The Riot Club (2015)
| Theatrical Performance | ||
| Domestic Box Office | $6,041 | Details |
| International Box Office | $2,591,267 | Details |
| Worldwide Box Office | $2,597,308 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $108,387 | |
| Total | $108,387 | |
| OpusData ID: 211260100 More info... | ||
| Further financial details... | ||
Synopsis
The dreaming spires of Oxford University, where Bentleys are driven into rivers and champagne is guzzled like water. The hottest invitation is to the Riot Club, a world where the bright, priveleged and wealthy take their first steps in becoming the future masters of the universe.
Metrics
| Opening Weekend: | $2,188 (36.2% of total gross) |
| Legs: | 2.76 (domestic box office/biggest weekend) |
| Domestic Share: | 0.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 0.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,575 |
Movie Details
| Domestic Releases: | March 27th, 2015 (Limited) by IFC Films |
| International Releases: | January 2nd, 2015 (Wide) (France)
January 23rd, 2015 (Wide) (Hong Kong) September 3rd, 2015 (Wide) (Slovenia) |
| Video Release: | August 18th, 2015 by Mpi Home Video |
| MPA Rating: | R for language, disturbing and violent behavior, sexual content, nudity and drug use. (Rating bulletin 2359, 2/4/2015) |
| Running Time: | 107 minutes |
| Plot point: | Spoiled Child |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Fraternity/Sorority |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Film 4, HanWay Films, BFI, Universal Pictures International, Pinewood Pictures, Blueprint Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2015 | 85 | $2,188 | 1 | $2,188 | $2,188 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2015 | 87 | $3,643 | 1 | $3,643 | $3,643 | 1 | |
| Apr 10, 2015 | 109 | $737 | 4 | $184 | $6,041 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/2/2015 | $221,197 | 0 | 0 | 0 | $237,806 | 8/20/2018 | |||
| Hong Kong | 1/23/2015 | $0 | 0 | 5 | 9 | $44,348 | 11/25/2018 | |||
| Slovenia | 9/3/2015 | $936 | 5 | 5 | 10 | $2,227 | 9/22/2015 | |||
| Rest of World | $2,306,886 | |||||||||
| International Total | $2,591,267 | 11/25/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Claflin | Alistair | |
| Max Irons | Miles | |
| Douglas Booth | Harry |
Supporting
| Jessica Brown Findlay | Rachel | |
| Holliday Grainger | Lauren | |
| Freddie Fox | James | |
| Ben Schnetzer | Dimitri | |
| Tom Hollander | Jeremy | |
| Sam Reid | Hugo | |
| Natalie Dormer | Claire |
Production and Technical Credits
| Lone Scherfig | Director | |
| Graham Broadbent | Producer | |
| Pete Czernin | Producer | |
| Laura Wade | Screenwriter | |
| Laura Wade | Story Creator | |
| Ivan Dunleavy | Executive Producer | |
| Steve Norris | Executive Producer | |
| Thorsten Schumacher | Executive Producer | |
| Peter Watson | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Sam Lavender | Executive Producer | |
| Tessa Ross | Executive Producer | |
| Rosa Romero | Line Producer | |
| Ben Knight | Co-Producer | |
| Sebastian Blenkov | Director of Photography | |
| Alice Normington | Production Designer | |
| Jake Roberts | Editor | |
| Jan Sewell | Make-up and Hair Designer | |
| Steven Noble | Costume Designer | |
| Kasper Winding | Composer | |
| Lucy Bevan | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The dreaming spires of Oxford University, where Bentleys are driven into rivers and champagne is guzzled like water. The hottest invitation is to the Riot Club, a world where the bright, priveleged and wealthy take their first steps in becoming the future masters of the universe.
Metrics
| Opening Weekend: | $2,188 (36.2% of total gross) |
| Legs: | 2.76 (domestic box office/biggest weekend) |
| Domestic Share: | 0.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 0.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,575 |
Movie Details
| Domestic Releases: | March 27th, 2015 (Limited) by IFC Films |
| International Releases: | January 2nd, 2015 (Wide) (France)
January 23rd, 2015 (Wide) (Hong Kong) September 3rd, 2015 (Wide) (Slovenia) |
| Video Release: | August 18th, 2015 by Mpi Home Video |
| MPA Rating: | R for language, disturbing and violent behavior, sexual content, nudity and drug use. (Rating bulletin 2359, 2/4/2015) |
| Running Time: | 107 minutes |
| Plot point: | Spoiled Child |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Fraternity/Sorority |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Film 4, HanWay Films, BFI, Universal Pictures International, Pinewood Pictures, Blueprint Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2015 | 85 | $2,188 | 1 | $2,188 | $2,188 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2015 | 87 | $3,643 | 1 | $3,643 | $3,643 | 1 | |
| Apr 10, 2015 | 109 | $737 | 4 | $184 | $6,041 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/2/2015 | $221,197 | 0 | 0 | 0 | $237,806 | 8/20/2018 | |||
| Hong Kong | 1/23/2015 | $0 | 0 | 5 | 9 | $44,348 | 11/25/2018 | |||
| Slovenia | 9/3/2015 | $936 | 5 | 5 | 10 | $2,227 | 9/22/2015 | |||
| Rest of World | $2,306,886 | |||||||||
| International Total | $2,591,267 | 11/25/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sam Claflin | Alistair | |
| Max Irons | Miles | |
| Douglas Booth | Harry |
Supporting
| Jessica Brown Findlay | Rachel | |
| Holliday Grainger | Lauren | |
| Freddie Fox | James | |
| Ben Schnetzer | Dimitri | |
| Tom Hollander | Jeremy | |
| Sam Reid | Hugo | |
| Natalie Dormer | Claire |
Production and Technical Credits
| Lone Scherfig | Director | |
| Graham Broadbent | Producer | |
| Pete Czernin | Producer | |
| Laura Wade | Screenwriter | |
| Laura Wade | Story Creator | |
| Ivan Dunleavy | Executive Producer | |
| Steve Norris | Executive Producer | |
| Thorsten Schumacher | Executive Producer | |
| Peter Watson | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Sam Lavender | Executive Producer | |
| Tessa Ross | Executive Producer | |
| Rosa Romero | Line Producer | |
| Ben Knight | Co-Producer | |
| Sebastian Blenkov | Director of Photography | |
| Alice Normington | Production Designer | |
| Jake Roberts | Editor | |
| Jan Sewell | Make-up and Hair Designer | |
| Steven Noble | Costume Designer | |
| Kasper Winding | Composer | |
| Lucy Bevan | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.