Romería (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $136,264 | Details |
| International Box Office | $2,496,812 | Details |
| Worldwide Box Office | $2,633,076 | |
| OpusData ID: 744700100 More info... | ||
| Further financial details... | ||
Synopsis
Marina, 18, orphaned at a young age, must travel to Spain’s Atlantic coast to obtain a signature for a scholarship application from the paternal grandparents she has never met. She navigates a sea of new aunts, uncles, and cousins, uncertain whether she will be embraced or met with resistance. Stirring long-buried emotions, reviving tenderness, and uncovering unspoken wounds tied to the past, Marina pieces together the fragmented and often contradictory memories of the parents she barely remembers.
Metrics
| Opening Weekend: | $15,193 (11.1% of total gross) |
| Legs: | 4.84 (domestic box office/biggest weekend) |
| Domestic Share: | 5.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/25 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $136,264 |
Movie Details
| Domestic Releases: | June 26th, 2026 (Limited) by Janus Films |
| International Releases: | September 5th, 2025 (Limited) (Spain)
December 20th, 2025 (Limited) (Romania) April 2nd, 2026 (Limited) (Germany) April 3rd, 2026 (Limited) (Portugal) April 8th, 2026 (Limited) (France) ... Show all releases |
| Running Time: | 115 minutes |
| Film festival: | Cannes Film Festival 2025 |
| Geographical setting: | Spain |
| Plot point: | Addiction, AIDS, Dysfunctional Family, Family Secrets, Orphan |
| Social setting: | Family Reunion |
| Subgenre: | Family Drama |
| Time period setting: | 1980s, 2000s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Spain, Germany |
| Languages: | Spanish, Catalan, Galician, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 26, 2026 | - | $15,193 | 2 | $7,597 | $15,193 | 1 | |
| Jul 3, 2026 | - | $28,133 | +85% | 12 | $2,344 | $53,507 | 2 |
| Jul 10, 2026 | - | $14,271 | -49% | 25 | $571 | $81,923 | 3 |
| Jul 17, 2026 | - | $10,478 | -27% | 21 | $499 | $113,290 | 4 |
| Jul 24, 2026 | - | $8,490 | -19% | 19 | $447 | $129,605 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 3, 2026 | - | $42,278 | 2 | $21,139 | $67,652 | 2 | |
| Jul 10, 2026 | 27 | $35,160 | -17% | 25 | $1,406 | $102,812 | 3 |
| Jul 17, 2026 | 30 | $18,303 | -48% | 21 | $872 | $121,115 | 4 |
| Jul 24, 2026 | - | $15,149 | -17% | 19 | $797 | $136,264 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/9/2026 | $9,757 | 19 | 19 | 0 | $87,277 | 7/29/2026 | |||
| Finland | 5/22/2026 | $7,078 | 38 | 38 | 38 | $17,421 | 5/29/2026 | |||
| Italy | 6/11/2026 | $21,422 | 0 | 0 | 0 | $41,255 | 6/24/2026 | |||
| Netherlands | 4/9/2026 | $40,805 | 36 | 38 | 110 | $141,510 | 4/28/2026 | |||
| Portugal | 4/3/2026 | $2,785 | 7 | 7 | 0 | $8,300 | 4/22/2026 | |||
| Romania | 12/20/2025 | $0 | 0 | 27 | 0 | $11,066 | 4/16/2026 | |||
| South Korea | 5/27/2026 | $11,009 | 70 | 70 | 0 | $38,872 | 6/17/2026 | |||
| Spain | 9/5/2025 | $429,577 | 350 | 350 | 1,113 | $2,092,899 | 6/5/2026 | |||
| United Kingdom | 5/8/2026 | $58,212 | 31 | 31 | 31 | $58,212 | 5/14/2026 | |||
| International Total | $2,496,812 | 7/29/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Llúcia Garcia Torras | ||
| Mitch Martin |
Supporting
| Miryam Gallego | ||
| Sara Casasnovas | ||
| Alberto Gracia | ||
| Rodolfo Santa María Troncoso | ||
| José Ángel Egido | ||
| Janet Novás | ||
| Celine Tyll |
Production and Technical Credits
| Carla Simón | Director | |
| Carla Simón | Screenwriter | |
| Maria Zamora | Producer | |
| Olimpia Pont Chàfer | Co-Producer | |
| Àngels Masclans | Co-Producer | |
| Alejandro Castillo | Sound Supervisor | |
| Alejandro Castillo | Sound Mixer | |
| Eva Valino | Sound Designer | |
| Daniela Forn Mayor | First Assistant Director | |
| Elisa Sirvent | Line Producer | |
| Anna Aguila | Costume Designer | |
| Mónica Bernuy | Production Designer | |
| María Rodrigo | Casting Director | |
| Irene Roqué | Casting Director | |
| Ernest Pipo | Composer | |
| Sergio Jiménez | Editor | |
| Ana Pfaff | Editor | |
| Helene Louvart | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Marina, 18, orphaned at a young age, must travel to Spain’s Atlantic coast to obtain a signature for a scholarship application from the paternal grandparents she has never met. She navigates a sea of new aunts, uncles, and cousins, uncertain whether she will be embraced or met with resistance. Stirring long-buried emotions, reviving tenderness, and uncovering unspoken wounds tied to the past, Marina pieces together the fragmented and often contradictory memories of the parents she barely remembers.
Metrics
| Opening Weekend: | $15,193 (11.1% of total gross) |
| Legs: | 4.84 (domestic box office/biggest weekend) |
| Domestic Share: | 5.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/25 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $136,264 |
Movie Details
| Domestic Releases: | June 26th, 2026 (Limited) by Janus Films |
| International Releases: | September 5th, 2025 (Limited) (Spain)
December 20th, 2025 (Limited) (Romania) April 2nd, 2026 (Limited) (Germany) April 3rd, 2026 (Limited) (Portugal) April 8th, 2026 (Limited) (France) ... Show all releases |
| Running Time: | 115 minutes |
| Film festival: | Cannes Film Festival 2025 |
| Geographical setting: | Spain |
| Plot point: | Addiction, AIDS, Dysfunctional Family, Family Secrets, Orphan |
| Social setting: | Family Reunion |
| Subgenre: | Family Drama |
| Time period setting: | 1980s, 2000s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Spain, Germany |
| Languages: | Spanish, Catalan, Galician, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 26, 2026 | - | $15,193 | 2 | $7,597 | $15,193 | 1 | |
| Jul 3, 2026 | - | $28,133 | +85% | 12 | $2,344 | $53,507 | 2 |
| Jul 10, 2026 | - | $14,271 | -49% | 25 | $571 | $81,923 | 3 |
| Jul 17, 2026 | - | $10,478 | -27% | 21 | $499 | $113,290 | 4 |
| Jul 24, 2026 | - | $8,490 | -19% | 19 | $447 | $129,605 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 3, 2026 | - | $42,278 | 2 | $21,139 | $67,652 | 2 | |
| Jul 10, 2026 | 27 | $35,160 | -17% | 25 | $1,406 | $102,812 | 3 |
| Jul 17, 2026 | 30 | $18,303 | -48% | 21 | $872 | $121,115 | 4 |
| Jul 24, 2026 | - | $15,149 | -17% | 19 | $797 | $136,264 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/9/2026 | $9,757 | 19 | 19 | 0 | $87,277 | 7/29/2026 | |||
| Finland | 5/22/2026 | $7,078 | 38 | 38 | 38 | $17,421 | 5/29/2026 | |||
| Italy | 6/11/2026 | $21,422 | 0 | 0 | 0 | $41,255 | 6/24/2026 | |||
| Netherlands | 4/9/2026 | $40,805 | 36 | 38 | 110 | $141,510 | 4/28/2026 | |||
| Portugal | 4/3/2026 | $2,785 | 7 | 7 | 0 | $8,300 | 4/22/2026 | |||
| Romania | 12/20/2025 | $0 | 0 | 27 | 0 | $11,066 | 4/16/2026 | |||
| South Korea | 5/27/2026 | $11,009 | 70 | 70 | 0 | $38,872 | 6/17/2026 | |||
| Spain | 9/5/2025 | $429,577 | 350 | 350 | 1,113 | $2,092,899 | 6/5/2026 | |||
| United Kingdom | 5/8/2026 | $58,212 | 31 | 31 | 31 | $58,212 | 5/14/2026 | |||
| International Total | $2,496,812 | 7/29/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Llúcia Garcia Torras | ||
| Mitch Martin |
Supporting
| Miryam Gallego | ||
| Sara Casasnovas | ||
| Alberto Gracia | ||
| Rodolfo Santa María Troncoso | ||
| José Ángel Egido | ||
| Janet Novás | ||
| Celine Tyll |
Production and Technical Credits
| Carla Simón | Director | |
| Carla Simón | Screenwriter | |
| Maria Zamora | Producer | |
| Olimpia Pont Chàfer | Co-Producer | |
| Àngels Masclans | Co-Producer | |
| Alejandro Castillo | Sound Supervisor | |
| Alejandro Castillo | Sound Mixer | |
| Eva Valino | Sound Designer | |
| Daniela Forn Mayor | First Assistant Director | |
| Elisa Sirvent | Line Producer | |
| Anna Aguila | Costume Designer | |
| Mónica Bernuy | Production Designer | |
| María Rodrigo | Casting Director | |
| Irene Roqué | Casting Director | |
| Ernest Pipo | Composer | |
| Sergio Jiménez | Editor | |
| Ana Pfaff | Editor | |
| Helene Louvart | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.