The Rhythm Section (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $5,437,971 | Details |
| International Box Office | $545,072 | Details |
| Worldwide Box Office | $5,983,043 | |
| OpusData ID: 296990100 More info... | ||
| Further financial details... | ||
Synopsis
Stephanie Patrick is an ordinary woman on a path of self-destruction after her family is tragically killed in a plane crash. When Stephanie discovers that the crash was not an accident, she enters a dark, complex world to seek revenge on those responsible and find her own redemption.
Metrics
| Opening Weekend: | $2,715,384 (49.9% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 90.9% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 3,049 opening theaters/3,049 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,084,769 |
Movie Details
| Domestic Releases: | January 31st, 2020 (Wide) by Paramount Pictures |
| International Releases: | January 31st, 2020 (Wide) (United Kingdom)
March 6th, 2020 (Wide), released as El ritmo de la venganza (Spain) |
| Video Release: | April 14th, 2020 by Paramount Home Video |
| MPA Rating: | R for violence, sexual content, language throughout, and some drug use. (Rating bulletin 2612 (Cert #51913), 1/15/2020) |
| Running Time: | 109 minutes |
| Cast, crew, or production detail: | Female Lead |
| Plot point: | Addiction, Adult Child Dealing with the Death of a Parent, Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Depression, False Identity, Investigative Journalist, MI6, No Honor Among Thieves, Prostitution, Revenge, Terrorism, Undercover |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Eon Productions, Global Road Entertainment, Ingenious Media, Paramount Pictures, TMP |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 10 | $2,715,384 | 3,049 | $891 | $2,715,384 | 1 | |
| Feb 7, 2020 | 16 | $1,014,767 | -63% | 3,049 | $333 | $4,907,758 | 2 |
| Feb 14, 2020 | 41 | $25,602 | -97% | 94 | $272 | $5,423,109 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 30, 2020 | P | $235,000 | 2,256 | $104 | $235,000 | |||
| Jan 31, 2020 | 7 | $1,151,793 | 3,049 | $378 | $1,151,793 | 1 | ||
| Feb 1, 2020 | 11 | $1,157,770 | +1% | 3,049 | $380 | $2,309,563 | 2 | |
| Feb 2, 2020 | 11 | $405,821 | -65% | 3,049 | $133 | $2,715,384 | 3 | |
| Feb 3, 2020 | 9 | $268,069 | -34% | 3,049 | $88 | $2,983,453 | 4 | |
| Feb 4, 2020 | 8 | $454,739 | +70% | 3,049 | $149 | $3,438,192 | 5 | |
| Feb 5, 2020 | 9 | $251,159 | -45% | 3,049 | $82 | $3,689,351 | 6 | |
| Feb 6, 2020 | 11 | $203,640 | -19% | 3,049 | $67 | $3,892,991 | 7 | |
| Feb 7, 2020 | 15 | $294,438 | +45% | -74% | 3,049 | $97 | $4,187,429 | 8 |
| Feb 8, 2020 | - | $445,383 | +51% | -62% | 3,049 | $146 | $4,632,812 | 9 |
| Feb 9, 2020 | - | $274,946 | -38% | -32% | 3,049 | $90 | $4,907,758 | 10 |
| Feb 10, 2020 | 15 | $104,851 | -62% | -61% | 3,049 | $34 | $5,012,609 | 11 |
| Feb 11, 2020 | 13 | $196,226 | +87% | -57% | 3,049 | $64 | $5,208,835 | 12 |
| Feb 12, 2020 | 14 | $110,061 | -44% | -56% | 3,049 | $36 | $5,318,896 | 13 |
| Feb 13, 2020 | - | $78,611 | -29% | -61% | 3,049 | $26 | $5,397,507 | 14 |
| Feb 14, 2020 | - | $7,889 | -90% | -97% | 94 | $84 | $5,405,396 | 15 |
| Feb 15, 2020 | - | $9,554 | +21% | -98% | 94 | $102 | $5,414,950 | 16 |
| Feb 16, 2020 | - | $8,159 | -15% | -97% | 94 | $87 | $5,423,109 | 17 |
| Feb 17, 2020 | - | $4,401 | -46% | -96% | 94 | $47 | $5,427,510 | 18 |
| Feb 18, 2020 | - | $3,982 | -10% | -98% | 94 | $42 | $5,431,492 | 19 |
| Feb 19, 2020 | - | $3,432 | -14% | -97% | 94 | $37 | $5,434,924 | 20 |
| Feb 20, 2020 | - | $3,047 | -11% | -96% | 94 | $32 | $5,437,971 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 10 | $3,892,991 | 3,049 | $1,277 | $3,892,991 | 1 | |
| Feb 7, 2020 | 16 | $1,504,516 | -61% | 3,049 | $493 | $5,397,507 | 2 |
| Feb 14, 2020 | 43 | $40,464 | -97% | 94 | $430 | $5,437,971 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 3/6/2020 | $85,231 | 146 | 146 | 146 | $85,231 | 4/4/2026 | |||
| United Kingdom | 1/31/2020 | $226,728 | 404 | 404 | 560 | $459,841 | 4/4/2026 | |||
| International Total | $545,072 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Blake Lively | Stephanie Patrick |
Supporting
| Jude Law | Iain Boyd | |
| Sterling K. Brown | Frank White | |
| Raza Jaffrey | Proctor | |
| Richard Brake | Lehmans | |
| Max Casella | Leon Giler | |
| Daniel Mays | Dean West | |
| Tawfeek Barhom | Reza | |
| David Duggan | David Patrick | |
| Geoff Bell | Green | |
| Ivana Basic | Oksana | |
| Jack McEvoy | Conor | |
| Jade Anouka | Laura Fuller | |
| Nasser Memarzia | Suleman Kaif | |
| Amira Ghazalla | Alia Kaif | |
| Ibrahim Renno | Vincent | |
| Una Carroll | Alia’s Friend | |
| Hugh Scully | Lyle | |
| Wentao Ma | College Student | |
| Fleur Phoenix Munroe | Working Girl | |
| Nuala Kelly | Joan | |
| Albert Christmas | Porter | |
| Carmen Calle | Manifestation Member | |
| Degnan Geraghty | Punter | |
| Maceo Oliver | Jimmy | |
| Shane Whisker | Christopher Patrick |
Production and Technical Credits
| Reed Morano | Director | |
| Mark Burnell | Screenwriter | |
| Mark Burnell | Story by | |
| Michael G. Wilson | Producer | |
| Barbara Broccoli | Producer | |
| Greg Shapiro | Executive Producer | |
| Stuart Ford | Executive Producer | |
| Mark Burnell | Executive Producer | |
| Robert Friedman | Executive Producer | |
| Vaishali Mistry | Executive Producer | |
| Donald Tang | Executive Producer | |
| Simon Williams | Executive Producer | |
| Gregg Wilson | Executive Producer | |
| Melanie Ann Oliver | Editor | |
| Jongnic Bontemps | Composer | |
| Sean Bobbitt | Director of Photography | |
| Chris Corbould | Special Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Stephanie Patrick is an ordinary woman on a path of self-destruction after her family is tragically killed in a plane crash. When Stephanie discovers that the crash was not an accident, she enters a dark, complex world to seek revenge on those responsible and find her own redemption.
Metrics
| Opening Weekend: | $2,715,384 (49.9% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 90.9% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 3,049 opening theaters/3,049 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,084,769 |
Movie Details
| Domestic Releases: | January 31st, 2020 (Wide) by Paramount Pictures |
| International Releases: | January 31st, 2020 (Wide) (United Kingdom)
March 6th, 2020 (Wide), released as El ritmo de la venganza (Spain) |
| Video Release: | April 14th, 2020 by Paramount Home Video |
| MPA Rating: | R for violence, sexual content, language throughout, and some drug use. (Rating bulletin 2612 (Cert #51913), 1/15/2020) |
| Running Time: | 109 minutes |
| Cast, crew, or production detail: | Female Lead |
| Plot point: | Addiction, Adult Child Dealing with the Death of a Parent, Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Depression, False Identity, Investigative Journalist, MI6, No Honor Among Thieves, Prostitution, Revenge, Terrorism, Undercover |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Eon Productions, Global Road Entertainment, Ingenious Media, Paramount Pictures, TMP |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 10 | $2,715,384 | 3,049 | $891 | $2,715,384 | 1 | |
| Feb 7, 2020 | 16 | $1,014,767 | -63% | 3,049 | $333 | $4,907,758 | 2 |
| Feb 14, 2020 | 41 | $25,602 | -97% | 94 | $272 | $5,423,109 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 30, 2020 | P | $235,000 | 2,256 | $104 | $235,000 | |||
| Jan 31, 2020 | 7 | $1,151,793 | 3,049 | $378 | $1,151,793 | 1 | ||
| Feb 1, 2020 | 11 | $1,157,770 | +1% | 3,049 | $380 | $2,309,563 | 2 | |
| Feb 2, 2020 | 11 | $405,821 | -65% | 3,049 | $133 | $2,715,384 | 3 | |
| Feb 3, 2020 | 9 | $268,069 | -34% | 3,049 | $88 | $2,983,453 | 4 | |
| Feb 4, 2020 | 8 | $454,739 | +70% | 3,049 | $149 | $3,438,192 | 5 | |
| Feb 5, 2020 | 9 | $251,159 | -45% | 3,049 | $82 | $3,689,351 | 6 | |
| Feb 6, 2020 | 11 | $203,640 | -19% | 3,049 | $67 | $3,892,991 | 7 | |
| Feb 7, 2020 | 15 | $294,438 | +45% | -74% | 3,049 | $97 | $4,187,429 | 8 |
| Feb 8, 2020 | - | $445,383 | +51% | -62% | 3,049 | $146 | $4,632,812 | 9 |
| Feb 9, 2020 | - | $274,946 | -38% | -32% | 3,049 | $90 | $4,907,758 | 10 |
| Feb 10, 2020 | 15 | $104,851 | -62% | -61% | 3,049 | $34 | $5,012,609 | 11 |
| Feb 11, 2020 | 13 | $196,226 | +87% | -57% | 3,049 | $64 | $5,208,835 | 12 |
| Feb 12, 2020 | 14 | $110,061 | -44% | -56% | 3,049 | $36 | $5,318,896 | 13 |
| Feb 13, 2020 | - | $78,611 | -29% | -61% | 3,049 | $26 | $5,397,507 | 14 |
| Feb 14, 2020 | - | $7,889 | -90% | -97% | 94 | $84 | $5,405,396 | 15 |
| Feb 15, 2020 | - | $9,554 | +21% | -98% | 94 | $102 | $5,414,950 | 16 |
| Feb 16, 2020 | - | $8,159 | -15% | -97% | 94 | $87 | $5,423,109 | 17 |
| Feb 17, 2020 | - | $4,401 | -46% | -96% | 94 | $47 | $5,427,510 | 18 |
| Feb 18, 2020 | - | $3,982 | -10% | -98% | 94 | $42 | $5,431,492 | 19 |
| Feb 19, 2020 | - | $3,432 | -14% | -97% | 94 | $37 | $5,434,924 | 20 |
| Feb 20, 2020 | - | $3,047 | -11% | -96% | 94 | $32 | $5,437,971 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 31, 2020 | 10 | $3,892,991 | 3,049 | $1,277 | $3,892,991 | 1 | |
| Feb 7, 2020 | 16 | $1,504,516 | -61% | 3,049 | $493 | $5,397,507 | 2 |
| Feb 14, 2020 | 43 | $40,464 | -97% | 94 | $430 | $5,437,971 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Spain | 3/6/2020 | $85,231 | 146 | 146 | 146 | $85,231 | 4/4/2026 | |||
| United Kingdom | 1/31/2020 | $226,728 | 404 | 404 | 560 | $459,841 | 4/4/2026 | |||
| International Total | $545,072 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Blake Lively | Stephanie Patrick |
Supporting
| Jude Law | Iain Boyd | |
| Sterling K. Brown | Frank White | |
| Raza Jaffrey | Proctor | |
| Richard Brake | Lehmans | |
| Max Casella | Leon Giler | |
| Daniel Mays | Dean West | |
| Tawfeek Barhom | Reza | |
| David Duggan | David Patrick | |
| Geoff Bell | Green | |
| Ivana Basic | Oksana | |
| Jack McEvoy | Conor | |
| Jade Anouka | Laura Fuller | |
| Nasser Memarzia | Suleman Kaif | |
| Amira Ghazalla | Alia Kaif | |
| Ibrahim Renno | Vincent | |
| Una Carroll | Alia’s Friend | |
| Hugh Scully | Lyle | |
| Wentao Ma | College Student | |
| Fleur Phoenix Munroe | Working Girl | |
| Nuala Kelly | Joan | |
| Albert Christmas | Porter | |
| Carmen Calle | Manifestation Member | |
| Degnan Geraghty | Punter | |
| Maceo Oliver | Jimmy | |
| Shane Whisker | Christopher Patrick |
Production and Technical Credits
| Reed Morano | Director | |
| Mark Burnell | Screenwriter | |
| Mark Burnell | Story by | |
| Michael G. Wilson | Producer | |
| Barbara Broccoli | Producer | |
| Greg Shapiro | Executive Producer | |
| Stuart Ford | Executive Producer | |
| Mark Burnell | Executive Producer | |
| Robert Friedman | Executive Producer | |
| Vaishali Mistry | Executive Producer | |
| Donald Tang | Executive Producer | |
| Simon Williams | Executive Producer | |
| Gregg Wilson | Executive Producer | |
| Melanie Ann Oliver | Editor | |
| Jongnic Bontemps | Composer | |
| Sean Bobbitt | Director of Photography | |
| Chris Corbould | Special Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.