Ride Your Wave (きみと、波にのれたら) (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $332,432 | Details |
| International Box Office | $3,722,293 | Details |
| Worldwide Box Office | $4,054,725 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $14,483 | |
| Total | $14,483 | |
| OpusData ID: 416640100 More info... | ||
| Further financial details... | ||
Synopsis
Hinako is a surf-loving college student who has just moved to a small seaside town. When a sudden fire breaks out at her apartment building, she is rescued by Minato, a handsome firefighter, and the two soon fall in love. Just as they become inseparable, Minato loses his life in an accident at sea. Hinako is so distraught that she can no longer even look at the ocean, but one day she sings a song that reminds her of their time together, and Minato appears in the water. From then on, she can summon him in any watery surface as soon as she sings their song, but can the two really remain together forever? And what is the real reason for Minato’s sudden reappearance?
Metrics
| Opening Weekend: | $19,643 (5.9% of total gross) |
| Legs: | 16.92 (domestic box office/biggest weekend) |
| Domestic Share: | 8.2% (domestic box office/worldwide) |
| Theater counts: | 12 opening theaters/605 max. theaters, 0.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $433,107 |
Movie Details
| Domestic Releases: | February 19th, 2020 (Wide) by GKIDS, released as Ride Your Wave |
| International Releases: | June 21st, 2019 (Wide), released as Kimi to, nami ni noretara (Japan)
December 7th, 2019 (Wide), released as Ride Your Wave (China) February 28th, 2020 (Wide), released as Kimi To, Nami Ni Noretara (Australia) July 8th, 2020 (Wide), released as Kimi to, nami ni noretara (South Korea) December 17th, 2020 (Limited), released as На твоей волне (Russia (CIS)) ... Show all releases |
| Video Release: | August 4th, 2020 by Shout Factory, released as Ride Your Wave |
| MPA Rating: | Not Rated |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Anime |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Toho Co, GKIDS, Fuji Television Network, Science Saru |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 48 | $19,643 | 12 | $1,637 | $320,432 | 1 | |
| Feb 28, 2020 | 67 | $3,709 | -81% | 9 | $412 | $330,584 | 2 |
| Mar 6, 2020 | 85 | $622 | -83% | 2 | $311 | $332,059 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 19, 2020 | 9 | $298,990 | 605 | $494 | $298,990 | 1 | ||
| Feb 20, 2020 | - | $1,799 | -99% | 605 | $3 | $300,789 | 2 | |
| Feb 21, 2020 | - | $5,011 | +179% | 12 | $418 | $305,800 | 3 | |
| Feb 22, 2020 | - | $5,329 | +6% | 12 | $444 | $311,129 | 4 | |
| Feb 23, 2020 | - | $9,303 | +75% | 12 | $775 | $320,432 | 5 | |
| Feb 24, 2020 | - | $1,248 | -87% | 12 | $104 | $321,680 | 6 | |
| Feb 25, 2020 | - | $1,828 | +46% | 12 | $152 | $323,508 | 7 | |
| Feb 26, 2020 | - | $1,972 | +8% | -99% | 12 | $164 | $325,480 | 8 |
| Feb 27, 2020 | - | $1,395 | -29% | -22% | 12 | $116 | $326,875 | 9 |
| Feb 28, 2020 | - | $1,153 | -17% | -77% | 9 | $128 | $328,028 | 10 |
| Feb 29, 2020 | - | $1,318 | +14% | -75% | 9 | $146 | $329,346 | 11 |
| Mar 1, 2020 | - | $1,238 | -6% | -87% | 9 | $138 | $330,584 | 12 |
| Mar 2, 2020 | - | $188 | -85% | -85% | 9 | $21 | $330,772 | 13 |
| Mar 3, 2020 | - | $431 | +129% | -76% | 9 | $48 | $331,203 | 14 |
| Mar 4, 2020 | - | $45 | -90% | -98% | 9 | $5 | $331,248 | 15 |
| Mar 5, 2020 | - | $189 | +320% | -86% | 9 | $21 | $331,437 | 16 |
| Mar 6, 2020 | - | $127 | -33% | -89% | 2 | $64 | $331,564 | 17 |
| Mar 7, 2020 | - | $226 | +78% | -83% | 2 | $113 | $331,790 | 18 |
| Mar 8, 2020 | - | $269 | +19% | -78% | 2 | $135 | $332,059 | 19 |
| Mar 9, 2020 | - | $65 | -76% | -65% | 2 | $33 | $332,124 | 20 |
| Mar 10, 2020 | - | $78 | +20% | -82% | 2 | $39 | $332,202 | 21 |
| Mar 11, 2020 | - | $130 | +67% | +189% | 2 | $65 | $332,332 | 22 |
| Mar 12, 2020 | - | $100 | -23% | -47% | 2 | $50 | $332,432 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 25 | $300,789 | 605 | $497 | $300,789 | 1 | |
| Feb 21, 2020 | 50 | $26,086 | -91% | 12 | $2,174 | $326,875 | 2 |
| Feb 28, 2020 | 68 | $4,562 | -83% | 9 | $507 | $331,437 | 3 |
| Mar 6, 2020 | 84 | $995 | -78% | 2 | $498 | $332,432 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/28/2020 | $8,191 | 16 | 16 | 22 | $13,630 | 3/12/2020 | |||
| China | 12/7/2019 | $1,510,000 | 37,742 | 37,742 | 37,742 | $1,974,384 | 1/3/2020 | |||
| France | 9/1/2021 | $42,401 | 90 | 90 | 90 | $42,401 | 9/10/2021 | |||
| Japan | 6/21/2019 | $569,553 | 0 | 0 | 0 | $1,607,279 | 7/11/2019 | |||
| Russia (CIS) | 12/17/2020 | $7,298 | 111 | 111 | 127 | $10,462 | 10/19/2022 | |||
| South Korea | 7/8/2020 | $36,829 | 257 | 257 | 275 | $74,137 | 8/12/2020 | |||
| International Total | $3,722,293 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Masaaki Yuasa | Director | |
| Reiko Yoshida | Screenwriter | |
| Yuka Okayasu | Producer | |
| Eunyoung Choi | Producer | |
| Makoto Yamaguchi | Executive Producer | |
| Minami Ichikawa | Executive Producer | |
| Masaaki Yuasa | Executive Producer | |
| Masanori Yumiya | Executive Producer | |
| Masakazu Kubo | Executive Producer | |
| Kei Morita | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Hinako is a surf-loving college student who has just moved to a small seaside town. When a sudden fire breaks out at her apartment building, she is rescued by Minato, a handsome firefighter, and the two soon fall in love. Just as they become inseparable, Minato loses his life in an accident at sea. Hinako is so distraught that she can no longer even look at the ocean, but one day she sings a song that reminds her of their time together, and Minato appears in the water. From then on, she can summon him in any watery surface as soon as she sings their song, but can the two really remain together forever? And what is the real reason for Minato’s sudden reappearance?
Metrics
| Opening Weekend: | $19,643 (5.9% of total gross) |
| Legs: | 16.92 (domestic box office/biggest weekend) |
| Domestic Share: | 8.2% (domestic box office/worldwide) |
| Theater counts: | 12 opening theaters/605 max. theaters, 0.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $433,107 |
Movie Details
| Domestic Releases: | February 19th, 2020 (Wide) by GKIDS, released as Ride Your Wave |
| International Releases: | June 21st, 2019 (Wide), released as Kimi to, nami ni noretara (Japan)
December 7th, 2019 (Wide), released as Ride Your Wave (China) February 28th, 2020 (Wide), released as Kimi To, Nami Ni Noretara (Australia) July 8th, 2020 (Wide), released as Kimi to, nami ni noretara (South Korea) December 17th, 2020 (Limited), released as На твоей волне (Russia (CIS)) ... Show all releases |
| Video Release: | August 4th, 2020 by Shout Factory, released as Ride Your Wave |
| MPA Rating: | Not Rated |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Anime |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Toho Co, GKIDS, Fuji Television Network, Science Saru |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 48 | $19,643 | 12 | $1,637 | $320,432 | 1 | |
| Feb 28, 2020 | 67 | $3,709 | -81% | 9 | $412 | $330,584 | 2 |
| Mar 6, 2020 | 85 | $622 | -83% | 2 | $311 | $332,059 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 19, 2020 | 9 | $298,990 | 605 | $494 | $298,990 | 1 | ||
| Feb 20, 2020 | - | $1,799 | -99% | 605 | $3 | $300,789 | 2 | |
| Feb 21, 2020 | - | $5,011 | +179% | 12 | $418 | $305,800 | 3 | |
| Feb 22, 2020 | - | $5,329 | +6% | 12 | $444 | $311,129 | 4 | |
| Feb 23, 2020 | - | $9,303 | +75% | 12 | $775 | $320,432 | 5 | |
| Feb 24, 2020 | - | $1,248 | -87% | 12 | $104 | $321,680 | 6 | |
| Feb 25, 2020 | - | $1,828 | +46% | 12 | $152 | $323,508 | 7 | |
| Feb 26, 2020 | - | $1,972 | +8% | -99% | 12 | $164 | $325,480 | 8 |
| Feb 27, 2020 | - | $1,395 | -29% | -22% | 12 | $116 | $326,875 | 9 |
| Feb 28, 2020 | - | $1,153 | -17% | -77% | 9 | $128 | $328,028 | 10 |
| Feb 29, 2020 | - | $1,318 | +14% | -75% | 9 | $146 | $329,346 | 11 |
| Mar 1, 2020 | - | $1,238 | -6% | -87% | 9 | $138 | $330,584 | 12 |
| Mar 2, 2020 | - | $188 | -85% | -85% | 9 | $21 | $330,772 | 13 |
| Mar 3, 2020 | - | $431 | +129% | -76% | 9 | $48 | $331,203 | 14 |
| Mar 4, 2020 | - | $45 | -90% | -98% | 9 | $5 | $331,248 | 15 |
| Mar 5, 2020 | - | $189 | +320% | -86% | 9 | $21 | $331,437 | 16 |
| Mar 6, 2020 | - | $127 | -33% | -89% | 2 | $64 | $331,564 | 17 |
| Mar 7, 2020 | - | $226 | +78% | -83% | 2 | $113 | $331,790 | 18 |
| Mar 8, 2020 | - | $269 | +19% | -78% | 2 | $135 | $332,059 | 19 |
| Mar 9, 2020 | - | $65 | -76% | -65% | 2 | $33 | $332,124 | 20 |
| Mar 10, 2020 | - | $78 | +20% | -82% | 2 | $39 | $332,202 | 21 |
| Mar 11, 2020 | - | $130 | +67% | +189% | 2 | $65 | $332,332 | 22 |
| Mar 12, 2020 | - | $100 | -23% | -47% | 2 | $50 | $332,432 | 23 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 25 | $300,789 | 605 | $497 | $300,789 | 1 | |
| Feb 21, 2020 | 50 | $26,086 | -91% | 12 | $2,174 | $326,875 | 2 |
| Feb 28, 2020 | 68 | $4,562 | -83% | 9 | $507 | $331,437 | 3 |
| Mar 6, 2020 | 84 | $995 | -78% | 2 | $498 | $332,432 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/28/2020 | $8,191 | 16 | 16 | 22 | $13,630 | 3/12/2020 | |||
| China | 12/7/2019 | $1,510,000 | 37,742 | 37,742 | 37,742 | $1,974,384 | 1/3/2020 | |||
| France | 9/1/2021 | $42,401 | 90 | 90 | 90 | $42,401 | 9/10/2021 | |||
| Japan | 6/21/2019 | $569,553 | 0 | 0 | 0 | $1,607,279 | 7/11/2019 | |||
| Russia (CIS) | 12/17/2020 | $7,298 | 111 | 111 | 127 | $10,462 | 10/19/2022 | |||
| South Korea | 7/8/2020 | $36,829 | 257 | 257 | 275 | $74,137 | 8/12/2020 | |||
| International Total | $3,722,293 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Masaaki Yuasa | Director | |
| Reiko Yoshida | Screenwriter | |
| Yuka Okayasu | Producer | |
| Eunyoung Choi | Producer | |
| Makoto Yamaguchi | Executive Producer | |
| Minami Ichikawa | Executive Producer | |
| Masaaki Yuasa | Executive Producer | |
| Masanori Yumiya | Executive Producer | |
| Masakazu Kubo | Executive Producer | |
| Kei Morita | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.