Roma (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $1,903,062 | Details |
| Worldwide Box Office | $1,903,062 | |
| OpusData ID: 284840100 More info... | ||
| Further financial details... | ||
Synopsis
A portrait of domestic life set against Mexico’s political turmoil of the 1970s.
Metrics
| Production Budget: | $15,000,000 (worldwide box office is 0.1 times production budget) |
Movie Details
| Domestic Releases: | November 21st, 2018 (Oscar Qualifying Run) by Netflix |
| International Releases: | November 30th, 2018 (Limited) (United Kingdom)
December 12th, 2018 (Wide), released as ROMA (South Korea) December 14th, 2018 (Wide) (Argentina) December 14th, 2018 (Wide) (Portugal) May 10th, 2019 (Wide) (China) ... Show all releases |
| Video Release: | December 14th, 2018 by Netflix |
| MPA Rating: | R for graphic nudity, some disturbing images, and language. (Rating bulletin 2550 (Cert #51696), 10/24/2018) |
| Running Time: | 135 minutes |
| Award nomination: | 2019 Oscars Best Picture Nominee |
| Award win: | BAFTA Best Film Winner, Directors Guild of America Outstanding Directorial Achievement in Theatrical Feature Film Winner |
| Geographical setting: | Mexico, Mexico City |
| Plot point: | Infidelity, Pregnant Women, Relationships Gone Wrong, Troubled Pregnancy or Miscarriage |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Participant Media, Esperanto Filmoj, Netflix |
| Production Countries: | Mexico, United States |
| Languages: | English, Spanish |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/14/2018 | $0 | 0 | 0 | 0 | $518 | 2/1/2019 | |||
| China | 5/10/2019 | $420,000 | 5,096 | 5,096 | 5,096 | $699,797 | 6/8/2019 | |||
| Portugal | 12/14/2018 | $0 | 0 | 6 | 6 | $109,176 | 3/5/2019 | |||
| South Korea | 12/12/2018 | $31,645 | 30 | 32 | 227 | $299,284 | 4/4/2026 | |||
| Rest of World | $794,287 | |||||||||
| International Total | $1,903,062 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Yalitza Aparicio | Cleo |
Supporting
| Nancy García García | Adela | |
| Maria de Tavira | Sofia | |
| Diego Cortina Autrey | Toño | |
| Marco Graf | Pepe | |
| Daniela Demesa | Sofi | |
| Carlos Peralta | Paco | |
| Fernando Gregiaga | Antonio | |
| Jorge Antonio Guerrero | Fermín | |
| Verónica García | Teresa |
Production and Technical Credits
| Alfonso Cuarón | Director | |
| Alfonso Cuarón | Screenwriter | |
| Alfonso Cuarón | Producer | |
| Gabriela Rodriguez | Producer | |
| Nicolás Celis | Producer | |
| David Linde | Executive Producer | |
| Jeff Skoll | Executive Producer | |
| Jonathan King | Executive Producer | |
| Adam Gough | Editor | |
| Alfonso Cuarón | Editor | |
| Eugenio Caballero | Production Designer | |
| Barbara Enriquez | Set Decorator | |
| Sergio Diaz | Sound Editor | |
| Skip Lievsay | Sound Editor | |
| Skip Lievsay | Sound Mixer | |
| Craig Henighan | Sound Mixer | |
| Jose Antonio Garcia | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A portrait of domestic life set against Mexico’s political turmoil of the 1970s.
Metrics
| Production Budget: | $15,000,000 (worldwide box office is 0.1 times production budget) |
Movie Details
| Domestic Releases: | November 21st, 2018 (Oscar Qualifying Run) by Netflix |
| International Releases: | November 30th, 2018 (Limited) (United Kingdom)
December 12th, 2018 (Wide), released as ROMA (South Korea) December 14th, 2018 (Wide) (Argentina) December 14th, 2018 (Wide) (Portugal) May 10th, 2019 (Wide) (China) ... Show all releases |
| Video Release: | December 14th, 2018 by Netflix |
| MPA Rating: | R for graphic nudity, some disturbing images, and language. (Rating bulletin 2550 (Cert #51696), 10/24/2018) |
| Running Time: | 135 minutes |
| Award nomination: | 2019 Oscars Best Picture Nominee |
| Award win: | BAFTA Best Film Winner, Directors Guild of America Outstanding Directorial Achievement in Theatrical Feature Film Winner |
| Geographical setting: | Mexico, Mexico City |
| Plot point: | Infidelity, Pregnant Women, Relationships Gone Wrong, Troubled Pregnancy or Miscarriage |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Participant Media, Esperanto Filmoj, Netflix |
| Production Countries: | Mexico, United States |
| Languages: | English, Spanish |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 12/14/2018 | $0 | 0 | 0 | 0 | $518 | 2/1/2019 | |||
| China | 5/10/2019 | $420,000 | 5,096 | 5,096 | 5,096 | $699,797 | 6/8/2019 | |||
| Portugal | 12/14/2018 | $0 | 0 | 6 | 6 | $109,176 | 3/5/2019 | |||
| South Korea | 12/12/2018 | $31,645 | 30 | 32 | 227 | $299,284 | 4/4/2026 | |||
| Rest of World | $794,287 | |||||||||
| International Total | $1,903,062 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Yalitza Aparicio | Cleo |
Supporting
| Nancy García García | Adela | |
| Maria de Tavira | Sofia | |
| Diego Cortina Autrey | Toño | |
| Marco Graf | Pepe | |
| Daniela Demesa | Sofi | |
| Carlos Peralta | Paco | |
| Fernando Gregiaga | Antonio | |
| Jorge Antonio Guerrero | Fermín | |
| Verónica García | Teresa |
Production and Technical Credits
| Alfonso Cuarón | Director | |
| Alfonso Cuarón | Screenwriter | |
| Alfonso Cuarón | Producer | |
| Gabriela Rodriguez | Producer | |
| Nicolás Celis | Producer | |
| David Linde | Executive Producer | |
| Jeff Skoll | Executive Producer | |
| Jonathan King | Executive Producer | |
| Adam Gough | Editor | |
| Alfonso Cuarón | Editor | |
| Eugenio Caballero | Production Designer | |
| Barbara Enriquez | Set Decorator | |
| Sergio Diaz | Sound Editor | |
| Skip Lievsay | Sound Editor | |
| Skip Lievsay | Sound Mixer | |
| Craig Henighan | Sound Mixer | |
| Jose Antonio Garcia | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.