5/25/2018 | $1,489 | 4 | 4 | 6 | $3,501 | 6/12/2018 | |||
| Russia (CIS) | 11/17/2017 | $0 | 0 | 0 | 0 | $62,355 | 12/30/2018 | |||
| South Korea | 3/19/2020 | $5,314 | 93 | 93 | 93 | $7,063 | 3/25/2020 | |||
| Spain | 10/13/2017 | $16,219 | 41 | 41 | 41 | $21,655 | 10/24/2017 | |||
| Turkey | 12/15/2017 | $5,355 | 20 | 23 | 44 | $13,071 | 4/4/2026 | |||
| United Kingdom | 5/11/2018 | $52,897 | 26 | 26 | 26 | $52,897 | 4/4/2026 | |||
| Rest of World | $7,545 | |||||||||
| International Total | $1,269,156 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Michel Hazanavicius | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.