Relay (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $3,164,481 | Details |
| International Box Office | $1,126,309 | Details |
| Worldwide Box Office | $4,290,790 | |
| OpusData ID: 601770100 More info... | ||
| Further financial details... | ||
Synopsis
A world class “fixer” who specializes in brokering lucrative payoffs between corrupt corporations and the individuals who threaten their ruin. He keeps his identity a secret through meticulous planning and always follows an exacting set of rules. But when a message arrives one day from a potential client, needing his protection just to stay alive, the rules quickly start to change.
Metrics
| Opening Weekend: | $1,916,687 (60.6% of total gross) |
| Legs: | 1.65 (domestic box office/biggest weekend) |
| Domestic Share: | 73.8% (domestic box office/worldwide) |
| Theater counts: | 1,483 opening theaters/1,483 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,164,481 |
Movie Details
| Domestic Releases: | August 22nd, 2025 (Wide) by Bleecker Street |
| International Releases: | September 26th, 2024 (Limited) (Spain)
August 21st, 2025 (Wide), released as Relay (Диспетчер) (Russia (CIS)) August 21st, 2025 (Limited) (Australia) August 21st, 2025 (Limited) (New Zealand) August 21st, 2025 (Limited) (Croatia) ... Show all releases |
| Video Release: | September 16th, 2025 by Bleecker Street |
| MPA Rating: | R for language. (Rating bulletin 2871 (cert #55375), 2/5/2025) |
| Running Time: | 112 minutes |
| Film festival: | Toronto International Film Festival 2024 |
| Filming location (city or town): | New York, NY |
| Filming location (country): | United States |
| Filming location (state or county): | New York, United States |
| Plot point: | Addiction, Betrayal, Corporate Malfeasance, False Identity, Support Group, Surprise Twist, Whistleblowers, White Collar Crime |
| Release detail: | Festival Acquisition |
| Subgenre: | Political Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Bleecker Street , Thunder Road Film, Sigma Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 11 | $1,916,687 | 1,483 | $1,292 | $1,916,687 | 1 | |
| Aug 29, 2025 | - | $351,026 | -82% | 1,218 | $288 | $2,916,577 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 7 | $1,017,510 | 1,483 | $686 | $1,017,510 | 1 | ||
| Aug 23, 2025 | 12 | $506,148 | -50% | 1,483 | $341 | $1,523,658 | 2 | |
| Aug 24, 2025 | 12 | $393,029 | -22% | 1,483 | $265 | $1,916,687 | 3 | |
| Aug 25, 2025 | - | $155,081 | -61% | 1,483 | $105 | $2,071,768 | 4 | |
| Aug 26, 2025 | 11 | $247,037 | +59% | 1,483 | $167 | $2,318,805 | 5 | |
| Aug 27, 2025 | 11 | $145,821 | -41% | 1,483 | $98 | $2,464,626 | 6 | |
| Aug 28, 2025 | 11 | $100,925 | -31% | 1,483 | $68 | $2,565,551 | 7 | |
| Aug 29, 2025 | - | $97,154 | -4% | -90% | 1,218 | $80 | $2,662,705 | 8 |
| Aug 30, 2025 | - | $125,409 | +29% | -75% | 1,218 | $103 | $2,788,114 | 9 |
| Aug 31, 2025 | - | $128,463 | +2% | -67% | 1,218 | $105 | $2,916,577 | 10 |
| Sep 1, 2025 | - | $114,565 | -11% | -26% | 1,218 | $94 | $3,031,142 | 11 |
| Sep 2, 2025 | - | $60,985 | -47% | -75% | 1,218 | $50 | $3,092,127 | 12 |
| Sep 3, 2025 | - | $47,884 | -21% | -67% | 1,218 | $39 | $3,140,011 | 13 |
| Sep 4, 2025 | - | $24,470 | -49% | -76% | 1,218 | $20 | $3,164,481 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 13 | $2,565,551 | 1,483 | $1,730 | $2,565,551 | 1 | |
| Aug 29, 2025 | 16 | $598,930 | -77% | 1,218 | $492 | $3,164,481 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/21/2025 | $88,978 | 196 | 196 | 0 | $186,698 | 8/3/2026 | |||
| Croatia | 8/21/2025 | $12,079 | 23 | 23 | 42 | $24,460 | 4/4/2026 | |||
| Finland | 9/19/2025 | $15,869 | 33 | 33 | 33 | $22,405 | 4/21/2026 | |||
| Netherlands | 9/11/2025 | $77,835 | 47 | 47 | 123 | $211,956 | 4/6/2026 | |||
| New Zealand | 8/21/2025 | $20,539 | 79 | 79 | 0 | $45,728 | 4/4/2026 | |||
| Portugal | 11/13/2025 | $6,859 | 13 | 13 | 0 | $9,036 | 4/4/2026 | |||
| Russia (CIS) | 8/21/2025 | $232,481 | 632 | 632 | 1,325 | $551,738 | 4/4/2026 | |||
| Turkey | 9/12/2025 | $11,166 | 64 | 64 | 68 | $20,234 | 4/4/2026 | |||
| United Kingdom | 10/31/2025 | $54,054 | 134 | 134 | 134 | $54,054 | 4/4/2026 | |||
| International Total | $1,126,309 | 8/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Riz Ahmed | Tom / Ash | |
| Lily James | Sarah Grant |
Supporting
| Sam Worthington | Dawson | |
| Willa Fitzgerald | ||
| Matthew Maher | ||
| Mike Holt | ||
| Eisa Davis |
Production and Technical Credits
| David Mackenzie | Director | |
| Justin Piasecki | Screenwriter | |
| Basil Iwanyk | Producer | |
| Gillian Berrie | Producer | |
| Teddy Schwarzman | Producer | |
| David Mackenzie | Producer | |
| Michael Heimler | Executive Producer | |
| John Friedberg | Executive Producer | |
| Erica Lee | Executive Producer | |
| Charlie Morrison | Executive Producer | |
| Giles Nuttgens | Director of Photography | |
| Jane Musky | Production Designer | |
| Matthew Mayer | Editor | |
| Tony Doogan | Composer | |
| Alana Morshead | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A world class “fixer” who specializes in brokering lucrative payoffs between corrupt corporations and the individuals who threaten their ruin. He keeps his identity a secret through meticulous planning and always follows an exacting set of rules. But when a message arrives one day from a potential client, needing his protection just to stay alive, the rules quickly start to change.
Metrics
| Opening Weekend: | $1,916,687 (60.6% of total gross) |
| Legs: | 1.65 (domestic box office/biggest weekend) |
| Domestic Share: | 73.8% (domestic box office/worldwide) |
| Theater counts: | 1,483 opening theaters/1,483 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,164,481 |
Movie Details
| Domestic Releases: | August 22nd, 2025 (Wide) by Bleecker Street |
| International Releases: | September 26th, 2024 (Limited) (Spain)
August 21st, 2025 (Wide), released as Relay (Диспетчер) (Russia (CIS)) August 21st, 2025 (Limited) (Australia) August 21st, 2025 (Limited) (New Zealand) August 21st, 2025 (Limited) (Croatia) ... Show all releases |
| Video Release: | September 16th, 2025 by Bleecker Street |
| MPA Rating: | R for language. (Rating bulletin 2871 (cert #55375), 2/5/2025) |
| Running Time: | 112 minutes |
| Film festival: | Toronto International Film Festival 2024 |
| Filming location (city or town): | New York, NY |
| Filming location (country): | United States |
| Filming location (state or county): | New York, United States |
| Plot point: | Addiction, Betrayal, Corporate Malfeasance, False Identity, Support Group, Surprise Twist, Whistleblowers, White Collar Crime |
| Release detail: | Festival Acquisition |
| Subgenre: | Political Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Bleecker Street , Thunder Road Film, Sigma Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 11 | $1,916,687 | 1,483 | $1,292 | $1,916,687 | 1 | |
| Aug 29, 2025 | - | $351,026 | -82% | 1,218 | $288 | $2,916,577 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 7 | $1,017,510 | 1,483 | $686 | $1,017,510 | 1 | ||
| Aug 23, 2025 | 12 | $506,148 | -50% | 1,483 | $341 | $1,523,658 | 2 | |
| Aug 24, 2025 | 12 | $393,029 | -22% | 1,483 | $265 | $1,916,687 | 3 | |
| Aug 25, 2025 | - | $155,081 | -61% | 1,483 | $105 | $2,071,768 | 4 | |
| Aug 26, 2025 | 11 | $247,037 | +59% | 1,483 | $167 | $2,318,805 | 5 | |
| Aug 27, 2025 | 11 | $145,821 | -41% | 1,483 | $98 | $2,464,626 | 6 | |
| Aug 28, 2025 | 11 | $100,925 | -31% | 1,483 | $68 | $2,565,551 | 7 | |
| Aug 29, 2025 | - | $97,154 | -4% | -90% | 1,218 | $80 | $2,662,705 | 8 |
| Aug 30, 2025 | - | $125,409 | +29% | -75% | 1,218 | $103 | $2,788,114 | 9 |
| Aug 31, 2025 | - | $128,463 | +2% | -67% | 1,218 | $105 | $2,916,577 | 10 |
| Sep 1, 2025 | - | $114,565 | -11% | -26% | 1,218 | $94 | $3,031,142 | 11 |
| Sep 2, 2025 | - | $60,985 | -47% | -75% | 1,218 | $50 | $3,092,127 | 12 |
| Sep 3, 2025 | - | $47,884 | -21% | -67% | 1,218 | $39 | $3,140,011 | 13 |
| Sep 4, 2025 | - | $24,470 | -49% | -76% | 1,218 | $20 | $3,164,481 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 13 | $2,565,551 | 1,483 | $1,730 | $2,565,551 | 1 | |
| Aug 29, 2025 | 16 | $598,930 | -77% | 1,218 | $492 | $3,164,481 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/21/2025 | $88,978 | 196 | 196 | 0 | $186,698 | 8/3/2026 | |||
| Croatia | 8/21/2025 | $12,079 | 23 | 23 | 42 | $24,460 | 4/4/2026 | |||
| Finland | 9/19/2025 | $15,869 | 33 | 33 | 33 | $22,405 | 4/21/2026 | |||
| Netherlands | 9/11/2025 | $77,835 | 47 | 47 | 123 | $211,956 | 4/6/2026 | |||
| New Zealand | 8/21/2025 | $20,539 | 79 | 79 | 0 | $45,728 | 4/4/2026 | |||
| Portugal | 11/13/2025 | $6,859 | 13 | 13 | 0 | $9,036 | 4/4/2026 | |||
| Russia (CIS) | 8/21/2025 | $232,481 | 632 | 632 | 1,325 | $551,738 | 4/4/2026 | |||
| Turkey | 9/12/2025 | $11,166 | 64 | 64 | 68 | $20,234 | 4/4/2026 | |||
| United Kingdom | 10/31/2025 | $54,054 | 134 | 134 | 134 | $54,054 | 4/4/2026 | |||
| International Total | $1,126,309 | 8/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Riz Ahmed | Tom / Ash | |
| Lily James | Sarah Grant |
Supporting
| Sam Worthington | Dawson | |
| Willa Fitzgerald | ||
| Matthew Maher | ||
| Mike Holt | ||
| Eisa Davis |
Production and Technical Credits
| David Mackenzie | Director | |
| Justin Piasecki | Screenwriter | |
| Basil Iwanyk | Producer | |
| Gillian Berrie | Producer | |
| Teddy Schwarzman | Producer | |
| David Mackenzie | Producer | |
| Michael Heimler | Executive Producer | |
| John Friedberg | Executive Producer | |
| Erica Lee | Executive Producer | |
| Charlie Morrison | Executive Producer | |
| Giles Nuttgens | Director of Photography | |
| Jane Musky | Production Designer | |
| Matthew Mayer | Editor | |
| Tony Doogan | Composer | |
| Alana Morshead | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.