The Rover (2014)
| Theatrical Performance | ||
| Domestic Box Office | $1,109,199 | Details |
| International Box Office | $2,071,053 | Details |
| Worldwide Box Office | $3,180,252 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $174,564 | |
| Blu-ray Sales (estimated) | $389,243 | |
| Total | $563,807 | |
| OpusData ID: 203440100 More info... | ||
| Further financial details... | ||
Synopsis
In a world 10 years following the collapse of society, the rule of the law has disintegrated and life is cheap. Hardened loner Eric travels the desolate towns and roads of the outback. When a gang of thieves steals his car, they leave behind a wounded Rey in their wake. Forcing Rey to help track the gang, Eric will go to any lengths to take back the one thing that still matters to him.
Metrics
| Opening Weekend: | $69,302 (6.2% of total gross) |
| Legs: | 2.31 (domestic box office/biggest weekend) |
| Domestic Share: | 34.9% (domestic box office/worldwide) |
| Production Budget: | $8,500,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 5 opening theaters/608 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,623,749 |
Movie Details
| Domestic Releases: | June 13th, 2014 (Limited) by A24 June 20th, 2014 (Expands Wide) by A24 |
| International Releases: | June 4th, 2014 (Wide) (Belgium)
June 12th, 2014 (Wide) (Australia) June 19th, 2014 (Wide) (Malaysia) July 3rd, 2014 (Wide) (Philippines) July 4th, 2014 (Wide) (Turkey) ... Show all releases |
| Video Release: | September 23rd, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | R For language and some bloody violence. (Rating bulletin 2308, 2/5/2014) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Child Abuse, Circus, Dwarfism, Heist, No Honor Among Thieves, Revenge |
| Social setting: | Dystopia, Post Apocalypse |
| Subgenre: | Action Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Porchlight Films, Lava Bear Films, South Australian Film Corp., Screen NSW, Yoki, Blue Tongue Films |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 13, 2014 | 33 | $69,302 | 5 | $13,860 | $69,302 | 1 | |
| Jun 20, 2014 | 16 | $481,214 | +594% | 608 | $791 | $562,440 | 2 |
| Jun 27, 2014 | 33 | $96,083 | -80% | 247 | $389 | $975,390 | 3 |
| Jul 4, 2014 | 59 | $10,444 | -89% | 21 | $497 | $1,024,771 | 4 |
| Jul 11, 2014 | 56 | $10,166 | -3% | 12 | $847 | $1,043,572 | 5 |
| Jul 18, 2014 | 62 | $9,577 | -6% | 11 | $871 | $1,061,207 | 6 |
| Jul 25, 2014 | 65 | $8,741 | -9% | 11 | $795 | $1,077,848 | 7 |
| Aug 1, 2014 | 73 | $5,776 | -34% | 6 | $963 | $1,089,150 | 8 |
| Aug 8, 2014 | 75 | $4,985 | -14% | 5 | $997 | $1,099,716 | 9 |
| Aug 15, 2014 | 78 | $4,221 | -15% | 5 | $844 | $1,109,199 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 13, 2014 | 39 | $81,226 | 5 | $16,245 | $81,226 | 1 | |
| Jun 20, 2014 | 16 | $798,081 | +883% | 608 | $1,313 | $879,307 | 2 |
| Jun 27, 2014 | 36 | $135,020 | -83% | 247 | $547 | $1,014,327 | 3 |
| Jul 4, 2014 | 55 | $19,079 | -86% | 21 | $909 | $1,033,406 | 4 |
| Jul 11, 2014 | 52 | $18,224 | -4% | 12 | $1,519 | $1,051,630 | 5 |
| Jul 18, 2014 | 61 | $17,477 | -4% | 11 | $1,589 | $1,069,107 | 6 |
| Jul 25, 2014 | 66 | $14,267 | -18% | 11 | $1,297 | $1,083,374 | 7 |
| Aug 1, 2014 | 69 | $11,357 | -20% | 6 | $1,893 | $1,094,731 | 8 |
| Aug 8, 2014 | 71 | $10,247 | -10% | 5 | $2,049 | $1,104,978 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/2014 | $0 | 0 | 32 | 41 | $433,193 | 10/11/2017 | |||
| Belgium | 6/4/2014 | $0 | 0 | 4 | 9 | $23,067 | 12/16/2015 | |||
| Malaysia | 6/19/2014 | $0 | 0 | 19 | 24 | $58,936 | 12/15/2015 | |||
| Philippines | 7/3/2014 | $33,951 | 55 | 55 | 55 | $34,502 | 12/30/2018 | |||
| Thailand | 7/24/2014 | $10,035 | 48 | 48 | 48 | $10,035 | 12/17/2015 | |||
| Turkey | 7/4/2014 | $21,563 | 61 | 61 | 86 | $41,564 | 12/30/2018 | |||
| Rest of World | $1,469,756 | |||||||||
| International Total | $2,071,053 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Guy Pearce | Eric |
Supporting
| Robert Pattinson | Rey | |
| Scoot McNairy | Henry | |
| David Field | Archie | |
| Anthony Hayes | Soldier 1 | |
| Gillian Jones | Grandma | |
| Susan Prior | Dorothy Peeples | |
| Chan Kien | Karaoke 1 | |
| Tek Kong Lim | Karaoke 2 | |
| Tawanda Manyimo | Caleb |
Production and Technical Credits
| David Michod | Director | |
| David Michod | Screenwriter | |
| David Michod | Producer | |
| Liz Watts | Producer | |
| David Linde | Producer | |
| David Michod | Story Creator | |
| Joel Edgerton | Story Creator | |
| Alison Cohen | Executive Producer | |
| Tory Metzger | Executive Producer | |
| Adam Rymer | Executive Producer | |
| Vincent Sheehan | Executive Producer | |
| Anita Sheehan | Executive Producer | |
| Nina Stevenson | Executive Producer | |
| Glen Basner | Executive Producer | |
| Natasha Braier | Director of Photography | |
| Peter Sciberras | Editor | |
| Jo Ford | Production Designer | |
| Antony Partos | Composer | |
| Sam Petty | Sound Designer | |
| Cappi Ireland | Costume Designer | |
| Fiona Rees-Jones | Make-up and Hair Designer | |
| Kirsty McGregor | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In a world 10 years following the collapse of society, the rule of the law has disintegrated and life is cheap. Hardened loner Eric travels the desolate towns and roads of the outback. When a gang of thieves steals his car, they leave behind a wounded Rey in their wake. Forcing Rey to help track the gang, Eric will go to any lengths to take back the one thing that still matters to him.
Metrics
| Opening Weekend: | $69,302 (6.2% of total gross) |
| Legs: | 2.31 (domestic box office/biggest weekend) |
| Domestic Share: | 34.9% (domestic box office/worldwide) |
| Production Budget: | $8,500,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 5 opening theaters/608 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,623,749 |
Movie Details
| Domestic Releases: | June 13th, 2014 (Limited) by A24 June 20th, 2014 (Expands Wide) by A24 |
| International Releases: | June 4th, 2014 (Wide) (Belgium)
June 12th, 2014 (Wide) (Australia) June 19th, 2014 (Wide) (Malaysia) July 3rd, 2014 (Wide) (Philippines) July 4th, 2014 (Wide) (Turkey) ... Show all releases |
| Video Release: | September 23rd, 2014 by Lionsgate Home Entertainment |
| MPA Rating: | R For language and some bloody violence. (Rating bulletin 2308, 2/5/2014) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Child Abuse, Circus, Dwarfism, Heist, No Honor Among Thieves, Revenge |
| Social setting: | Dystopia, Post Apocalypse |
| Subgenre: | Action Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Porchlight Films, Lava Bear Films, South Australian Film Corp., Screen NSW, Yoki, Blue Tongue Films |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 13, 2014 | 33 | $69,302 | 5 | $13,860 | $69,302 | 1 | |
| Jun 20, 2014 | 16 | $481,214 | +594% | 608 | $791 | $562,440 | 2 |
| Jun 27, 2014 | 33 | $96,083 | -80% | 247 | $389 | $975,390 | 3 |
| Jul 4, 2014 | 59 | $10,444 | -89% | 21 | $497 | $1,024,771 | 4 |
| Jul 11, 2014 | 56 | $10,166 | -3% | 12 | $847 | $1,043,572 | 5 |
| Jul 18, 2014 | 62 | $9,577 | -6% | 11 | $871 | $1,061,207 | 6 |
| Jul 25, 2014 | 65 | $8,741 | -9% | 11 | $795 | $1,077,848 | 7 |
| Aug 1, 2014 | 73 | $5,776 | -34% | 6 | $963 | $1,089,150 | 8 |
| Aug 8, 2014 | 75 | $4,985 | -14% | 5 | $997 | $1,099,716 | 9 |
| Aug 15, 2014 | 78 | $4,221 | -15% | 5 | $844 | $1,109,199 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 13, 2014 | 39 | $81,226 | 5 | $16,245 | $81,226 | 1 | |
| Jun 20, 2014 | 16 | $798,081 | +883% | 608 | $1,313 | $879,307 | 2 |
| Jun 27, 2014 | 36 | $135,020 | -83% | 247 | $547 | $1,014,327 | 3 |
| Jul 4, 2014 | 55 | $19,079 | -86% | 21 | $909 | $1,033,406 | 4 |
| Jul 11, 2014 | 52 | $18,224 | -4% | 12 | $1,519 | $1,051,630 | 5 |
| Jul 18, 2014 | 61 | $17,477 | -4% | 11 | $1,589 | $1,069,107 | 6 |
| Jul 25, 2014 | 66 | $14,267 | -18% | 11 | $1,297 | $1,083,374 | 7 |
| Aug 1, 2014 | 69 | $11,357 | -20% | 6 | $1,893 | $1,094,731 | 8 |
| Aug 8, 2014 | 71 | $10,247 | -10% | 5 | $2,049 | $1,104,978 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/2014 | $0 | 0 | 32 | 41 | $433,193 | 10/11/2017 | |||
| Belgium | 6/4/2014 | $0 | 0 | 4 | 9 | $23,067 | 12/16/2015 | |||
| Malaysia | 6/19/2014 | $0 | 0 | 19 | 24 | $58,936 | 12/15/2015 | |||
| Philippines | 7/3/2014 | $33,951 | 55 | 55 | 55 | $34,502 | 12/30/2018 | |||
| Thailand | 7/24/2014 | $10,035 | 48 | 48 | 48 | $10,035 | 12/17/2015 | |||
| Turkey | 7/4/2014 | $21,563 | 61 | 61 | 86 | $41,564 | 12/30/2018 | |||
| Rest of World | $1,469,756 | |||||||||
| International Total | $2,071,053 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Guy Pearce | Eric |
Supporting
| Robert Pattinson | Rey | |
| Scoot McNairy | Henry | |
| David Field | Archie | |
| Anthony Hayes | Soldier 1 | |
| Gillian Jones | Grandma | |
| Susan Prior | Dorothy Peeples | |
| Chan Kien | Karaoke 1 | |
| Tek Kong Lim | Karaoke 2 | |
| Tawanda Manyimo | Caleb |
Production and Technical Credits
| David Michod | Director | |
| David Michod | Screenwriter | |
| David Michod | Producer | |
| Liz Watts | Producer | |
| David Linde | Producer | |
| David Michod | Story Creator | |
| Joel Edgerton | Story Creator | |
| Alison Cohen | Executive Producer | |
| Tory Metzger | Executive Producer | |
| Adam Rymer | Executive Producer | |
| Vincent Sheehan | Executive Producer | |
| Anita Sheehan | Executive Producer | |
| Nina Stevenson | Executive Producer | |
| Glen Basner | Executive Producer | |
| Natasha Braier | Director of Photography | |
| Peter Sciberras | Editor | |
| Jo Ford | Production Designer | |
| Antony Partos | Composer | |
| Sam Petty | Sound Designer | |
| Cappi Ireland | Costume Designer | |
| Fiona Rees-Jones | Make-up and Hair Designer | |
| Kirsty McGregor | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.