Ridicule (1996)

Theatrical Performance
Domestic Box Office $2,503,829Details
OpusData ID: 53770100 More info...
Further financial details...

Metrics

Opening Weekend:$59,841 (2.4% of total gross)
Legs:10.59 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:3 opening theaters/82 max. theaters, 6.3 weeks average run per theater
Infl. Adj. Dom. BO $6,319,542

Movie Details

Domestic Releases: November 29th, 1996 (Wide) by Miramax
MPA Rating: R for graphic nudity, some sexuality and brief violence
Running Time: 102 minutes
Plot point: Betrayal, Deaf, Government Corruption, Marriage of Convenience, Money Troubles, Mute, Political, Romance, Royalty
Subgenre: Historical Drama
Time period setting: 1700s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: France

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 29, 1996 45 $59,841   3 $19,947   $59,841 1
Dec 6, 1996 20 $143,859 +140% 16 $8,991   $223,628 2
Dec 13, 1996 18 $125,768 -13% 27 $4,658   $402,531 3
Dec 20, 1996 30 $102,742 -18% 31 $3,314   $557,198 4
Dec 27, 1996 28 $219,425 +114% 72 $3,048   $851,953 5
Jan 3, 1997 25 $236,507 +8% 82 $2,884   $1,582,546 6
Jan 10, 1997 34 $116,157 -51% 58 $2,003   $1,779,832 7
Jan 17, 1997 42 $90,824 -22% 35 $2,595   $1,930,615 8
Jan 24, 1997 48 $46,509 -49% 24 $1,938   $2,015,919 9
Jan 31, 1997 54 $44,376 -5% 24 $1,849   $2,081,756 10
Feb 14, 1997 52 $57,137   30 $1,905   $2,212,457 12
Feb 21, 1997 46 $70,204 +23% 32 $2,194   $2,316,195 13
Feb 28, 1997 56 $35,772 -49% 20 $1,789   $2,371,359 14
Mar 7, 1997 57 $32,391 -9% 18 $1,800   $2,417,398 15
Mar 14, 1997 60 $25,679 -21% 22 $1,167   $2,457,741 16
Mar 21, 1997 55 $23,643 -8% 20 $1,182   $2,503,829 17

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 29, 1996 41 $79,769   3 $26,590   $79,769 1
Dec 6, 1996 19 $196,994 +147% 16 $12,312   $276,763 2
Dec 13, 1996 17 $177,693 -10% 27 $6,581   $454,456 3
Dec 20, 1996 30 $178,072 n/c 31 $5,744   $632,528 4
Dec 27, 1996 25 $713,511 +301% 72 $9,910   $1,346,039 5
Jan 3, 1997 26 $317,636 -55% 82 $3,874   $1,663,675 6
Jan 10, 1997 33 $176,116 -45% 58 $3,036   $1,839,791 7
Jan 17, 1997 37 $129,619 -26% 35 $3,703   $1,969,410 8
Jan 24, 1997 47 $67,970 -48% 24 $2,832   $2,037,380 9
Feb 14, 1997 48 $90,671   30 $3,022   $2,245,991 12
Feb 21, 1997 46 $89,596 -1% 32 $2,800   $2,335,587 13
Feb 28, 1997 52 $49,420 -45% 20 $2,471   $2,385,007 14
Mar 7, 1997 49 $47,055 -5% 18 $2,614   $2,432,062 15
Mar 14, 1997 50 $48,124 +2% 22 $2,187   $2,480,186 16

Leading

Charles Berling    Le Baron Grégoire Ponceludon de Malavoy
Judith Godreche    Mathilde de Bellegarde
Jean Rochefort    Le Marquis de Bellegarde
Fanny Ardant    Madame de Blayac

Production and Technical Credits

Patrice Leconte    Director
Rémi Waterhouse    Screenwriter
Michel Fessler    Screenwriter
Eric Vicaut    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$59,841 (2.4% of total gross)
Legs:10.59 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:3 opening theaters/82 max. theaters, 6.3 weeks average run per theater
Infl. Adj. Dom. BO $6,319,542

Movie Details

Domestic Releases: November 29th, 1996 (Wide) by Miramax
MPA Rating: R for graphic nudity, some sexuality and brief violence
Running Time: 102 minutes
Plot point: Betrayal, Deaf, Government Corruption, Marriage of Convenience, Money Troubles, Mute, Political, Romance, Royalty
Subgenre: Historical Drama
Time period setting: 1700s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: France

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 29, 1996 45 $59,841   3 $19,947   $59,841 1
Dec 6, 1996 20 $143,859 +140% 16 $8,991   $223,628 2
Dec 13, 1996 18 $125,768 -13% 27 $4,658   $402,531 3
Dec 20, 1996 30 $102,742 -18% 31 $3,314   $557,198 4
Dec 27, 1996 28 $219,425 +114% 72 $3,048   $851,953 5
Jan 3, 1997 25 $236,507 +8% 82 $2,884   $1,582,546 6
Jan 10, 1997 34 $116,157 -51% 58 $2,003   $1,779,832 7
Jan 17, 1997 42 $90,824 -22% 35 $2,595   $1,930,615 8
Jan 24, 1997 48 $46,509 -49% 24 $1,938   $2,015,919 9
Jan 31, 1997 54 $44,376 -5% 24 $1,849   $2,081,756 10
Feb 14, 1997 52 $57,137   30 $1,905   $2,212,457 12
Feb 21, 1997 46 $70,204 +23% 32 $2,194   $2,316,195 13
Feb 28, 1997 56 $35,772 -49% 20 $1,789   $2,371,359 14
Mar 7, 1997 57 $32,391 -9% 18 $1,800   $2,417,398 15
Mar 14, 1997 60 $25,679 -21% 22 $1,167   $2,457,741 16
Mar 21, 1997 55 $23,643 -8% 20 $1,182   $2,503,829 17

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 29, 1996 41 $79,769   3 $26,590   $79,769 1
Dec 6, 1996 19 $196,994 +147% 16 $12,312   $276,763 2
Dec 13, 1996 17 $177,693 -10% 27 $6,581   $454,456 3
Dec 20, 1996 30 $178,072 n/c 31 $5,744   $632,528 4
Dec 27, 1996 25 $713,511 +301% 72 $9,910   $1,346,039 5
Jan 3, 1997 26 $317,636 -55% 82 $3,874   $1,663,675 6
Jan 10, 1997 33 $176,116 -45% 58 $3,036   $1,839,791 7
Jan 17, 1997 37 $129,619 -26% 35 $3,703   $1,969,410 8
Jan 24, 1997 47 $67,970 -48% 24 $2,832   $2,037,380 9
Feb 14, 1997 48 $90,671   30 $3,022   $2,245,991 12
Feb 21, 1997 46 $89,596 -1% 32 $2,800   $2,335,587 13
Feb 28, 1997 52 $49,420 -45% 20 $2,471   $2,385,007 14
Mar 7, 1997 49 $47,055 -5% 18 $2,614   $2,432,062 15
Mar 14, 1997 50 $48,124 +2% 22 $2,187   $2,480,186 16

Leading

Charles Berling    Le Baron Grégoire Ponceludon de Malavoy
Judith Godreche    Mathilde de Bellegarde
Jean Rochefort    Le Marquis de Bellegarde
Fanny Ardant    Madame de Blayac

Production and Technical Credits

Patrice Leconte    Director
Rémi Waterhouse    Screenwriter
Michel Fessler    Screenwriter
Eric Vicaut    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.