Road to Singapore (1940)

Theatrical Performance
Domestic Box Office $3,200,000Details
OpusData ID: 51450100 More info...
Further financial details...

Metrics

Domestic Share:100.0% (domestic box office/worldwide)

Movie Details

Domestic Releases: March 14th, 1940 (Wide) by Paramount Pictures
Video Release: March 5th, 2002 by Universal Home Entertainment
MPA Rating: Not Rated Approved
Running Time: 84 minutes
Franchise: Road To …
Plot point: Dysfunctional Family, Love Triangle, Money Troubles, Relationships Gone Wrong, Romance
Subgenre: Buddy Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Leading

Bing Crosby    Josh Mallon
Bob Hope    Ace Lannigan
Dorothy Lamour   

Supporting

Anthony Quinn    Caesar
Charles Coburn   

Production and Technical Credits

Victor Schertzinger    Director
Don Hartman    Screenwriter
Frank Butler    Screenwriter
Harlan Thompson    Producer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Domestic Share:100.0% (domestic box office/worldwide)

Movie Details

Domestic Releases: March 14th, 1940 (Wide) by Paramount Pictures
Video Release: March 5th, 2002 by Universal Home Entertainment
MPA Rating: Not Rated Approved
Running Time: 84 minutes
Franchise: Road To …
Plot point: Dysfunctional Family, Love Triangle, Money Troubles, Relationships Gone Wrong, Romance
Subgenre: Buddy Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Leading

Bing Crosby    Josh Mallon
Bob Hope    Ace Lannigan
Dorothy Lamour   

Supporting

Anthony Quinn    Caesar
Charles Coburn   

Production and Technical Credits

Victor Schertzinger    Director
Don Hartman    Screenwriter
Frank Butler    Screenwriter
Harlan Thompson    Producer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.