The Row (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $80,749 | Details |
| Worldwide Box Office | $80,749 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $5,079 | |
| Blu-ray Sales (estimated) | $8,645 | |
| Total | $13,724 | |
| OpusData ID: 332980100 More info... | ||
| Further financial details... | ||
Synopsis
With a serial killer preying upon girls on campus, Riley, an incoming freshman, finds herself entangled in a sinister plot involving a dark secret at the sorority that she pledged, while her father, Cole—the detective investigating the case—must uncover the identity of the killer before it’s too late…and Riley becomes the next victim.
Metrics
Movie Details
| Domestic Releases: | July 27th, 2018 (Limited) by Lionsgate |
| International Releases: | September 10th, 2019 (Wide) (South Korea) |
| Video Release: | September 25th, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | R for bloody violence, language, drug and alcohol abuse, and some sexual content. (Rating bulletin 2528 (Cert #51612), 5/23/2018) |
| Running Time: | 82 minutes |
| Plot point: | Police Detective, Police Procedural, Redemption, Revenge, Serial Killer |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | College, Fraternity/Sorority |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Grindstone Entertainment Group, Emmett Furla Oasis Films, The Fyzz Facility, Fuel 1 |
| Production Countries: | Canada, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 9/10/2019 | $0 | 0 | 4 | 20 | $58,247 | 1/2/2020 | |||
| Rest of World | $22,502 | |||||||||
| International Total | $80,749 | 1/2/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lala Kent | Riley Cole | |
| Mia Frampton | Becks | |
| Sarah McDaniel | Isabel |
Supporting
| Tanya Mityushina | Hayley Ashton | |
| Randy Couture | Detective Cole | |
| Colin Egglesfield | Villiers | |
| Dylan Sprayberry | Carter | |
| Lexi Atkins | Ana | |
| Malea Rose | Captain Ellingham | |
| Reka Rene | CSI Agent Wagner |
Production and Technical Credits
| Matty Beckerman | Director | |
| Sarah Scougal | Screenwriter | |
| Randall Emmett | Producer | |
| Lorne Greenberg | Producer | |
| Noel Ashman | Producer | |
| Henry Winterstern | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Wayne Marc Godfrey | Executive Producer | |
| Robert Jones | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Mark Stewart | Executive Producer | |
| Alan Pao | Executive Producer | |
| Luke Daniels | Executive Producer | |
| Ted Fox | Executive Producer | |
| Vance Owen | Executive Producer | |
| Tim Sullivan | Co-Producer | |
| Alex Eckert | Co-Producer | |
| Anthony Callie | Co-Producer | |
| Ryan Black | Co-Executive Producer | |
| Bernie Gewissler | Line Producer | |
| Jamie Barber | Director of Photography | |
| Ethan Maniquis | Editor | |
| Jared Beckerman | Composer | |
| Ashley Waldron | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
With a serial killer preying upon girls on campus, Riley, an incoming freshman, finds herself entangled in a sinister plot involving a dark secret at the sorority that she pledged, while her father, Cole—the detective investigating the case—must uncover the identity of the killer before it’s too late…and Riley becomes the next victim.
Metrics
Movie Details
| Domestic Releases: | July 27th, 2018 (Limited) by Lionsgate |
| International Releases: | September 10th, 2019 (Wide) (South Korea) |
| Video Release: | September 25th, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | R for bloody violence, language, drug and alcohol abuse, and some sexual content. (Rating bulletin 2528 (Cert #51612), 5/23/2018) |
| Running Time: | 82 minutes |
| Plot point: | Police Detective, Police Procedural, Redemption, Revenge, Serial Killer |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | College, Fraternity/Sorority |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Grindstone Entertainment Group, Emmett Furla Oasis Films, The Fyzz Facility, Fuel 1 |
| Production Countries: | Canada, United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 9/10/2019 | $0 | 0 | 4 | 20 | $58,247 | 1/2/2020 | |||
| Rest of World | $22,502 | |||||||||
| International Total | $80,749 | 1/2/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Lala Kent | Riley Cole | |
| Mia Frampton | Becks | |
| Sarah McDaniel | Isabel |
Supporting
| Tanya Mityushina | Hayley Ashton | |
| Randy Couture | Detective Cole | |
| Colin Egglesfield | Villiers | |
| Dylan Sprayberry | Carter | |
| Lexi Atkins | Ana | |
| Malea Rose | Captain Ellingham | |
| Reka Rene | CSI Agent Wagner |
Production and Technical Credits
| Matty Beckerman | Director | |
| Sarah Scougal | Screenwriter | |
| Randall Emmett | Producer | |
| Lorne Greenberg | Producer | |
| Noel Ashman | Producer | |
| Henry Winterstern | Executive Producer | |
| Arianne Fraser | Executive Producer | |
| Delphine Perrier | Executive Producer | |
| Wayne Marc Godfrey | Executive Producer | |
| Robert Jones | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Mark Stewart | Executive Producer | |
| Alan Pao | Executive Producer | |
| Luke Daniels | Executive Producer | |
| Ted Fox | Executive Producer | |
| Vance Owen | Executive Producer | |
| Tim Sullivan | Co-Producer | |
| Alex Eckert | Co-Producer | |
| Anthony Callie | Co-Producer | |
| Ryan Black | Co-Executive Producer | |
| Bernie Gewissler | Line Producer | |
| Jamie Barber | Director of Photography | |
| Ethan Maniquis | Editor | |
| Jared Beckerman | Composer | |
| Ashley Waldron | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.