Return to Silent Hill (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $5,544,971 | Details |
| International Box Office | $27,933,406 | Details |
| Worldwide Box Office | $33,478,377 | |
| OpusData ID: 744780100 More info... | ||
| Further financial details... | ||
Synopsis
When James receives a mysterious letter from his lost love Mary, he is drawn to Silent Hill—a once-familiar town now consumed by darkness. As he searches for her, James faces monstrous creatures and unravels a terrifying truth that will push him to the edge of his sanity.
Metrics
| Opening Weekend: | $3,252,000 (58.6% of total gross) |
| Legs: | 1.71 (domestic box office/biggest weekend) |
| Domestic Share: | 16.6% (domestic box office/worldwide) |
| Production Budget: | $23,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 2,000 opening theaters/2,150 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,544,971 |
Movie Details
| Domestic Releases: | January 23rd, 2026 (Wide) by Iconic Releasing |
| International Releases: | January 22nd, 2026 (Wide), released as Silent Hill: Noční můry (Czech Republic)
January 22nd, 2026 (Wide) (Australia) January 22nd, 2026 (Wide), released as Terror en Silent Hill: Regreso al Infierno (Argentina) January 22nd, 2026 (Wide), released as Terror em Silent Hill: Regresso para o inferno (Brazil) January 22nd, 2026 (Wide) (Mexico) ... Show all releases |
| Video Release: | February 24th, 2026 by Cineverse |
| MPA Rating: | R for bloody violent content, language and brief drug use. (Rating bulletin 2916 (cert #55838), 12/17/2025) |
| Running Time: | 106 minutes |
| Franchise: | Silent Hill |
| Cast, crew, or production detail: | Prologue, Same Actor, Multiple Roles |
| Plot point: | Death of a Girlfriend / Boyfriend, Dysfunctional Family, Familial Murder, Non-Chronological, Time Travel |
| Social setting: | Cults, Supernatural |
| Subgenre: | Psychological Horror |
| Source: | Based on Game |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cineverse, Davis Films, Electric Shadow Company, Supernix, WIP, Ashland and Hill Media Finance, Konami, Richmond Pictures, Lipsync Productions |
| Production Countries: | France, Germany, Serbia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 7 | $3,252,000 | 2,000 | $1,626 | $3,252,000 | 1 | |
| Jan 30, 2026 | 12 | $980,833 | -70% | 1,608 | $610 | $5,107,032 | 2 |
| Feb 6, 2026 | - | $115,559 | -88% | 273 | $423 | $5,544,971 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 4 | $1,600,000 | 2,000 | $800 | $1,600,000 | 1 | ||
| Jan 24, 2026 | 8 | $972,000 | -39% | 2,000 | $486 | $2,572,000 | 2 | |
| Jan 25, 2026 | 8 | $680,000 | -30% | 2,000 | $340 | $3,252,000 | 3 | |
| Jan 26, 2026 | 8 | $201,021 | -70% | 2,150 | $93 | $3,453,021 | 4 | |
| Jan 27, 2026 | 8 | $311,957 | +55% | 2,000 | $156 | $3,764,978 | 5 | |
| Jan 28, 2026 | 9 | $214,105 | -31% | 2,000 | $107 | $3,979,083 | 6 | |
| Jan 29, 2026 | 9 | $147,116 | -31% | 2,000 | $74 | $4,126,199 | 7 | |
| Jan 30, 2026 | 12 | $271,875 | +85% | -83% | 1,608 | $169 | $4,398,074 | 8 |
| Jan 31, 2026 | 12 | $417,034 | +53% | -57% | 1,608 | $259 | $4,815,108 | 9 |
| Feb 1, 2026 | 12 | $291,924 | -30% | -57% | 1,608 | $182 | $5,107,032 | 10 |
| Feb 2, 2026 | - | $78,383 | -73% | -61% | 1,608 | $49 | $5,185,415 | 11 |
| Feb 3, 2026 | - | $112,956 | +44% | -64% | 1,608 | $70 | $5,298,371 | 12 |
| Feb 4, 2026 | - | $84,763 | -25% | -60% | 1,608 | $53 | $5,383,134 | 13 |
| Feb 5, 2026 | - | $46,278 | -45% | -69% | 1,608 | $29 | $5,429,412 | 14 |
| Feb 6, 2026 | - | $31,447 | -32% | -88% | 273 | $115 | $5,460,859 | 15 |
| Feb 7, 2026 | - | $52,570 | +67% | -87% | 273 | $193 | $5,513,429 | 16 |
| Feb 8, 2026 | - | $31,542 | -40% | -89% | 273 | $116 | $5,544,971 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 7 | $4,126,199 | 2,000 | $2,063 | $4,126,199 | 1 | |
| Jan 30, 2026 | 12 | $1,303,213 | -68% | 1,608 | $810 | $5,429,412 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2026 | $141,941 | 101 | 101 | 0 | $194,121 | 4/6/2026 | |||
| China | 1/23/2026 | $8,443,222 | 0 | 0 | 0 | $18,420,006 | 4/10/2026 | |||
| Czech Republic | 1/22/2026 | $87,065 | 109 | 109 | 207 | $177,357 | 4/4/2026 | |||
| Hungary | 2/5/2026 | $0 | 0 | 1 | 0 | $237,897 | 4/22/2026 | |||
| Italy | 1/22/2026 | $412,228 | 0 | 0 | 0 | $599,992 | 4/4/2026 | |||
| Netherlands | 2/19/2026 | $36,571 | 22 | 22 | 22 | $37,327 | 4/4/2026 | |||
| New Zealand | 1/22/2026 | $19,435 | 21 | 21 | 0 | $24,126 | 4/13/2026 | |||
| Portugal | 1/29/2026 | $27,984 | 27 | 27 | 0 | $48,942 | 4/4/2026 | |||
| Romania | 1/23/2026 | $72,529 | 82 | 82 | 0 | $166,410 | 4/4/2026 | |||
| Russia (CIS) | 1/22/2026 | $2,590,920 | 1,494 | 1,500 | 4,272 | $5,424,643 | 4/4/2026 | |||
| Slovakia | 1/29/2026 | $42,139 | 63 | 63 | 103 | $77,100 | 4/4/2026 | |||
| Spain | 1/23/2026 | $373,134 | 373 | 373 | 545 | $869,979 | 4/4/2026 | |||
| Turkey | 2/13/2026 | $114,598 | 243 | 243 | 423 | $238,636 | 4/13/2026 | |||
| United Kingdom | 1/23/2026 | $788,214 | 365 | 365 | 785 | $1,416,870 | 4/4/2026 | |||
| International Total | $27,933,406 | 4/22/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jeremy Irving | James Sunderland |
Supporting
| Hannah Emily Anderson | Mary | |
| Evie Templeton | Laura |
Production and Technical Credits
| Christophe Gans | Director | |
| Sandra Vo Anh | Screenwriter | |
| William Schneider | Screenwriter | |
| Christophe Gans | Screenwriter | |
| Victor Hadida | Producer | |
| David Wulf | Producer | |
| Molly Hassel | Producer | |
| Kwesi Dickson | Co-Producer | |
| Philipp Kreuzer | Co-Producer | |
| Andjelka Vlaisavljevic | Co-Producer | |
| Pablo Rosso | Director of Photography | |
| Tetsu Fujimura | Executive Producer | |
| Joe Simpson | Executive Producer | |
| Simon Williams | Executive Producer | |
| Jonathan Bross | Executive Producer | |
| Juliana Lubin | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Paul Hazen | Executive Producer | |
| Joe Neurauter | Executive Producer | |
| Jay Taylor | Executive Producer | |
| Pablo Rosso | Director of Photography | |
| Sebastien Prangere | Editor | |
| Jovana Mihajlovic | Production Designer | |
| Mina Buric | Production Designer | |
| Momirka Bailovic | Costume Designer | |
| Manuel Hufschmid | Visual Effects Supervisor | |
| Akira Yamaoka | Composer | |
| Neely Eisenstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When James receives a mysterious letter from his lost love Mary, he is drawn to Silent Hill—a once-familiar town now consumed by darkness. As he searches for her, James faces monstrous creatures and unravels a terrifying truth that will push him to the edge of his sanity.
Metrics
| Opening Weekend: | $3,252,000 (58.6% of total gross) |
| Legs: | 1.71 (domestic box office/biggest weekend) |
| Domestic Share: | 16.6% (domestic box office/worldwide) |
| Production Budget: | $23,000,000 (worldwide box office is 1.5 times production budget) |
| Theater counts: | 2,000 opening theaters/2,150 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,544,971 |
Movie Details
| Domestic Releases: | January 23rd, 2026 (Wide) by Iconic Releasing |
| International Releases: | January 22nd, 2026 (Wide), released as Silent Hill: Noční můry (Czech Republic)
January 22nd, 2026 (Wide) (Australia) January 22nd, 2026 (Wide), released as Terror en Silent Hill: Regreso al Infierno (Argentina) January 22nd, 2026 (Wide), released as Terror em Silent Hill: Regresso para o inferno (Brazil) January 22nd, 2026 (Wide) (Mexico) ... Show all releases |
| Video Release: | February 24th, 2026 by Cineverse |
| MPA Rating: | R for bloody violent content, language and brief drug use. (Rating bulletin 2916 (cert #55838), 12/17/2025) |
| Running Time: | 106 minutes |
| Franchise: | Silent Hill |
| Cast, crew, or production detail: | Prologue, Same Actor, Multiple Roles |
| Plot point: | Death of a Girlfriend / Boyfriend, Dysfunctional Family, Familial Murder, Non-Chronological, Time Travel |
| Social setting: | Cults, Supernatural |
| Subgenre: | Psychological Horror |
| Source: | Based on Game |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cineverse, Davis Films, Electric Shadow Company, Supernix, WIP, Ashland and Hill Media Finance, Konami, Richmond Pictures, Lipsync Productions |
| Production Countries: | France, Germany, Serbia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 7 | $3,252,000 | 2,000 | $1,626 | $3,252,000 | 1 | |
| Jan 30, 2026 | 12 | $980,833 | -70% | 1,608 | $610 | $5,107,032 | 2 |
| Feb 6, 2026 | - | $115,559 | -88% | 273 | $423 | $5,544,971 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 4 | $1,600,000 | 2,000 | $800 | $1,600,000 | 1 | ||
| Jan 24, 2026 | 8 | $972,000 | -39% | 2,000 | $486 | $2,572,000 | 2 | |
| Jan 25, 2026 | 8 | $680,000 | -30% | 2,000 | $340 | $3,252,000 | 3 | |
| Jan 26, 2026 | 8 | $201,021 | -70% | 2,150 | $93 | $3,453,021 | 4 | |
| Jan 27, 2026 | 8 | $311,957 | +55% | 2,000 | $156 | $3,764,978 | 5 | |
| Jan 28, 2026 | 9 | $214,105 | -31% | 2,000 | $107 | $3,979,083 | 6 | |
| Jan 29, 2026 | 9 | $147,116 | -31% | 2,000 | $74 | $4,126,199 | 7 | |
| Jan 30, 2026 | 12 | $271,875 | +85% | -83% | 1,608 | $169 | $4,398,074 | 8 |
| Jan 31, 2026 | 12 | $417,034 | +53% | -57% | 1,608 | $259 | $4,815,108 | 9 |
| Feb 1, 2026 | 12 | $291,924 | -30% | -57% | 1,608 | $182 | $5,107,032 | 10 |
| Feb 2, 2026 | - | $78,383 | -73% | -61% | 1,608 | $49 | $5,185,415 | 11 |
| Feb 3, 2026 | - | $112,956 | +44% | -64% | 1,608 | $70 | $5,298,371 | 12 |
| Feb 4, 2026 | - | $84,763 | -25% | -60% | 1,608 | $53 | $5,383,134 | 13 |
| Feb 5, 2026 | - | $46,278 | -45% | -69% | 1,608 | $29 | $5,429,412 | 14 |
| Feb 6, 2026 | - | $31,447 | -32% | -88% | 273 | $115 | $5,460,859 | 15 |
| Feb 7, 2026 | - | $52,570 | +67% | -87% | 273 | $193 | $5,513,429 | 16 |
| Feb 8, 2026 | - | $31,542 | -40% | -89% | 273 | $116 | $5,544,971 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 23, 2026 | 7 | $4,126,199 | 2,000 | $2,063 | $4,126,199 | 1 | |
| Jan 30, 2026 | 12 | $1,303,213 | -68% | 1,608 | $810 | $5,429,412 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/22/2026 | $141,941 | 101 | 101 | 0 | $194,121 | 4/6/2026 | |||
| China | 1/23/2026 | $8,443,222 | 0 | 0 | 0 | $18,420,006 | 4/10/2026 | |||
| Czech Republic | 1/22/2026 | $87,065 | 109 | 109 | 207 | $177,357 | 4/4/2026 | |||
| Hungary | 2/5/2026 | $0 | 0 | 1 | 0 | $237,897 | 4/22/2026 | |||
| Italy | 1/22/2026 | $412,228 | 0 | 0 | 0 | $599,992 | 4/4/2026 | |||
| Netherlands | 2/19/2026 | $36,571 | 22 | 22 | 22 | $37,327 | 4/4/2026 | |||
| New Zealand | 1/22/2026 | $19,435 | 21 | 21 | 0 | $24,126 | 4/13/2026 | |||
| Portugal | 1/29/2026 | $27,984 | 27 | 27 | 0 | $48,942 | 4/4/2026 | |||
| Romania | 1/23/2026 | $72,529 | 82 | 82 | 0 | $166,410 | 4/4/2026 | |||
| Russia (CIS) | 1/22/2026 | $2,590,920 | 1,494 | 1,500 | 4,272 | $5,424,643 | 4/4/2026 | |||
| Slovakia | 1/29/2026 | $42,139 | 63 | 63 | 103 | $77,100 | 4/4/2026 | |||
| Spain | 1/23/2026 | $373,134 | 373 | 373 | 545 | $869,979 | 4/4/2026 | |||
| Turkey | 2/13/2026 | $114,598 | 243 | 243 | 423 | $238,636 | 4/13/2026 | |||
| United Kingdom | 1/23/2026 | $788,214 | 365 | 365 | 785 | $1,416,870 | 4/4/2026 | |||
| International Total | $27,933,406 | 4/22/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jeremy Irving | James Sunderland |
Supporting
| Hannah Emily Anderson | Mary | |
| Evie Templeton | Laura |
Production and Technical Credits
| Christophe Gans | Director | |
| Sandra Vo Anh | Screenwriter | |
| William Schneider | Screenwriter | |
| Christophe Gans | Screenwriter | |
| Victor Hadida | Producer | |
| David Wulf | Producer | |
| Molly Hassel | Producer | |
| Kwesi Dickson | Co-Producer | |
| Philipp Kreuzer | Co-Producer | |
| Andjelka Vlaisavljevic | Co-Producer | |
| Pablo Rosso | Director of Photography | |
| Tetsu Fujimura | Executive Producer | |
| Joe Simpson | Executive Producer | |
| Simon Williams | Executive Producer | |
| Jonathan Bross | Executive Producer | |
| Juliana Lubin | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Paul Hazen | Executive Producer | |
| Joe Neurauter | Executive Producer | |
| Jay Taylor | Executive Producer | |
| Pablo Rosso | Director of Photography | |
| Sebastien Prangere | Editor | |
| Jovana Mihajlovic | Production Designer | |
| Mina Buric | Production Designer | |
| Momirka Bailovic | Costume Designer | |
| Manuel Hufschmid | Visual Effects Supervisor | |
| Akira Yamaoka | Composer | |
| Neely Eisenstein | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.