Return to the Blue Lagoon (1991)
| Theatrical Performance | ||
| Domestic Box Office | $2,000,000 | Details |
| OpusData ID: 56030100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $11,000,000 (worldwide box office is 0.2 times production budget) |
| Infl. Adj. Dom. BO | $5,372,917 |
Movie Details
| Domestic Releases: | 1991 (Wide) |
| MPA Rating: | PG-13 |
| Running Time: | 98 minutes |
| Franchise: | The Blue Lagoon |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Columbia Pictures, Price Entertainment, Randal Kleiser |
| Production Countries: | United States |
| Languages: | English |
| Brian Krause | Richard | |
| Milla Jovovich | Lilli |
Production and Technical Credits
| Basil Poledouris | Composer | |
| Gregory H. Watkins | Re-recording Mixer | |
| Renee Confair | Location Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $11,000,000 (worldwide box office is 0.2 times production budget) |
| Infl. Adj. Dom. BO | $5,372,917 |
Movie Details
| Domestic Releases: | 1991 (Wide) |
| MPA Rating: | PG-13 |
| Running Time: | 98 minutes |
| Franchise: | The Blue Lagoon |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Columbia Pictures, Price Entertainment, Randal Kleiser |
| Production Countries: | United States |
| Languages: | English |
| Brian Krause | Richard | |
| Milla Jovovich | Lilli |
Production and Technical Credits
| Basil Poledouris | Composer | |
| Gregory H. Watkins | Re-recording Mixer | |
| Renee Confair | Location Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.