The Ritual (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $527,217 | Details |
| International Box Office | $3,933,504 | Details |
| Worldwide Box Office | $4,460,721 | |
| OpusData ID: 721520100 More info... | ||
| Further financial details... | ||
Synopsis
Two priests, one questioning his faith and one reckoning with a troubled past, must put aside their differences to perform a difficult and dangerous exorcism.
Metrics
| Opening Weekend: | $329,198 (62.4% of total gross) |
| Legs: | 1.60 (domestic box office/biggest weekend) |
| Domestic Share: | 11.8% (domestic box office/worldwide) |
| Theater counts: | 563 opening theaters/563 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $527,217 |
Movie Details
| Domestic Releases: | June 6th, 2025 (Limited) by XYZ Films |
| International Releases: | May 29th, 2025 (Limited), released as L’Esorcismo di Emma Schmidt (Italy)
May 30th, 2025 (Limited) (Romania) May 30th, 2025 (Wide) (United Kingdom) May 30th, 2025 (Wide), released as Son Ritüel (Turkey) June 5th, 2025 (Wide) (Australia) ... Show all releases |
| Video Release: | June 27th, 2025 by XYZ Films |
| MPA Rating: | Not Rated (Rated 6/23/2025) |
| Running Time: | 98 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Mississippi, United States |
| Geographical setting: | Iowa |
| Plot point: | Exorcism |
| Subgenre: | Supernatural Horror |
| Source: | Based on Real Life Events |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | XYZ Films, CineMachine, Andrew Stevens Entertainment, Redbird Entertainment, Metafilms, Baweja Studios Ltd., Bondit, ISRO Productions, Ifeelyoufilms, LB Entertainment, Jeff Rice Films, Eyevox Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | - | $329,198 | 563 | $585 | $329,198 | 1 | |
| Jun 13, 2025 | - | $23,555 | -93% | 48 | $491 | $514,048 | 2 |
| Jun 20, 2025 | - | $767 | -97% | 2 | $384 | $526,794 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 16 | $490,493 | 563 | $871 | $490,493 | 1 | |
| Jun 13, 2025 | 23 | $35,534 | -93% | 48 | $740 | $526,027 | 2 |
| Jun 20, 2025 | 58 | $1,190 | -97% | 2 | $595 | $527,217 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/5/2025 | $21,224 | 90 | 90 | 0 | $26,643 | 4/6/2026 | |||
| Croatia | 7/3/2025 | $13,973 | 20 | 20 | 53 | $48,746 | 4/4/2026 | |||
| Czech Republic | 7/10/2025 | $58,679 | 86 | 86 | 155 | $138,582 | 4/4/2026 | |||
| Italy | 5/29/2025 | $302,163 | 0 | 0 | 0 | $714,561 | 4/4/2026 | |||
| Mexico | 7/31/2025 | $0 | 0 | 0 | 0 | $1,830,993 | 4/4/2026 | |||
| Netherlands | 8/21/2025 | $45,683 | 38 | 38 | 38 | $58,685 | 4/4/2026 | |||
| Portugal | 7/3/2025 | $749 | 9 | 10 | 19 | $1,987 | 4/4/2026 | |||
| Romania | 5/30/2025 | $48,314 | 83 | 83 | 0 | $138,749 | 4/4/2026 | |||
| Russia (CIS) | 6/26/2025 | $192,640 | 1,165 | 1,165 | 2,210 | $379,322 | 4/4/2026 | |||
| Serbia and Montenegro | 7/11/2025 | $0 | 0 | 29 | 0 | $41,765 | 4/4/2026 | |||
| Slovakia | 7/10/2025 | $35,435 | 67 | 67 | 114 | $83,747 | 4/4/2026 | |||
| Spain | 6/6/2025 | $111,798 | 284 | 284 | 378 | $298,932 | 4/4/2026 | |||
| Turkey | 5/30/2025 | $40,808 | 156 | 156 | 174 | $76,074 | 4/4/2026 | |||
| United Kingdom | 5/30/2025 | $94,718 | 137 | 137 | 137 | $94,718 | 4/4/2026 | |||
| International Total | $3,933,504 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Al Pacino | Theophilus Riesinger | |
| Dan Stevens | Father Joseph Steiger |
Supporting
| Ashley Greene | Sister Rose | |
| Abigail Cowen | Emma Schmidt | |
| Patricia Heaton | Mother Superior | |
| Maria Camila Giraldo | Sister Camila | |
| Meadow Williams | Sister Sarah | |
| Patrick Fabian | Bishop Edwards | |
| Enrico Natale | Dr. Fabian | |
| Ritchie Montgomery | Chester |
Production and Technical Credits
| David Midell | Director | |
| David Midell | Screenwriter | |
| Enrico Natale | Story by | |
| David Midell | Story by | |
| Enrico Natale | Producer | |
| Ross Marks | Producer | |
| Andrew Stevens | Producer | |
| Mitchell Welch | Producer | |
| Nate Bolotin | Executive Producer | |
| Nick Spicer | Executive Producer | |
| Aram Tertzakian | Executive Producer | |
| Maxime Cottray | Executive Producer | |
| Alex Williams | Executive Producer | |
| Matthew Helderman | Executive Producer | |
| Luke Taylor | Executive Producer | |
| Tyler Gould | Executive Producer | |
| Meadow Williams | Executive Producer | |
| Lee Broda | Executive Producer | |
| Jeff Rice | Executive Producer | |
| Jordan Wagner | Executive Producer | |
| Isaac Rosner | Executive Producer | |
| Cole Garson | Executive Producer | |
| Chris Paladino | Executive Producer | |
| Tamra Bohorquez | Executive Producer | |
| Sharad Chib | Executive Producer | |
| Jeff Holland | Executive Producer | |
| Rick Moore | Executive Producer | |
| Alessandro Penazzi | Line Producer | |
| Adam Biddle | Director of Photography | |
| Julie Toche | Production Designer | |
| Grizelda Garza | Costume Designer | |
| Enrico Natale | Editor | |
| Jason Lazarus | Composer | |
| Joseph Trapanese | Composer | |
| Ricki Maslar | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Two priests, one questioning his faith and one reckoning with a troubled past, must put aside their differences to perform a difficult and dangerous exorcism.
Metrics
| Opening Weekend: | $329,198 (62.4% of total gross) |
| Legs: | 1.60 (domestic box office/biggest weekend) |
| Domestic Share: | 11.8% (domestic box office/worldwide) |
| Theater counts: | 563 opening theaters/563 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $527,217 |
Movie Details
| Domestic Releases: | June 6th, 2025 (Limited) by XYZ Films |
| International Releases: | May 29th, 2025 (Limited), released as L’Esorcismo di Emma Schmidt (Italy)
May 30th, 2025 (Limited) (Romania) May 30th, 2025 (Wide) (United Kingdom) May 30th, 2025 (Wide), released as Son Ritüel (Turkey) June 5th, 2025 (Wide) (Australia) ... Show all releases |
| Video Release: | June 27th, 2025 by XYZ Films |
| MPA Rating: | Not Rated (Rated 6/23/2025) |
| Running Time: | 98 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Mississippi, United States |
| Geographical setting: | Iowa |
| Plot point: | Exorcism |
| Subgenre: | Supernatural Horror |
| Source: | Based on Real Life Events |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | XYZ Films, CineMachine, Andrew Stevens Entertainment, Redbird Entertainment, Metafilms, Baweja Studios Ltd., Bondit, ISRO Productions, Ifeelyoufilms, LB Entertainment, Jeff Rice Films, Eyevox Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | - | $329,198 | 563 | $585 | $329,198 | 1 | |
| Jun 13, 2025 | - | $23,555 | -93% | 48 | $491 | $514,048 | 2 |
| Jun 20, 2025 | - | $767 | -97% | 2 | $384 | $526,794 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 6, 2025 | 16 | $490,493 | 563 | $871 | $490,493 | 1 | |
| Jun 13, 2025 | 23 | $35,534 | -93% | 48 | $740 | $526,027 | 2 |
| Jun 20, 2025 | 58 | $1,190 | -97% | 2 | $595 | $527,217 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/5/2025 | $21,224 | 90 | 90 | 0 | $26,643 | 4/6/2026 | |||
| Croatia | 7/3/2025 | $13,973 | 20 | 20 | 53 | $48,746 | 4/4/2026 | |||
| Czech Republic | 7/10/2025 | $58,679 | 86 | 86 | 155 | $138,582 | 4/4/2026 | |||
| Italy | 5/29/2025 | $302,163 | 0 | 0 | 0 | $714,561 | 4/4/2026 | |||
| Mexico | 7/31/2025 | $0 | 0 | 0 | 0 | $1,830,993 | 4/4/2026 | |||
| Netherlands | 8/21/2025 | $45,683 | 38 | 38 | 38 | $58,685 | 4/4/2026 | |||
| Portugal | 7/3/2025 | $749 | 9 | 10 | 19 | $1,987 | 4/4/2026 | |||
| Romania | 5/30/2025 | $48,314 | 83 | 83 | 0 | $138,749 | 4/4/2026 | |||
| Russia (CIS) | 6/26/2025 | $192,640 | 1,165 | 1,165 | 2,210 | $379,322 | 4/4/2026 | |||
| Serbia and Montenegro | 7/11/2025 | $0 | 0 | 29 | 0 | $41,765 | 4/4/2026 | |||
| Slovakia | 7/10/2025 | $35,435 | 67 | 67 | 114 | $83,747 | 4/4/2026 | |||
| Spain | 6/6/2025 | $111,798 | 284 | 284 | 378 | $298,932 | 4/4/2026 | |||
| Turkey | 5/30/2025 | $40,808 | 156 | 156 | 174 | $76,074 | 4/4/2026 | |||
| United Kingdom | 5/30/2025 | $94,718 | 137 | 137 | 137 | $94,718 | 4/4/2026 | |||
| International Total | $3,933,504 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Al Pacino | Theophilus Riesinger | |
| Dan Stevens | Father Joseph Steiger |
Supporting
| Ashley Greene | Sister Rose | |
| Abigail Cowen | Emma Schmidt | |
| Patricia Heaton | Mother Superior | |
| Maria Camila Giraldo | Sister Camila | |
| Meadow Williams | Sister Sarah | |
| Patrick Fabian | Bishop Edwards | |
| Enrico Natale | Dr. Fabian | |
| Ritchie Montgomery | Chester |
Production and Technical Credits
| David Midell | Director | |
| David Midell | Screenwriter | |
| Enrico Natale | Story by | |
| David Midell | Story by | |
| Enrico Natale | Producer | |
| Ross Marks | Producer | |
| Andrew Stevens | Producer | |
| Mitchell Welch | Producer | |
| Nate Bolotin | Executive Producer | |
| Nick Spicer | Executive Producer | |
| Aram Tertzakian | Executive Producer | |
| Maxime Cottray | Executive Producer | |
| Alex Williams | Executive Producer | |
| Matthew Helderman | Executive Producer | |
| Luke Taylor | Executive Producer | |
| Tyler Gould | Executive Producer | |
| Meadow Williams | Executive Producer | |
| Lee Broda | Executive Producer | |
| Jeff Rice | Executive Producer | |
| Jordan Wagner | Executive Producer | |
| Isaac Rosner | Executive Producer | |
| Cole Garson | Executive Producer | |
| Chris Paladino | Executive Producer | |
| Tamra Bohorquez | Executive Producer | |
| Sharad Chib | Executive Producer | |
| Jeff Holland | Executive Producer | |
| Rick Moore | Executive Producer | |
| Alessandro Penazzi | Line Producer | |
| Adam Biddle | Director of Photography | |
| Julie Toche | Production Designer | |
| Grizelda Garza | Costume Designer | |
| Enrico Natale | Editor | |
| Jason Lazarus | Composer | |
| Joseph Trapanese | Composer | |
| Ricki Maslar | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.