The Report (2019)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $242,788 | Details |
| Worldwide Box Office | $242,788 | |
| OpusData ID: 394240100 More info... | ||
| Further financial details... | ||
Synopsis
Idealistic staffer Daniel J. Jones is tasked by his boss Senator Dianne Feinstein to lead an investigation of the CIA’s Detention and Interrogation Program, which was created in the aftermath of 9/11. Jones’ relentless pursuit of the truth leads to explosive findings that uncover the lengths to which the nation’s top intelligence agency went to destroy evidence, subvert the law, and hide a brutal secret from the American public.
Metrics
| Production Budget: | $8,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 15th, 2019 (Limited) by Amazon Studios |
| International Releases: | November 8th, 2019 (Wide) (Netherlands)
November 14th, 2019 (Wide) (New Zealand) November 15th, 2019 (Wide) (Australia) November 15th, 2019 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | November 29th, 2019 by Amazon Studios |
| MPA Rating: | R for some scenes of inhumane treatment and torture, and language. (Rating bulletin 2576 (Cert #51980), 5/1/2019) |
| Running Time: | 118 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Subgenre: | Docudrama |
| Source: | Based on Factual Book/Article |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Amazon Studios, Vice Studios, Unbranded Pictures, GLG, Margin of Error, Topic |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/15/2019 | $30,272 | 30 | 30 | 45 | $40,801 | 12/3/2019 | |||
| Netherlands | 11/8/2019 | $41,067 | 19 | 19 | 106 | $133,634 | 10/19/2022 | |||
| New Zealand | 11/14/2019 | $332 | 2 | 2 | 4 | $491 | 10/19/2022 | |||
| United Kingdom | 11/15/2019 | $67,862 | 25 | 25 | 25 | $67,862 | 11/20/2019 | |||
| International Total | $242,788 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Driver | Daniel Jones | |
| Annette Bening | Dianne Feinstein | |
| Jon Hamm | Denis McDonough |
Supporting
| Ted Levine | John Brennan | |
| Michael C. Hall | Thomas Eastman | |
| Tim Blake Nelson | Raymond Nathan | |
| Corey Stoll | Cyrus Clifford | |
| Maura Tierney | Bernadette | |
| Douglas Hodge | Dr. Jim Mitchell | |
| Fajer Kaisi | Ali Soufan | |
| Jennifer Morrison | Lawyer | |
| Sarah Goldberg | April | |
| Linda Powell | Marcy Morris | |
| Matthew Rhys | New York Times Reporter | |
| T. Ryder Smith | Bruce Jessen |
Production and Technical Credits
| Scott Z. Burns | Director | |
| Scott Z. Burns | Screenwriter | |
| Katherine Eban | Story based on the Vanity Fair Article | |
| Steven Soderbergh | Producer | |
| Jennifer Fox | Producer | |
| Scott Z. Burns | Producer | |
| Kerry Orent | Producer | |
| Michael Sugar | Producer | |
| Danny Gabai | Producer | |
| Eddy Moretti | Producer | |
| Nancy Dubuc | Executive Producer | |
| Shane Smith | Executive Producer | |
| Natalie Farrey | Executive Producer | |
| Lila Yacoub | Executive Producer | |
| Michael DiVerdi | Executive Producer | |
| Vincent Landay | Executive Producer | |
| T.J. Rinomato | Executive Producer | |
| Jennifer Semler | Co-Producer | |
| Eigil Bryld | Director of Photography | |
| Ethan Tobman | Production Designer | |
| Greg O'Bryant | Editor | |
| David Wingo | Composer | |
| Susan Lyall | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Idealistic staffer Daniel J. Jones is tasked by his boss Senator Dianne Feinstein to lead an investigation of the CIA’s Detention and Interrogation Program, which was created in the aftermath of 9/11. Jones’ relentless pursuit of the truth leads to explosive findings that uncover the lengths to which the nation’s top intelligence agency went to destroy evidence, subvert the law, and hide a brutal secret from the American public.
Metrics
| Production Budget: | $8,000,000 (worldwide box office is 0.0 times production budget) |
Movie Details
| Domestic Releases: | November 15th, 2019 (Limited) by Amazon Studios |
| International Releases: | November 8th, 2019 (Wide) (Netherlands)
November 14th, 2019 (Wide) (New Zealand) November 15th, 2019 (Wide) (Australia) November 15th, 2019 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | November 29th, 2019 by Amazon Studios |
| MPA Rating: | R for some scenes of inhumane treatment and torture, and language. (Rating bulletin 2576 (Cert #51980), 5/1/2019) |
| Running Time: | 118 minutes |
| Film festival: | Sundance Film Festival 2019 |
| Subgenre: | Docudrama |
| Source: | Based on Factual Book/Article |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Amazon Studios, Vice Studios, Unbranded Pictures, GLG, Margin of Error, Topic |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/15/2019 | $30,272 | 30 | 30 | 45 | $40,801 | 12/3/2019 | |||
| Netherlands | 11/8/2019 | $41,067 | 19 | 19 | 106 | $133,634 | 10/19/2022 | |||
| New Zealand | 11/14/2019 | $332 | 2 | 2 | 4 | $491 | 10/19/2022 | |||
| United Kingdom | 11/15/2019 | $67,862 | 25 | 25 | 25 | $67,862 | 11/20/2019 | |||
| International Total | $242,788 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adam Driver | Daniel Jones | |
| Annette Bening | Dianne Feinstein | |
| Jon Hamm | Denis McDonough |
Supporting
| Ted Levine | John Brennan | |
| Michael C. Hall | Thomas Eastman | |
| Tim Blake Nelson | Raymond Nathan | |
| Corey Stoll | Cyrus Clifford | |
| Maura Tierney | Bernadette | |
| Douglas Hodge | Dr. Jim Mitchell | |
| Fajer Kaisi | Ali Soufan | |
| Jennifer Morrison | Lawyer | |
| Sarah Goldberg | April | |
| Linda Powell | Marcy Morris | |
| Matthew Rhys | New York Times Reporter | |
| T. Ryder Smith | Bruce Jessen |
Production and Technical Credits
| Scott Z. Burns | Director | |
| Scott Z. Burns | Screenwriter | |
| Katherine Eban | Story based on the Vanity Fair Article | |
| Steven Soderbergh | Producer | |
| Jennifer Fox | Producer | |
| Scott Z. Burns | Producer | |
| Kerry Orent | Producer | |
| Michael Sugar | Producer | |
| Danny Gabai | Producer | |
| Eddy Moretti | Producer | |
| Nancy Dubuc | Executive Producer | |
| Shane Smith | Executive Producer | |
| Natalie Farrey | Executive Producer | |
| Lila Yacoub | Executive Producer | |
| Michael DiVerdi | Executive Producer | |
| Vincent Landay | Executive Producer | |
| T.J. Rinomato | Executive Producer | |
| Jennifer Semler | Co-Producer | |
| Eigil Bryld | Director of Photography | |
| Ethan Tobman | Production Designer | |
| Greg O'Bryant | Editor | |
| David Wingo | Composer | |
| Susan Lyall | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.