Rojo (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $94,757 | Details |
| International Box Office | $428,223 | Details |
| Worldwide Box Office | $522,980 | |
| OpusData ID: 352680100 More info... | ||
| Further financial details... | ||
Synopsis
In the mid-seventies, a strange man arrives in a quiet provincial city. In a restaurant, without any apparent reason, he starts insulting Claudio, a renowned lawyer. The community supports the lawyer and the stranger is humiliated and thrown out of the place. Later that night the stranger, who is determined to wreak a terrible vengeance, intercepts Claudio and his wife Susana. The lawyer then takes a path of no return involving death, secrets and silences.
Metrics
| Opening Weekend: | $12,479 (13.2% of total gross) |
| Legs: | 4.18 (domestic box office/biggest weekend) |
| Domestic Share: | 18.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $123,726 |
Movie Details
| Domestic Releases: | July 12th, 2019 (Limited) by Distrib Films |
| International Releases: | October 26th, 2018 (Wide) (Argentina)
July 5th, 2019 (Wide) (France) August 2nd, 2019 (Wide) (Spain) September 6th, 2019 (Wide) (United Kingdom) October 15th, 2020 (Limited), released as Rojo — Wenn alle schweigen, ist keiner unschuldig (Germany) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 109 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Pucará Cine, Desvia Filmes, Ecce Films, Viking Film, Sutor Kolonko, Bord Cadre, Le Tiro, Jempsa, INCAA, FSA, Ancine, BRDE, Aide aux Cinemas du Monde, CNC, Ibermedia, The Netherlands Film Fund, Hubert Bals Fund, World Cinema Fund, Film- und Medienstiftung NRW, Mecenazgo de la Ciudad de Buenos Aires, Cinema do Brasil, Le Fresnoy, Fundación Typa, Tres Puertos Cine, Riviera Lab, The Cinemart, Rotterdam-Berlinale Express, Berlinale Coproduction Market |
| Production Countries: | Argentina, Belgium, Brazil, France, Germany, Switzerland |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 12, 2019 | 45 | $12,479 | 2 | $6,240 | $12,479 | 1 | |
| Jul 19, 2019 | 43 | $22,662 | +82% | 5 | $4,532 | $42,402 | 2 |
| Jul 26, 2019 | 44 | $11,497 | -49% | 7 | $1,642 | $61,791 | 3 |
| Aug 16, 2019 | 91 | $97 | 1 | $97 | $73,247 | 6 | |
| Aug 23, 2019 | 71 | $2,142 | +2,108% | 2 | $1,071 | $76,732 | 7 |
| Sep 13, 2019 | 81 | $2,295 | 2 | $1,148 | $82,001 | 10 | |
| Sep 20, 2019 | 85 | $1,350 | -41% | 1 | $1,350 | $84,586 | 11 |
| Sep 27, 2019 | 74 | $2,578 | +91% | 2 | $1,289 | $91,213 | 12 |
| Oct 11, 2019 | 67 | $2,361 | 1 | $2,361 | $93,698 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 12, 2019 | 48 | $19,740 | 2 | $9,870 | $19,740 | 1 | |
| Jul 19, 2019 | 46 | $30,554 | +55% | 5 | $6,111 | $50,294 | 2 |
| Jul 26, 2019 | 47 | $18,353 | -40% | 7 | $2,622 | $68,647 | 3 |
| Aug 2, 2019 | 65 | $4,503 | -75% | 4 | $1,126 | $73,150 | 4 |
| Aug 16, 2019 | 79 | $1,440 | 2 | $720 | $74,590 | 6 | |
| Aug 23, 2019 | 68 | $3,906 | +171% | 2 | $1,953 | $78,496 | 7 |
| Sep 6, 2019 | 80 | $1,210 | 3 | $403 | $79,706 | 9 | |
| Sep 13, 2019 | 84 | $3,530 | +192% | 2 | $1,765 | $83,236 | 10 |
| Sep 20, 2019 | 75 | $5,399 | +53% | 4 | $1,350 | $88,635 | 11 |
| Sep 27, 2019 | 89 | $2,702 | -50% | 2 | $1,351 | $91,337 | 12 |
| Nov 15, 2019 | 81 | $1,059 | 1 | $1,059 | $94,757 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/26/2018 | $37,114 | 57 | 57 | 115 | $72,367 | 3/30/2019 | |||
| France | 7/5/2019 | $121,840 | 65 | 85 | 150 | $229,560 | 7/21/2019 | |||
| Spain | 8/2/2019 | $39,024 | 27 | 29 | 77 | $111,222 | 8/22/2019 | |||
| United Kingdom | 9/6/2019 | $15,074 | 15 | 15 | 15 | $15,074 | 9/11/2019 | |||
| International Total | $428,223 | 9/11/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dario Grandinetti | Claudio |
Supporting
| Andrea Frigerio | Susana | |
| Alfredo Castro | Detective Sinclair | |
| Laura Grandinetti | Paula | |
| Diego Cremonesi | Strange Man | |
| Susana Pampin | Music Teacher | |
| Claudio Martínez Bel | Vivas | |
| Rudy Chenicoff | Magician | |
| Mara Bestelli | Mabel | |
| Rafael Federman | Santiago |
Production and Technical Credits
| Benjamín Naishtat | Director | |
| Benjamín Naishtat | Screenwriter | |
| Barbara Sarasola-Day | Producer | |
| Federico Eibuszyc | Producer | |
| Emmanuel Chaumet | Co-Producer | |
| Rachel Daisy Ellis* | Co-Producer | |
| Marleen Slot | Co-Producer | |
| Ingmar Trost | Co-Producer | |
| Jamal Zeinal Zade | Associate Producer | |
| Dan Wechsler | Associate Producer | |
| Pedro Sotero | Director of Photography | |
| Julieta Dolinsky | Art Director | |
| Andrés Quaranta | Editor | |
| Vincent van Warmerdam | Composer | |
| María Laura Berch | Casting Director | |
| Jam Monti | Costume Designer | |
| Simon Apostolou | Sound Mixer | |
| Mariano Fernández | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the mid-seventies, a strange man arrives in a quiet provincial city. In a restaurant, without any apparent reason, he starts insulting Claudio, a renowned lawyer. The community supports the lawyer and the stranger is humiliated and thrown out of the place. Later that night the stranger, who is determined to wreak a terrible vengeance, intercepts Claudio and his wife Susana. The lawyer then takes a path of no return involving death, secrets and silences.
Metrics
| Opening Weekend: | $12,479 (13.2% of total gross) |
| Legs: | 4.18 (domestic box office/biggest weekend) |
| Domestic Share: | 18.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $123,726 |
Movie Details
| Domestic Releases: | July 12th, 2019 (Limited) by Distrib Films |
| International Releases: | October 26th, 2018 (Wide) (Argentina)
July 5th, 2019 (Wide) (France) August 2nd, 2019 (Wide) (Spain) September 6th, 2019 (Wide) (United Kingdom) October 15th, 2020 (Limited), released as Rojo — Wenn alle schweigen, ist keiner unschuldig (Germany) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 109 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Pucará Cine, Desvia Filmes, Ecce Films, Viking Film, Sutor Kolonko, Bord Cadre, Le Tiro, Jempsa, INCAA, FSA, Ancine, BRDE, Aide aux Cinemas du Monde, CNC, Ibermedia, The Netherlands Film Fund, Hubert Bals Fund, World Cinema Fund, Film- und Medienstiftung NRW, Mecenazgo de la Ciudad de Buenos Aires, Cinema do Brasil, Le Fresnoy, Fundación Typa, Tres Puertos Cine, Riviera Lab, The Cinemart, Rotterdam-Berlinale Express, Berlinale Coproduction Market |
| Production Countries: | Argentina, Belgium, Brazil, France, Germany, Switzerland |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 12, 2019 | 45 | $12,479 | 2 | $6,240 | $12,479 | 1 | |
| Jul 19, 2019 | 43 | $22,662 | +82% | 5 | $4,532 | $42,402 | 2 |
| Jul 26, 2019 | 44 | $11,497 | -49% | 7 | $1,642 | $61,791 | 3 |
| Aug 16, 2019 | 91 | $97 | 1 | $97 | $73,247 | 6 | |
| Aug 23, 2019 | 71 | $2,142 | +2,108% | 2 | $1,071 | $76,732 | 7 |
| Sep 13, 2019 | 81 | $2,295 | 2 | $1,148 | $82,001 | 10 | |
| Sep 20, 2019 | 85 | $1,350 | -41% | 1 | $1,350 | $84,586 | 11 |
| Sep 27, 2019 | 74 | $2,578 | +91% | 2 | $1,289 | $91,213 | 12 |
| Oct 11, 2019 | 67 | $2,361 | 1 | $2,361 | $93,698 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 12, 2019 | 48 | $19,740 | 2 | $9,870 | $19,740 | 1 | |
| Jul 19, 2019 | 46 | $30,554 | +55% | 5 | $6,111 | $50,294 | 2 |
| Jul 26, 2019 | 47 | $18,353 | -40% | 7 | $2,622 | $68,647 | 3 |
| Aug 2, 2019 | 65 | $4,503 | -75% | 4 | $1,126 | $73,150 | 4 |
| Aug 16, 2019 | 79 | $1,440 | 2 | $720 | $74,590 | 6 | |
| Aug 23, 2019 | 68 | $3,906 | +171% | 2 | $1,953 | $78,496 | 7 |
| Sep 6, 2019 | 80 | $1,210 | 3 | $403 | $79,706 | 9 | |
| Sep 13, 2019 | 84 | $3,530 | +192% | 2 | $1,765 | $83,236 | 10 |
| Sep 20, 2019 | 75 | $5,399 | +53% | 4 | $1,350 | $88,635 | 11 |
| Sep 27, 2019 | 89 | $2,702 | -50% | 2 | $1,351 | $91,337 | 12 |
| Nov 15, 2019 | 81 | $1,059 | 1 | $1,059 | $94,757 | 19 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/26/2018 | $37,114 | 57 | 57 | 115 | $72,367 | 3/30/2019 | |||
| France | 7/5/2019 | $121,840 | 65 | 85 | 150 | $229,560 | 7/21/2019 | |||
| Spain | 8/2/2019 | $39,024 | 27 | 29 | 77 | $111,222 | 8/22/2019 | |||
| United Kingdom | 9/6/2019 | $15,074 | 15 | 15 | 15 | $15,074 | 9/11/2019 | |||
| International Total | $428,223 | 9/11/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dario Grandinetti | Claudio |
Supporting
| Andrea Frigerio | Susana | |
| Alfredo Castro | Detective Sinclair | |
| Laura Grandinetti | Paula | |
| Diego Cremonesi | Strange Man | |
| Susana Pampin | Music Teacher | |
| Claudio Martínez Bel | Vivas | |
| Rudy Chenicoff | Magician | |
| Mara Bestelli | Mabel | |
| Rafael Federman | Santiago |
Production and Technical Credits
| Benjamín Naishtat | Director | |
| Benjamín Naishtat | Screenwriter | |
| Barbara Sarasola-Day | Producer | |
| Federico Eibuszyc | Producer | |
| Emmanuel Chaumet | Co-Producer | |
| Rachel Daisy Ellis* | Co-Producer | |
| Marleen Slot | Co-Producer | |
| Ingmar Trost | Co-Producer | |
| Jamal Zeinal Zade | Associate Producer | |
| Dan Wechsler | Associate Producer | |
| Pedro Sotero | Director of Photography | |
| Julieta Dolinsky | Art Director | |
| Andrés Quaranta | Editor | |
| Vincent van Warmerdam | Composer | |
| María Laura Berch | Casting Director | |
| Jam Monti | Costume Designer | |
| Simon Apostolou | Sound Mixer | |
| Mariano Fernández | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.