Renoir (2025)
| Theatrical Performance | ||
| Domestic Box Office | $26,551 | Details |
| International Box Office | $124,434 | Details |
| Worldwide Box Office | $150,985 | |
| OpusData ID: 734340100 More info... | ||
| Further financial details... | ||
Synopsis
Suburban Tokyo, 1987. Imaginative eleven-year-old Fuki begins her summer break lonely and adrift – her kind, terminally ill father has landed once again in the hospital and her mother, distracted by the inevitability of his diagnosis, hasn’t much time for her daughter. Fuki responds to the situation not with tears but with placid curiosity about the prospect of death — becoming fascinated by the occult and experimenting with hypnotism. As the summer passes, Fuki encounters a string of lonely, imperfect adults, all of whom nudge her closer to an emotional truth she isn't quite ready to name yet.
Metrics
| Opening Weekend: | $6,252 (23.5% of total gross) |
| Legs: | 4.25 (domestic box office/biggest weekend) |
| Domestic Share: | 17.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 0.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,551 |
Movie Details
| Domestic Releases: | May 29th, 2026 (Limited) by Film Movement |
| International Releases: | June 20th, 2025 (Limited) (Japan)
April 17th, 2026 (Limited) (Spain) April 22nd, 2026 (Limited), released as Renoir (르누아르) (South Korea) |
| Running Time: | 120 minutes |
| Film festival: | Cannes Film Festival 2025 |
| Geographical setting: | Japan, Tokyo |
| Plot point: | Coming of Age, Medical and Hospitals, Terminal Illness |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Loaded Films Ltd, Happinet-Phantom Studios, Ici et La Productions, Akanga Film Asia, Dongyu Club, Kinofaction, Ten Carat, Nathan Studios, Daluyong Studios, Arte France Cinema, KawanKawan Media, Panoranime |
| Production Countries: | Japan, France, Singapore, Philippines, Indonesia, Qatar |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | - | $6,252 | 1 | $6,252 | $19,681 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | 33 | $9,060 | 1 | $9,060 | $22,489 | 1 | |
| Jun 5, 2026 | 39 | $4,062 | -55% | 2 | $2,031 | $26,551 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 4/22/2026 | $36,761 | 130 | 130 | 0 | $124,434 | 5/27/2026 | |||
| International Total | $124,434 | 5/27/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Yui Suzuki | Fuki Okita |
Supporting
| Lily Franky | Keiji Okita | |
| Hikari Ishida | Utako Okita | |
| Ayumu Nakajima | Toru Omaezaki | |
| Yuumi Kawai | Kuriko Kita | |
| Ryota Bando | Kaoru |
Production and Technical Credits
| Chie Hayakawa | Director | |
| Chie Hayakawa | Screenwriter | |
| Eiko Mizuno Gray | Producer | |
| Jason Gray | Producer | |
| Keisuke Konishi | Producer | |
| Christophe Bruncher | Producer | |
| Fran Borgia | Producer | |
| Jossette C. Atayde | Co-Producer | |
| Alemberg Ang | Co-Producer | |
| Olivier Pere | Co-Producer | |
| Remi Burah | Co-Producer | |
| Yulia Evina Bhara | Co-Producer | |
| Amerta Kusuma | Co-Producer | |
| Amel Lacombe | Co-Producer | |
| Keisuke Konishi | Executive Producer | |
| Eiko Mizuno Gray | Executive Producer | |
| Mizue Kunizane | Executive Producer | |
| Masahide Kinoshita | Executive Producer | |
| Eitaro Kobayashi | Executive Producer | |
| Jossette C. Atayde | Executive Producer | |
| Maria Sophia Atayde-Marudo | Executive Producer | |
| Fran Borgia | Executive Producer | |
| Mika Yamane | Associate Producer | |
| Hideho Urata | Director of Photography | |
| Rémi Boubal | Composer | |
| Anne Klotz | Editor | |
| Mitsumatsu Keiko | Production Designer | |
| Philippe Grivel | Sound Designer | |
| Yves Servageant | Sound Designer | |
| Philippe Grivel | Re-recording Mixer | |
| Dana Farzanehpour | Sound Mixer | |
| Sanae Akimoto | Set Decorator | |
| Masae Miyamoto | Costume Designer | |
| Tsuyoshi Sugino | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Suburban Tokyo, 1987. Imaginative eleven-year-old Fuki begins her summer break lonely and adrift – her kind, terminally ill father has landed once again in the hospital and her mother, distracted by the inevitability of his diagnosis, hasn’t much time for her daughter. Fuki responds to the situation not with tears but with placid curiosity about the prospect of death — becoming fascinated by the occult and experimenting with hypnotism. As the summer passes, Fuki encounters a string of lonely, imperfect adults, all of whom nudge her closer to an emotional truth she isn't quite ready to name yet.
Metrics
| Opening Weekend: | $6,252 (23.5% of total gross) |
| Legs: | 4.25 (domestic box office/biggest weekend) |
| Domestic Share: | 17.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 0.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $26,551 |
Movie Details
| Domestic Releases: | May 29th, 2026 (Limited) by Film Movement |
| International Releases: | June 20th, 2025 (Limited) (Japan)
April 17th, 2026 (Limited) (Spain) April 22nd, 2026 (Limited), released as Renoir (르누아르) (South Korea) |
| Running Time: | 120 minutes |
| Film festival: | Cannes Film Festival 2025 |
| Geographical setting: | Japan, Tokyo |
| Plot point: | Coming of Age, Medical and Hospitals, Terminal Illness |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Loaded Films Ltd, Happinet-Phantom Studios, Ici et La Productions, Akanga Film Asia, Dongyu Club, Kinofaction, Ten Carat, Nathan Studios, Daluyong Studios, Arte France Cinema, KawanKawan Media, Panoranime |
| Production Countries: | Japan, France, Singapore, Philippines, Indonesia, Qatar |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | - | $6,252 | 1 | $6,252 | $19,681 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 29, 2026 | 33 | $9,060 | 1 | $9,060 | $22,489 | 1 | |
| Jun 5, 2026 | 39 | $4,062 | -55% | 2 | $2,031 | $26,551 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 4/22/2026 | $36,761 | 130 | 130 | 0 | $124,434 | 5/27/2026 | |||
| International Total | $124,434 | 5/27/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Yui Suzuki | Fuki Okita |
Supporting
| Lily Franky | Keiji Okita | |
| Hikari Ishida | Utako Okita | |
| Ayumu Nakajima | Toru Omaezaki | |
| Yuumi Kawai | Kuriko Kita | |
| Ryota Bando | Kaoru |
Production and Technical Credits
| Chie Hayakawa | Director | |
| Chie Hayakawa | Screenwriter | |
| Eiko Mizuno Gray | Producer | |
| Jason Gray | Producer | |
| Keisuke Konishi | Producer | |
| Christophe Bruncher | Producer | |
| Fran Borgia | Producer | |
| Jossette C. Atayde | Co-Producer | |
| Alemberg Ang | Co-Producer | |
| Olivier Pere | Co-Producer | |
| Remi Burah | Co-Producer | |
| Yulia Evina Bhara | Co-Producer | |
| Amerta Kusuma | Co-Producer | |
| Amel Lacombe | Co-Producer | |
| Keisuke Konishi | Executive Producer | |
| Eiko Mizuno Gray | Executive Producer | |
| Mizue Kunizane | Executive Producer | |
| Masahide Kinoshita | Executive Producer | |
| Eitaro Kobayashi | Executive Producer | |
| Jossette C. Atayde | Executive Producer | |
| Maria Sophia Atayde-Marudo | Executive Producer | |
| Fran Borgia | Executive Producer | |
| Mika Yamane | Associate Producer | |
| Hideho Urata | Director of Photography | |
| Rémi Boubal | Composer | |
| Anne Klotz | Editor | |
| Mitsumatsu Keiko | Production Designer | |
| Philippe Grivel | Sound Designer | |
| Yves Servageant | Sound Designer | |
| Philippe Grivel | Re-recording Mixer | |
| Dana Farzanehpour | Sound Mixer | |
| Sanae Akimoto | Set Decorator | |
| Masae Miyamoto | Costume Designer | |
| Tsuyoshi Sugino | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.