RoboCop 3 (1993)
| Theatrical Performance | ||
| Domestic Box Office | $10,696,210 | Details |
| OpusData ID: 36140100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,304,829 (40.2% of total gross) |
| Legs: | 2.48 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 1,796 opening theaters/1,796 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,220,799 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Wide) by Orion Pictures |
| Video Release: | January 31st, 2006 by MGM Video |
| MPA Rating: | PG-13 for violence. |
| Running Time: | 104 minutes |
| Franchise: | RoboCop |
| Plot point: | Corporate Malfeasance, Corrupt Cops, Robot |
| Social setting: | Dystopia |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 3 | $4,304,829 | 1,796 | $2,397 | $4,304,829 | 1 | |
| Nov 12, 1993 | 8 | $2,107,902 | -51% | 1,796 | $1,174 | $7,653,073 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 4 | $5,545,171 | 1,796 | $3,088 | $5,545,171 | 1 |
| Rip Torn | The CEO | |
| Mako | Kanemitsu | |
| Bradley Whitford | Fleck | |
| Jeff Garlin | Donot Jerk | |
| Bruce Locke | Otomo | |
| Jill Hennessy | Dr. Marie Lazarus | |
| Lee Arenberg | Hold-Up Man | |
| Nancy Allen | Officer Anne Lewis | |
| CCH Pounder | Bertha | |
| Stephen Root | Coontz |
Production and Technical Credits
| Fred Dekker | Director | |
| Frank Miller | Screenwriter | |
| Fred Dekker | Screenwriter | |
| Basil Poledouris | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,304,829 (40.2% of total gross) |
| Legs: | 2.48 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $22,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 1,796 opening theaters/1,796 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,220,799 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Wide) by Orion Pictures |
| Video Release: | January 31st, 2006 by MGM Video |
| MPA Rating: | PG-13 for violence. |
| Running Time: | 104 minutes |
| Franchise: | RoboCop |
| Plot point: | Corporate Malfeasance, Corrupt Cops, Robot |
| Social setting: | Dystopia |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 3 | $4,304,829 | 1,796 | $2,397 | $4,304,829 | 1 | |
| Nov 12, 1993 | 8 | $2,107,902 | -51% | 1,796 | $1,174 | $7,653,073 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 4 | $5,545,171 | 1,796 | $3,088 | $5,545,171 | 1 |
| Rip Torn | The CEO | |
| Mako | Kanemitsu | |
| Bradley Whitford | Fleck | |
| Jeff Garlin | Donot Jerk | |
| Bruce Locke | Otomo | |
| Jill Hennessy | Dr. Marie Lazarus | |
| Lee Arenberg | Hold-Up Man | |
| Nancy Allen | Officer Anne Lewis | |
| CCH Pounder | Bertha | |
| Stephen Root | Coontz |
Production and Technical Credits
| Fred Dekker | Director | |
| Frank Miller | Screenwriter | |
| Fred Dekker | Screenwriter | |
| Basil Poledouris | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.