Réveil sur Mars (2020)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 457060100 More info... | ||
| Further financial details... | ||
Synopsis
A 10-year-old Roma boy living in Sweden attempts to come to terms with the mysterious Resignation Syn-drome that has put his two sisters in a coma. The tight-knit family is trying to rebuild a normal life far from their native Kosovo where they were victims of persecution. While their entire future hangs in the balance of a pending asylum request, the little boy dreams of building a spaceship to leave it all behind.
Metrics
Movie Details
| Running Time: | 74 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amok Films, Melisande Films, Alva Film, France Television, Federal Office for Culture, Cineforom, Loterie Romande Fond Culturel, Le Centre National du Cinema et de L'Image, Doha Film Institute, Sundance Institute Documentary Film Program, Open Society Foundations, Just Films, Ford Foundation, Perspective Fund, De La Procirep Et De L Angoa |
| Production Countries: | France, Switzerland |
| Languages: | Albanian, Swedish |
Production and Technical Credits
| Dea Gjinovci | Director | |
| Sophie Faudel | Producer | |
| Dea Gjinovci | Producer | |
| Britta Rindelaub | Producer | |
| Jasmin Basic | Producer | |
| Heidi Fleisher | Producer | |
| Maxime Kathari | Director of Photography | |
| Quentin Coulon | Sound Recordist | |
| Aliosha Cheyko | First Assistant Director | |
| Jesse Wallace | Production Designer | |
| Armand De Benoist | Set Designer | |
| Thomas Collinet | Set Designer | |
| Aurelia Martin | Costume Designer | |
| Gael Kyriakidis | Composer | |
| Catherine Birukoff | Editor | |
| Lizi Gelber | Supervising Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A 10-year-old Roma boy living in Sweden attempts to come to terms with the mysterious Resignation Syn-drome that has put his two sisters in a coma. The tight-knit family is trying to rebuild a normal life far from their native Kosovo where they were victims of persecution. While their entire future hangs in the balance of a pending asylum request, the little boy dreams of building a spaceship to leave it all behind.
Metrics
Movie Details
| Running Time: | 74 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amok Films, Melisande Films, Alva Film, France Television, Federal Office for Culture, Cineforom, Loterie Romande Fond Culturel, Le Centre National du Cinema et de L'Image, Doha Film Institute, Sundance Institute Documentary Film Program, Open Society Foundations, Just Films, Ford Foundation, Perspective Fund, De La Procirep Et De L Angoa |
| Production Countries: | France, Switzerland |
| Languages: | Albanian, Swedish |
Production and Technical Credits
| Dea Gjinovci | Director | |
| Sophie Faudel | Producer | |
| Dea Gjinovci | Producer | |
| Britta Rindelaub | Producer | |
| Jasmin Basic | Producer | |
| Heidi Fleisher | Producer | |
| Maxime Kathari | Director of Photography | |
| Quentin Coulon | Sound Recordist | |
| Aliosha Cheyko | First Assistant Director | |
| Jesse Wallace | Production Designer | |
| Armand De Benoist | Set Designer | |
| Thomas Collinet | Set Designer | |
| Aurelia Martin | Costume Designer | |
| Gael Kyriakidis | Composer | |
| Catherine Birukoff | Editor | |
| Lizi Gelber | Supervising Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.