Rounders (1998)
| Theatrical Performance | ||
| Domestic Box Office | $22,921,898 | Details |
| OpusData ID: 22900100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $8,459,126 (36.9% of total gross) |
| Legs: | 2.71 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 2,176 opening theaters/2,198 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $55,276,471 |
Movie Details
| Domestic Releases: | September 11th, 1998 (Wide) by Miramax |
| Video Release: | July 3rd, 2001 by Miramax Video |
| MPA Rating: | R for pervasive strong language, some sexuality and brief drug use |
| Running Time: | 121 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Addiction, Gambling, Lawyers, Life on the Outside, Loan Shark, Mafia, Money Troubles |
| Social setting: | Organized Crime |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 1998 | 1 | $8,459,126 | 2,176 | $3,887 | $8,459,126 | 1 | |
| Sep 18, 1998 | 4 | $4,731,197 | -44% | 2,191 | $2,159 | $16,081,589 | 2 |
| Sep 25, 1998 | 8 | $2,364,717 | -50% | 2,188 | $1,081 | $19,853,574 | 3 |
| Oct 2, 1998 | 12 | $1,008,660 | -57% | 1,475 | $684 | $21,598,076 | 4 |
| Oct 9, 1998 | 18 | $472,280 | -53% | 879 | $537 | $22,401,061 | 5 |
| Oct 16, 1998 | 31 | $141,909 | -70% | 307 | $462 | $22,725,363 | 6 |
| Oct 23, 1998 | 48 | $46,631 | -67% | 155 | $301 | $22,822,813 | 7 |
| Oct 30, 1998 | 51 | $33,313 | -29% | 111 | $300 | $22,875,793 | 8 |
| Nov 6, 1998 | 63 | $12,905 | -61% | 72 | $179 | $22,905,674 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 11, 1998 | 1 | $2,745,000 | 2,176 | $1,261 | $2,745,000 | 1 | ||
| Sep 12, 1998 | 1 | $3,610,000 | +32% | 2,176 | $1,659 | $6,355,000 | 2 | |
| Sep 13, 1998 | 1 | $2,032,000 | -44% | 2,176 | $934 | $8,459,000 | 3 | |
| Sep 14, 1998 | 1 | $654,799 | -68% | 2,176 | $301 | $9,113,925 | 4 | |
| Sep 15, 1998 | 1 | $924,170 | +41% | 2,176 | $425 | $10,038,095 | 5 | |
| Sep 16, 1998 | 1 | $647,049 | -30% | 2,176 | $297 | $10,685,144 | 6 | |
| Sep 17, 1998 | 1 | $644,635 | n/c | 2,176 | $296 | $11,329,779 | 7 | |
| Sep 18, 1998 | 4 | $1,450,000 | +125% | -47% | 2,191 | $662 | $12,800,000 | 8 |
| Sep 19, 1998 | 4 | $2,110,000 | +46% | -42% | 2,191 | $963 | $14,910,000 | 9 |
| Sep 20, 1998 | 4 | $1,168,000 | -45% | -43% | 2,191 | $533 | $16,082,000 | 10 |
| Sep 21, 1998 | 4 | $363,707 | -69% | -44% | 2,191 | $166 | $16,445,296 | 11 |
| Sep 22, 1998 | 4 | $496,501 | +37% | -46% | 2,191 | $227 | $16,941,797 | 12 |
| Sep 23, 1998 | 4 | $331,958 | -33% | -49% | 2,191 | $152 | $17,273,755 | 13 |
| Sep 24, 1998 | 4 | $300,765 | -9% | -53% | 2,191 | $137 | $17,574,520 | 14 |
| Sep 25, 1998 | 6 | $740,000 | +146% | -49% | 2,188 | $338 | $18,229,000 | 15 |
| Sep 26, 1998 | 8 | $1,061,000 | +43% | -50% | 2,188 | $485 | $19,290,000 | 16 |
| Sep 27, 1998 | 8 | $564,000 | -47% | -52% | 2,188 | $258 | $19,854,000 | 17 |
| Sep 28, 1998 | 7 | $162,171 | -71% | -55% | 2,188 | $74 | $20,015,745 | 18 |
| Sep 29, 1998 | 7 | $240,762 | +48% | -52% | 2,198 | $110 | $20,256,507 | 19 |
| Sep 30, 1998 | 8 | $207,178 | -14% | -38% | 2,198 | $94 | $20,463,685 | 20 |
| Oct 1, 1998 | 6 | $183,442 | -11% | -39% | 2,183 | $84 | $20,647,127 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 1998 | 1 | $11,350,392 | 2,176 | $5,216 | $11,350,392 | 1 | |
| Sep 18, 1998 | 4 | $6,138,465 | -46% | 2,191 | $2,802 | $17,488,857 | 2 |
| Sep 25, 1998 | 8 | $3,100,559 | -49% | 2,188 | $1,417 | $20,589,416 | 3 |
| Oct 2, 1998 | 12 | $1,339,365 | -57% | 1,475 | $908 | $21,928,781 | 4 |
| Oct 9, 1998 | 18 | $654,673 | -51% | 879 | $745 | $22,583,454 | 5 |
| Oct 16, 1998 | 31 | $192,728 | -71% | 307 | $628 | $22,776,182 | 6 |
| Oct 23, 1998 | 43 | $66,298 | -66% | 155 | $428 | $22,842,480 | 7 |
| Oct 30, 1998 | 46 | $50,289 | -24% | 111 | $453 | $22,892,769 | 8 |
| Edward Norton | Worm | |
| John Turturro | Joey Kinish | |
| Gretchen Mol | Jo | |
| Famke Janssen | Petra | |
| John Malkovich | Teddy KGB | |
| Martin Landau | Abe Petrovsky | |
| Michael Rispoli | Grama |
Leading
| Matt Damon | Mike McDermott |
| Goran Visnjic | Maurice |
Production and Technical Credits
| John Dahl | Director | |
| David Levien | Screenwriter | |
| Brian Koppelman | Screenwriter | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Christopher Young | Composer | |
| Jon Johnson | Supervising Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $8,459,126 (36.9% of total gross) |
| Legs: | 2.71 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $12,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 2,176 opening theaters/2,198 max. theaters, 4.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $55,276,471 |
Movie Details
| Domestic Releases: | September 11th, 1998 (Wide) by Miramax |
| Video Release: | July 3rd, 2001 by Miramax Video |
| MPA Rating: | R for pervasive strong language, some sexuality and brief drug use |
| Running Time: | 121 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Addiction, Gambling, Lawyers, Life on the Outside, Loan Shark, Mafia, Money Troubles |
| Social setting: | Organized Crime |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 1998 | 1 | $8,459,126 | 2,176 | $3,887 | $8,459,126 | 1 | |
| Sep 18, 1998 | 4 | $4,731,197 | -44% | 2,191 | $2,159 | $16,081,589 | 2 |
| Sep 25, 1998 | 8 | $2,364,717 | -50% | 2,188 | $1,081 | $19,853,574 | 3 |
| Oct 2, 1998 | 12 | $1,008,660 | -57% | 1,475 | $684 | $21,598,076 | 4 |
| Oct 9, 1998 | 18 | $472,280 | -53% | 879 | $537 | $22,401,061 | 5 |
| Oct 16, 1998 | 31 | $141,909 | -70% | 307 | $462 | $22,725,363 | 6 |
| Oct 23, 1998 | 48 | $46,631 | -67% | 155 | $301 | $22,822,813 | 7 |
| Oct 30, 1998 | 51 | $33,313 | -29% | 111 | $300 | $22,875,793 | 8 |
| Nov 6, 1998 | 63 | $12,905 | -61% | 72 | $179 | $22,905,674 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 11, 1998 | 1 | $2,745,000 | 2,176 | $1,261 | $2,745,000 | 1 | ||
| Sep 12, 1998 | 1 | $3,610,000 | +32% | 2,176 | $1,659 | $6,355,000 | 2 | |
| Sep 13, 1998 | 1 | $2,032,000 | -44% | 2,176 | $934 | $8,459,000 | 3 | |
| Sep 14, 1998 | 1 | $654,799 | -68% | 2,176 | $301 | $9,113,925 | 4 | |
| Sep 15, 1998 | 1 | $924,170 | +41% | 2,176 | $425 | $10,038,095 | 5 | |
| Sep 16, 1998 | 1 | $647,049 | -30% | 2,176 | $297 | $10,685,144 | 6 | |
| Sep 17, 1998 | 1 | $644,635 | n/c | 2,176 | $296 | $11,329,779 | 7 | |
| Sep 18, 1998 | 4 | $1,450,000 | +125% | -47% | 2,191 | $662 | $12,800,000 | 8 |
| Sep 19, 1998 | 4 | $2,110,000 | +46% | -42% | 2,191 | $963 | $14,910,000 | 9 |
| Sep 20, 1998 | 4 | $1,168,000 | -45% | -43% | 2,191 | $533 | $16,082,000 | 10 |
| Sep 21, 1998 | 4 | $363,707 | -69% | -44% | 2,191 | $166 | $16,445,296 | 11 |
| Sep 22, 1998 | 4 | $496,501 | +37% | -46% | 2,191 | $227 | $16,941,797 | 12 |
| Sep 23, 1998 | 4 | $331,958 | -33% | -49% | 2,191 | $152 | $17,273,755 | 13 |
| Sep 24, 1998 | 4 | $300,765 | -9% | -53% | 2,191 | $137 | $17,574,520 | 14 |
| Sep 25, 1998 | 6 | $740,000 | +146% | -49% | 2,188 | $338 | $18,229,000 | 15 |
| Sep 26, 1998 | 8 | $1,061,000 | +43% | -50% | 2,188 | $485 | $19,290,000 | 16 |
| Sep 27, 1998 | 8 | $564,000 | -47% | -52% | 2,188 | $258 | $19,854,000 | 17 |
| Sep 28, 1998 | 7 | $162,171 | -71% | -55% | 2,188 | $74 | $20,015,745 | 18 |
| Sep 29, 1998 | 7 | $240,762 | +48% | -52% | 2,198 | $110 | $20,256,507 | 19 |
| Sep 30, 1998 | 8 | $207,178 | -14% | -38% | 2,198 | $94 | $20,463,685 | 20 |
| Oct 1, 1998 | 6 | $183,442 | -11% | -39% | 2,183 | $84 | $20,647,127 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 1998 | 1 | $11,350,392 | 2,176 | $5,216 | $11,350,392 | 1 | |
| Sep 18, 1998 | 4 | $6,138,465 | -46% | 2,191 | $2,802 | $17,488,857 | 2 |
| Sep 25, 1998 | 8 | $3,100,559 | -49% | 2,188 | $1,417 | $20,589,416 | 3 |
| Oct 2, 1998 | 12 | $1,339,365 | -57% | 1,475 | $908 | $21,928,781 | 4 |
| Oct 9, 1998 | 18 | $654,673 | -51% | 879 | $745 | $22,583,454 | 5 |
| Oct 16, 1998 | 31 | $192,728 | -71% | 307 | $628 | $22,776,182 | 6 |
| Oct 23, 1998 | 43 | $66,298 | -66% | 155 | $428 | $22,842,480 | 7 |
| Oct 30, 1998 | 46 | $50,289 | -24% | 111 | $453 | $22,892,769 | 8 |
| Edward Norton | Worm | |
| John Turturro | Joey Kinish | |
| Gretchen Mol | Jo | |
| Famke Janssen | Petra | |
| John Malkovich | Teddy KGB | |
| Martin Landau | Abe Petrovsky | |
| Michael Rispoli | Grama |
Leading
| Matt Damon | Mike McDermott |
| Goran Visnjic | Maurice |
Production and Technical Credits
| John Dahl | Director | |
| David Levien | Screenwriter | |
| Brian Koppelman | Screenwriter | |
| Harvey Weinstein | Executive Producer | |
| Bob Weinstein | Executive Producer | |
| Christopher Young | Composer | |
| Jon Johnson | Supervising Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.