El Rey Del Once (2016)
| Theatrical Performance | ||
| Domestic Box Office | $63,201 | Details |
| International Box Office | $231,565 | Details |
| Worldwide Box Office | $294,766 | |
| OpusData ID: 255100100 More info... | ||
| Further financial details... | ||
Synopsis
Ari, who has built a successful career in New York, thinks he has left his past behind. But his distant father Usher, who runs a Jewish aid foundation in El Once, the close-knit old Jewish neighborhood of Buenos Aires summons him back to his native city. What ensues is a comedy of errors, of missed and found people and connections, and a rumination on the extent to which we can ever really leave our past behind.
Metrics
| Legs: | 4.60 (domestic box office/biggest weekend) |
| Domestic Share: | 21.4% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $87,380 |
Movie Details
| Domestic Releases: | July 29th, 2016 (Limited) by Kino Lorber, released as The Tenth Man |
| International Releases: | February 12th, 2016 (Wide) (Argentina)
May 13th, 2016 (Wide) (Brazil) |
| Video Release: | February 7th, 2017 by Kino Lorber, released as The Tenth Man |
| MPA Rating: | Not Rated |
| Running Time: | 82 minutes |
| Plot point: | Dysfunctional Family, Jewish, Religious, Romance |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BD Cine, Pasto, Alegoria, Telefe, Fox+, INCAA |
| Production Countries: | Argentina |
| Languages: | Spanish, Hebrew, Yiddish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 5, 2016 | 49 | $13,730 | 4 | $3,433 | $30,990 | 2 | |
| Aug 12, 2016 | 80 | $4,176 | -70% | 3 | $1,392 | $39,479 | 3 |
| Aug 19, 2016 | 82 | $2,161 | -48% | 3 | $720 | $41,640 | 4 |
| Aug 26, 2016 | 91 | $1,741 | -19% | 2 | $871 | $44,858 | 5 |
| Sep 2, 2016 | 98 | $500 | -71% | 1 | $500 | $45,587 | 6 |
| Sep 9, 2016 | 98 | $2,454 | +391% | 1 | $2,454 | $49,995 | 7 |
| Sep 30, 2016 | 113 | $662 | 1 | $662 | $50,871 | 10 | |
| Nov 4, 2016 | 81 | $2,000 | 1 | $2,000 | $57,803 | 15 | |
| Nov 18, 2016 | 102 | $683 | 1 | $683 | $63,201 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | 59 | $17,260 | 4 | $4,315 | $17,260 | 1 | |
| Aug 5, 2016 | 58 | $18,043 | +5% | 4 | $4,511 | $35,303 | 2 |
| Aug 12, 2016 | 78 | $4,176 | -77% | 3 | $1,392 | $39,479 | 3 |
| Aug 19, 2016 | 88 | $3,638 | -13% | 3 | $1,213 | $43,117 | 4 |
| Aug 26, 2016 | 101 | $1,970 | -46% | 2 | $985 | $45,087 | 5 |
| Sep 2, 2016 | 95 | $2,454 | +25% | 3 | $818 | $47,541 | 6 |
| Sep 9, 2016 | 104 | $2,786 | +14% | 1 | $2,786 | $50,327 | 7 |
| Sep 30, 2016 | 121 | $1,308 | 1 | $1,308 | $51,517 | 10 | |
| Oct 21, 2016 | 105 | $2,286 | 2 | $1,143 | $53,803 | 13 | |
| Oct 28, 2016 | 99 | $2,000 | -13% | 1 | $2,000 | $55,803 | 14 |
| Nov 4, 2016 | 73 | $5,572 | +179% | 1 | $5,572 | $61,375 | 15 |
| Nov 11, 2016 | 114 | $1,143 | -79% | 1 | $1,143 | $62,518 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/12/2016 | $0 | 0 | 1 | 1 | $187,207 | 1/1/2019 | |||
| Brazil | 5/13/2016 | $14,229 | 0 | 0 | 0 | $44,358 | 11/15/2018 | |||
| International Total | $231,565 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alan Sabbagh | Ariel |
Supporting
| Julieta Zylberberg | Eva | |
| Usher* | Usher | |
| Elvira Onetto | Susy | |
| Adrian Stoppelman | Mamuñe | |
| Daniel Droblas | Hercules | |
| Elisa Carricajo | Monica | |
| Dan Britman | Mumi Singer | |
| Uriel Rubin | Marcelito Cohen | |
| Dalmiro Burman | Ariel (11 years) |
Production and Technical Credits
| Daniel Burman | Director | |
| Daniel Burman | Screenwriter | |
| Diego Dubcovsky | Producer | |
| Daniel Burman | Producer | |
| Barbara Francisco | Producer | |
| Alejandro Gorodisch | Co-Producer | |
| Alfredo Odorisio | Co-Producer | |
| Axel Kuschevatzky | Co-Producer | |
| Barbara Francisco | Executive Producer | |
| Daniel Ortega | Director of Photography | |
| Margarita Tamborino | Production Designer | |
| Andres Tambornino | Editor | |
| Catriel Vildosola | Sound Designer | |
| Roberta Pesci | Costume Designer | |
| Mariela Hermo | Make up | |
| Cecelia Salim | Unit Production Manager | |
| Matias Famulari | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ari, who has built a successful career in New York, thinks he has left his past behind. But his distant father Usher, who runs a Jewish aid foundation in El Once, the close-knit old Jewish neighborhood of Buenos Aires summons him back to his native city. What ensues is a comedy of errors, of missed and found people and connections, and a rumination on the extent to which we can ever really leave our past behind.
Metrics
| Legs: | 4.60 (domestic box office/biggest weekend) |
| Domestic Share: | 21.4% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $87,380 |
Movie Details
| Domestic Releases: | July 29th, 2016 (Limited) by Kino Lorber, released as The Tenth Man |
| International Releases: | February 12th, 2016 (Wide) (Argentina)
May 13th, 2016 (Wide) (Brazil) |
| Video Release: | February 7th, 2017 by Kino Lorber, released as The Tenth Man |
| MPA Rating: | Not Rated |
| Running Time: | 82 minutes |
| Plot point: | Dysfunctional Family, Jewish, Religious, Romance |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BD Cine, Pasto, Alegoria, Telefe, Fox+, INCAA |
| Production Countries: | Argentina |
| Languages: | Spanish, Hebrew, Yiddish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 5, 2016 | 49 | $13,730 | 4 | $3,433 | $30,990 | 2 | |
| Aug 12, 2016 | 80 | $4,176 | -70% | 3 | $1,392 | $39,479 | 3 |
| Aug 19, 2016 | 82 | $2,161 | -48% | 3 | $720 | $41,640 | 4 |
| Aug 26, 2016 | 91 | $1,741 | -19% | 2 | $871 | $44,858 | 5 |
| Sep 2, 2016 | 98 | $500 | -71% | 1 | $500 | $45,587 | 6 |
| Sep 9, 2016 | 98 | $2,454 | +391% | 1 | $2,454 | $49,995 | 7 |
| Sep 30, 2016 | 113 | $662 | 1 | $662 | $50,871 | 10 | |
| Nov 4, 2016 | 81 | $2,000 | 1 | $2,000 | $57,803 | 15 | |
| Nov 18, 2016 | 102 | $683 | 1 | $683 | $63,201 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 29, 2016 | 59 | $17,260 | 4 | $4,315 | $17,260 | 1 | |
| Aug 5, 2016 | 58 | $18,043 | +5% | 4 | $4,511 | $35,303 | 2 |
| Aug 12, 2016 | 78 | $4,176 | -77% | 3 | $1,392 | $39,479 | 3 |
| Aug 19, 2016 | 88 | $3,638 | -13% | 3 | $1,213 | $43,117 | 4 |
| Aug 26, 2016 | 101 | $1,970 | -46% | 2 | $985 | $45,087 | 5 |
| Sep 2, 2016 | 95 | $2,454 | +25% | 3 | $818 | $47,541 | 6 |
| Sep 9, 2016 | 104 | $2,786 | +14% | 1 | $2,786 | $50,327 | 7 |
| Sep 30, 2016 | 121 | $1,308 | 1 | $1,308 | $51,517 | 10 | |
| Oct 21, 2016 | 105 | $2,286 | 2 | $1,143 | $53,803 | 13 | |
| Oct 28, 2016 | 99 | $2,000 | -13% | 1 | $2,000 | $55,803 | 14 |
| Nov 4, 2016 | 73 | $5,572 | +179% | 1 | $5,572 | $61,375 | 15 |
| Nov 11, 2016 | 114 | $1,143 | -79% | 1 | $1,143 | $62,518 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/12/2016 | $0 | 0 | 1 | 1 | $187,207 | 1/1/2019 | |||
| Brazil | 5/13/2016 | $14,229 | 0 | 0 | 0 | $44,358 | 11/15/2018 | |||
| International Total | $231,565 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alan Sabbagh | Ariel |
Supporting
| Julieta Zylberberg | Eva | |
| Usher* | Usher | |
| Elvira Onetto | Susy | |
| Adrian Stoppelman | Mamuñe | |
| Daniel Droblas | Hercules | |
| Elisa Carricajo | Monica | |
| Dan Britman | Mumi Singer | |
| Uriel Rubin | Marcelito Cohen | |
| Dalmiro Burman | Ariel (11 years) |
Production and Technical Credits
| Daniel Burman | Director | |
| Daniel Burman | Screenwriter | |
| Diego Dubcovsky | Producer | |
| Daniel Burman | Producer | |
| Barbara Francisco | Producer | |
| Alejandro Gorodisch | Co-Producer | |
| Alfredo Odorisio | Co-Producer | |
| Axel Kuschevatzky | Co-Producer | |
| Barbara Francisco | Executive Producer | |
| Daniel Ortega | Director of Photography | |
| Margarita Tamborino | Production Designer | |
| Andres Tambornino | Editor | |
| Catriel Vildosola | Sound Designer | |
| Roberta Pesci | Costume Designer | |
| Mariela Hermo | Make up | |
| Cecelia Salim | Unit Production Manager | |
| Matias Famulari | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.