Replicas (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $4,046,429 | Details |
| International Box Office | $4,990,998 | Details |
| Worldwide Box Office | $9,037,427 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,026,515 | |
| Blu-ray Sales (estimated) | $1,148,919 | |
| Total | $2,175,434 | |
| OpusData ID: 268090100 More info... | ||
| Further financial details... | ||
Synopsis
After a car accident kills his loving family, a daring neuroscientist will stop at nothing to bring them back, even if it means pitting himself against a government-controlled laboratory, a police task force, and the physical laws of science themselves.
Metrics
| Opening Weekend: | $2,375,325 (58.7% of total gross) |
| Legs: | 1.70 (domestic box office/biggest weekend) |
| Domestic Share: | 44.8% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,329 opening theaters/2,329 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,283,330 |
Movie Details
| Domestic Releases: | January 11th, 2019 (Wide) by Entertainment Studios Motion Pictures |
| International Releases: | October 25th, 2018 (Wide), released as Репродукция (Russia (CIS))
October 26th, 2018 (Wide), released as Réplicas (Mexico) November 9th, 2018 (Wide), released as Tobulos kopijos (Lithuania) November 23rd, 2018 (Wide) (China) January 4th, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | April 2nd, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for thematic material, violence, disturbing images, some nudity and sexual references. (Rating bulletin 2505 (Cert #51336), 12/6/2017) |
| Running Time: | 107 minutes |
| Plot point: | Car Accident, Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Fugitive / On the Run, Mad Scientist, Medical Crimes, Robot, Scientific Experiment Gone Awry |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Riverstone Pictures, Remstar, di Bonaventura Pictures, Entertainment Studios Motion Pictures, Blue Rider Pictures, Company Films, Lotus Entertainment, Ocean Park Entertainment, 74850, Fundamental Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 13 | $2,375,325 | 2,329 | $1,020 | $2,375,325 | 1 | |
| Jan 18, 2019 | 21 | $439,371 | -82% | 2,059 | $213 | $3,665,244 | 2 |
| Jan 25, 2019 | 40 | $34,084 | -92% | 84 | $406 | $3,992,206 | 3 |
| Feb 1, 2019 | 46 | $16,925 | -50% | 51 | $332 | $4,021,697 | 4 |
| Feb 8, 2019 | 55 | $8,782 | -48% | 29 | $303 | $4,037,924 | 5 |
| Feb 15, 2019 | 71 | $3,125 | -64% | 12 | $260 | $4,044,960 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 10, 2019 | P | $200,100 | 1,630 | $123 | $200,100 | |||
| Jan 11, 2019 | 12 | $933,517 | 2,329 | $401 | $933,517 | 1 | ||
| Jan 12, 2019 | 15 | $866,412 | -7% | 2,329 | $372 | $1,799,929 | 2 | |
| Jan 13, 2019 | 15 | $575,396 | -34% | 2,329 | $247 | $2,375,325 | 3 | |
| Jan 14, 2019 | 14 | $211,305 | -63% | 2,329 | $91 | $2,586,630 | 4 | |
| Jan 15, 2019 | 14 | $319,235 | +51% | 2,329 | $137 | $2,905,865 | 5 | |
| Jan 16, 2019 | 15 | $185,003 | -42% | 2,329 | $79 | $3,090,868 | 6 | |
| Jan 17, 2019 | - | $135,005 | -27% | 2,329 | $58 | $3,225,873 | 7 | |
| Jan 18, 2019 | - | $125,709 | -7% | -87% | 2,059 | $61 | $3,351,582 | 8 |
| Jan 19, 2019 | - | $178,984 | +42% | -79% | 2,059 | $87 | $3,530,566 | 9 |
| Jan 20, 2019 | - | $134,678 | -25% | -77% | 2,059 | $65 | $3,665,244 | 10 |
| Jan 21, 2019 | - | $101,933 | -24% | -52% | 2,059 | $50 | $3,767,177 | 11 |
| Jan 22, 2019 | - | $81,698 | -20% | -74% | 2,059 | $40 | $3,848,875 | 12 |
| Jan 23, 2019 | - | $57,720 | -29% | -69% | 2,059 | $28 | $3,906,595 | 13 |
| Jan 24, 2019 | - | $51,527 | -11% | -62% | 2,059 | $25 | $3,958,122 | 14 |
| Jan 25, 2019 | - | $9,485 | -82% | -92% | 84 | $113 | $3,967,607 | 15 |
| Jan 26, 2019 | - | $14,476 | +53% | -92% | 84 | $172 | $3,982,083 | 16 |
| Jan 27, 2019 | - | $10,123 | -30% | -92% | 84 | $121 | $3,992,206 | 17 |
| Jan 28, 2019 | - | $2,869 | -72% | -97% | 84 | $34 | $3,995,075 | 18 |
| Jan 29, 2019 | - | $3,717 | +30% | -95% | 84 | $44 | $3,998,792 | 19 |
| Jan 30, 2019 | - | $2,845 | -23% | -95% | 84 | $34 | $4,001,637 | 20 |
| Jan 31, 2019 | - | $3,135 | +10% | -94% | 84 | $37 | $4,004,772 | 21 |
| Feb 1, 2019 | - | $4,583 | +46% | -52% | 51 | $90 | $4,009,355 | 22 |
| Feb 2, 2019 | - | $8,694 | +90% | -40% | 51 | $170 | $4,018,049 | 23 |
| Feb 3, 2019 | - | $3,648 | -58% | -64% | 51 | $72 | $4,021,697 | 24 |
| Feb 4, 2019 | - | $2,029 | -44% | -29% | 51 | $40 | $4,023,726 | 25 |
| Feb 5, 2019 | - | $2,032 | n/c | -45% | 51 | $40 | $4,025,758 | 26 |
| Feb 6, 2019 | - | $1,811 | -11% | -36% | 51 | $36 | $4,027,569 | 27 |
| Feb 7, 2019 | - | $1,573 | -13% | -50% | 51 | $31 | $4,029,142 | 28 |
| Feb 8, 2019 | - | $2,107 | +34% | -54% | 29 | $73 | $4,031,249 | 29 |
| Feb 9, 2019 | - | $3,749 | +78% | -57% | 29 | $129 | $4,034,998 | 30 |
| Feb 10, 2019 | - | $2,926 | -22% | -20% | 29 | $101 | $4,037,924 | 31 |
| Feb 11, 2019 | - | $780 | -73% | -62% | 29 | $27 | $4,038,704 | 32 |
| Feb 12, 2019 | - | $894 | +15% | -56% | 29 | $31 | $4,039,598 | 33 |
| Feb 13, 2019 | - | $690 | -23% | -62% | 29 | $24 | $4,040,288 | 34 |
| Feb 14, 2019 | - | $1,547 | +124% | -2% | 29 | $53 | $4,041,835 | 35 |
| Feb 15, 2019 | - | $698 | -55% | -67% | 12 | $58 | $4,042,533 | 36 |
| Feb 16, 2019 | - | $1,303 | +87% | -65% | 12 | $109 | $4,043,836 | 37 |
| Feb 17, 2019 | - | $1,124 | -14% | -62% | 12 | $94 | $4,044,960 | 38 |
| Feb 18, 2019 | - | $596 | -47% | -24% | 12 | $50 | $4,045,556 | 39 |
| Feb 19, 2019 | - | $277 | -54% | -69% | 12 | $23 | $4,045,833 | 40 |
| Feb 20, 2019 | - | $255 | -8% | -63% | 12 | $21 | $4,046,088 | 41 |
| Feb 21, 2019 | - | $341 | +34% | -78% | 12 | $28 | $4,046,429 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 15 | $3,225,873 | 2,329 | $1,385 | $3,225,873 | 1 | |
| Jan 18, 2019 | 22 | $732,249 | -77% | 2,059 | $356 | $3,958,122 | 2 |
| Jan 25, 2019 | 39 | $46,650 | -94% | 84 | $555 | $4,004,772 | 3 |
| Feb 1, 2019 | 50 | $24,370 | -48% | 51 | $478 | $4,029,142 | 4 |
| Feb 8, 2019 | 62 | $12,693 | -48% | 29 | $438 | $4,041,835 | 5 |
| Feb 15, 2019 | 73 | $4,594 | -64% | 12 | $383 | $4,046,429 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 4/19/2019 | $112,061 | 118 | 118 | 118 | $112,061 | 4/27/2019 | |||
| China | 11/23/2018 | $410,000 | 13,395 | 13,395 | 13,395 | $727,089 | 12/6/2018 | |||
| Lithuania | 11/9/2018 | $5,164 | 25 | 25 | 33 | $9,899 | 11/27/2018 | |||
| Mexico | 10/26/2018 | $414,116 | 0 | 0 | 0 | $414,116 | 10/29/2018 | |||
| Netherlands | 1/4/2019 | $98,134 | 35 | 40 | 109 | $286,609 | 1/22/2019 | |||
| Portugal | 3/15/2019 | $68,109 | 45 | 45 | 132 | $164,390 | 4/16/2019 | |||
| Russia (CIS) | 10/25/2018 | $1,060,348 | 965 | 965 | 2,311 | $2,268,518 | 1/15/2019 | |||
| South Korea | 9/25/2019 | $127,469 | 339 | 339 | 385 | $328,043 | 2/5/2020 | |||
| Turkey | 1/11/2019 | $87,974 | 146 | 146 | 309 | $202,193 | 2/14/2019 | |||
| Rest of World | $478,080 | |||||||||
| International Total | $4,990,998 | 2/5/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | William Foster |
Supporting
| Alice Eve | Mona Foster | |
| Thomas Middleditch | Ed Whittle | |
| John Ortiz | Jones | |
| Emily Alyn Lind | Sophie Foster | |
| Emjay Anthony | Matt Foster | |
| Nyasha Hatendi | Scott | |
| Aria Leabu | Zoe Foster | |
| Sunshine Logroño | Hector | |
| Amber Townsend | Lab Tech |
Production and Technical Credits
| Jeffrey Nachmanoff | Director | |
| Chad St. John | Screenplay By | |
| Stephen Hamel | Story Creator | |
| Lorenzo di Bonaventura | Producer | |
| Stephen Hamel | Producer | |
| Keanu Reeves | Producer | |
| Mark Gao | Producer | |
| Luis Riefkohl | Producer | |
| Bill Johnson | Executive Producer | |
| Jim Seibel | Executive Producer | |
| Nik Bower | Executive Producer | |
| James Dodson | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| Maxime Remillard | Executive Producer | |
| Clark Peterson | Executive Producer | |
| Walter Josten | Executive Producer | |
| Erik Howsam | Executive Producer | |
| Ara Keshishian | Executive Producer | |
| Chad St. John | Executive Producer | |
| Gregory Ouanhon | Executive Producer | |
| Sebastian Boneta | Executive Producer | |
| Byron Allen | Executive Producer | |
| Carolyn Folks | Executive Producer | |
| Jennifer Lucas | Executive Producer | |
| Terence Hill | Executive Producer | |
| Mark Devitre | Executive Producer | |
| Chris Charalambous | Executive Producer | |
| Mark Borde | Executive Producer | |
| Simon Michael | Executive Producer | |
| Steve Zadrick | Executive Producer | |
| Richard Barner | Executive Producer | |
| Chad Doher | Executive Producer | |
| Joan Robbins | Executive Producer | |
| Checco Varese | Director of Photography | |
| Johnny Breedt | Production Designer | |
| Pedro Javier Muniz | Editor | |
| Chris Piccaro | Music Supervisor | |
| Mark Kilian | Music By | |
| Jose Ojeda | Music By | |
| Sharon Bialy | Casting Director | |
| Sherry Thomas | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a car accident kills his loving family, a daring neuroscientist will stop at nothing to bring them back, even if it means pitting himself against a government-controlled laboratory, a police task force, and the physical laws of science themselves.
Metrics
| Opening Weekend: | $2,375,325 (58.7% of total gross) |
| Legs: | 1.70 (domestic box office/biggest weekend) |
| Domestic Share: | 44.8% (domestic box office/worldwide) |
| Production Budget: | $30,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,329 opening theaters/2,329 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,283,330 |
Movie Details
| Domestic Releases: | January 11th, 2019 (Wide) by Entertainment Studios Motion Pictures |
| International Releases: | October 25th, 2018 (Wide), released as Репродукция (Russia (CIS))
October 26th, 2018 (Wide), released as Réplicas (Mexico) November 9th, 2018 (Wide), released as Tobulos kopijos (Lithuania) November 23rd, 2018 (Wide) (China) January 4th, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | April 2nd, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for thematic material, violence, disturbing images, some nudity and sexual references. (Rating bulletin 2505 (Cert #51336), 12/6/2017) |
| Running Time: | 107 minutes |
| Plot point: | Car Accident, Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Fugitive / On the Run, Mad Scientist, Medical Crimes, Robot, Scientific Experiment Gone Awry |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Riverstone Pictures, Remstar, di Bonaventura Pictures, Entertainment Studios Motion Pictures, Blue Rider Pictures, Company Films, Lotus Entertainment, Ocean Park Entertainment, 74850, Fundamental Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 13 | $2,375,325 | 2,329 | $1,020 | $2,375,325 | 1 | |
| Jan 18, 2019 | 21 | $439,371 | -82% | 2,059 | $213 | $3,665,244 | 2 |
| Jan 25, 2019 | 40 | $34,084 | -92% | 84 | $406 | $3,992,206 | 3 |
| Feb 1, 2019 | 46 | $16,925 | -50% | 51 | $332 | $4,021,697 | 4 |
| Feb 8, 2019 | 55 | $8,782 | -48% | 29 | $303 | $4,037,924 | 5 |
| Feb 15, 2019 | 71 | $3,125 | -64% | 12 | $260 | $4,044,960 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 10, 2019 | P | $200,100 | 1,630 | $123 | $200,100 | |||
| Jan 11, 2019 | 12 | $933,517 | 2,329 | $401 | $933,517 | 1 | ||
| Jan 12, 2019 | 15 | $866,412 | -7% | 2,329 | $372 | $1,799,929 | 2 | |
| Jan 13, 2019 | 15 | $575,396 | -34% | 2,329 | $247 | $2,375,325 | 3 | |
| Jan 14, 2019 | 14 | $211,305 | -63% | 2,329 | $91 | $2,586,630 | 4 | |
| Jan 15, 2019 | 14 | $319,235 | +51% | 2,329 | $137 | $2,905,865 | 5 | |
| Jan 16, 2019 | 15 | $185,003 | -42% | 2,329 | $79 | $3,090,868 | 6 | |
| Jan 17, 2019 | - | $135,005 | -27% | 2,329 | $58 | $3,225,873 | 7 | |
| Jan 18, 2019 | - | $125,709 | -7% | -87% | 2,059 | $61 | $3,351,582 | 8 |
| Jan 19, 2019 | - | $178,984 | +42% | -79% | 2,059 | $87 | $3,530,566 | 9 |
| Jan 20, 2019 | - | $134,678 | -25% | -77% | 2,059 | $65 | $3,665,244 | 10 |
| Jan 21, 2019 | - | $101,933 | -24% | -52% | 2,059 | $50 | $3,767,177 | 11 |
| Jan 22, 2019 | - | $81,698 | -20% | -74% | 2,059 | $40 | $3,848,875 | 12 |
| Jan 23, 2019 | - | $57,720 | -29% | -69% | 2,059 | $28 | $3,906,595 | 13 |
| Jan 24, 2019 | - | $51,527 | -11% | -62% | 2,059 | $25 | $3,958,122 | 14 |
| Jan 25, 2019 | - | $9,485 | -82% | -92% | 84 | $113 | $3,967,607 | 15 |
| Jan 26, 2019 | - | $14,476 | +53% | -92% | 84 | $172 | $3,982,083 | 16 |
| Jan 27, 2019 | - | $10,123 | -30% | -92% | 84 | $121 | $3,992,206 | 17 |
| Jan 28, 2019 | - | $2,869 | -72% | -97% | 84 | $34 | $3,995,075 | 18 |
| Jan 29, 2019 | - | $3,717 | +30% | -95% | 84 | $44 | $3,998,792 | 19 |
| Jan 30, 2019 | - | $2,845 | -23% | -95% | 84 | $34 | $4,001,637 | 20 |
| Jan 31, 2019 | - | $3,135 | +10% | -94% | 84 | $37 | $4,004,772 | 21 |
| Feb 1, 2019 | - | $4,583 | +46% | -52% | 51 | $90 | $4,009,355 | 22 |
| Feb 2, 2019 | - | $8,694 | +90% | -40% | 51 | $170 | $4,018,049 | 23 |
| Feb 3, 2019 | - | $3,648 | -58% | -64% | 51 | $72 | $4,021,697 | 24 |
| Feb 4, 2019 | - | $2,029 | -44% | -29% | 51 | $40 | $4,023,726 | 25 |
| Feb 5, 2019 | - | $2,032 | n/c | -45% | 51 | $40 | $4,025,758 | 26 |
| Feb 6, 2019 | - | $1,811 | -11% | -36% | 51 | $36 | $4,027,569 | 27 |
| Feb 7, 2019 | - | $1,573 | -13% | -50% | 51 | $31 | $4,029,142 | 28 |
| Feb 8, 2019 | - | $2,107 | +34% | -54% | 29 | $73 | $4,031,249 | 29 |
| Feb 9, 2019 | - | $3,749 | +78% | -57% | 29 | $129 | $4,034,998 | 30 |
| Feb 10, 2019 | - | $2,926 | -22% | -20% | 29 | $101 | $4,037,924 | 31 |
| Feb 11, 2019 | - | $780 | -73% | -62% | 29 | $27 | $4,038,704 | 32 |
| Feb 12, 2019 | - | $894 | +15% | -56% | 29 | $31 | $4,039,598 | 33 |
| Feb 13, 2019 | - | $690 | -23% | -62% | 29 | $24 | $4,040,288 | 34 |
| Feb 14, 2019 | - | $1,547 | +124% | -2% | 29 | $53 | $4,041,835 | 35 |
| Feb 15, 2019 | - | $698 | -55% | -67% | 12 | $58 | $4,042,533 | 36 |
| Feb 16, 2019 | - | $1,303 | +87% | -65% | 12 | $109 | $4,043,836 | 37 |
| Feb 17, 2019 | - | $1,124 | -14% | -62% | 12 | $94 | $4,044,960 | 38 |
| Feb 18, 2019 | - | $596 | -47% | -24% | 12 | $50 | $4,045,556 | 39 |
| Feb 19, 2019 | - | $277 | -54% | -69% | 12 | $23 | $4,045,833 | 40 |
| Feb 20, 2019 | - | $255 | -8% | -63% | 12 | $21 | $4,046,088 | 41 |
| Feb 21, 2019 | - | $341 | +34% | -78% | 12 | $28 | $4,046,429 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 11, 2019 | 15 | $3,225,873 | 2,329 | $1,385 | $3,225,873 | 1 | |
| Jan 18, 2019 | 22 | $732,249 | -77% | 2,059 | $356 | $3,958,122 | 2 |
| Jan 25, 2019 | 39 | $46,650 | -94% | 84 | $555 | $4,004,772 | 3 |
| Feb 1, 2019 | 50 | $24,370 | -48% | 51 | $478 | $4,029,142 | 4 |
| Feb 8, 2019 | 62 | $12,693 | -48% | 29 | $438 | $4,041,835 | 5 |
| Feb 15, 2019 | 73 | $4,594 | -64% | 12 | $383 | $4,046,429 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 4/19/2019 | $112,061 | 118 | 118 | 118 | $112,061 | 4/27/2019 | |||
| China | 11/23/2018 | $410,000 | 13,395 | 13,395 | 13,395 | $727,089 | 12/6/2018 | |||
| Lithuania | 11/9/2018 | $5,164 | 25 | 25 | 33 | $9,899 | 11/27/2018 | |||
| Mexico | 10/26/2018 | $414,116 | 0 | 0 | 0 | $414,116 | 10/29/2018 | |||
| Netherlands | 1/4/2019 | $98,134 | 35 | 40 | 109 | $286,609 | 1/22/2019 | |||
| Portugal | 3/15/2019 | $68,109 | 45 | 45 | 132 | $164,390 | 4/16/2019 | |||
| Russia (CIS) | 10/25/2018 | $1,060,348 | 965 | 965 | 2,311 | $2,268,518 | 1/15/2019 | |||
| South Korea | 9/25/2019 | $127,469 | 339 | 339 | 385 | $328,043 | 2/5/2020 | |||
| Turkey | 1/11/2019 | $87,974 | 146 | 146 | 309 | $202,193 | 2/14/2019 | |||
| Rest of World | $478,080 | |||||||||
| International Total | $4,990,998 | 2/5/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | William Foster |
Supporting
| Alice Eve | Mona Foster | |
| Thomas Middleditch | Ed Whittle | |
| John Ortiz | Jones | |
| Emily Alyn Lind | Sophie Foster | |
| Emjay Anthony | Matt Foster | |
| Nyasha Hatendi | Scott | |
| Aria Leabu | Zoe Foster | |
| Sunshine Logroño | Hector | |
| Amber Townsend | Lab Tech |
Production and Technical Credits
| Jeffrey Nachmanoff | Director | |
| Chad St. John | Screenplay By | |
| Stephen Hamel | Story Creator | |
| Lorenzo di Bonaventura | Producer | |
| Stephen Hamel | Producer | |
| Keanu Reeves | Producer | |
| Mark Gao | Producer | |
| Luis Riefkohl | Producer | |
| Bill Johnson | Executive Producer | |
| Jim Seibel | Executive Producer | |
| Nik Bower | Executive Producer | |
| James Dodson | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| Maxime Remillard | Executive Producer | |
| Clark Peterson | Executive Producer | |
| Walter Josten | Executive Producer | |
| Erik Howsam | Executive Producer | |
| Ara Keshishian | Executive Producer | |
| Chad St. John | Executive Producer | |
| Gregory Ouanhon | Executive Producer | |
| Sebastian Boneta | Executive Producer | |
| Byron Allen | Executive Producer | |
| Carolyn Folks | Executive Producer | |
| Jennifer Lucas | Executive Producer | |
| Terence Hill | Executive Producer | |
| Mark Devitre | Executive Producer | |
| Chris Charalambous | Executive Producer | |
| Mark Borde | Executive Producer | |
| Simon Michael | Executive Producer | |
| Steve Zadrick | Executive Producer | |
| Richard Barner | Executive Producer | |
| Chad Doher | Executive Producer | |
| Joan Robbins | Executive Producer | |
| Checco Varese | Director of Photography | |
| Johnny Breedt | Production Designer | |
| Pedro Javier Muniz | Editor | |
| Chris Piccaro | Music Supervisor | |
| Mark Kilian | Music By | |
| Jose Ojeda | Music By | |
| Sharon Bialy | Casting Director | |
| Sherry Thomas | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.