Ruben Brandt, a gyujto (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $117,963 | Details |
| International Box Office | $63,813 | Details |
| Worldwide Box Office | $181,776 | |
| OpusData ID: 359300100 More info... | ||
| Further financial details... | ||
Synopsis
Ruben Brandt, a famous psychotherapist, is forced to steal 13 paintings from the world’s renowned museums and private collections to prevent his suffering from terrible nightmares he has as a result of subliminal messaging he received as a child. Accompanied by his four patients, he and his band of thieves strike regularly and with great success: the Louvre, Tate, Uffizi, Hermitage, the Museum of Modern Art. “The Collector” quickly becomes the most wanted criminal in the world. Gangsters and headhunters chase him around the world while the reward for his capture keeps rising, approaching a hundred million dollars. A cartel of insurance companies entrusts Mike Kowalski, a private detective and leading expert on art theft, to solve the “Collector Case.”
Metrics
| Opening Weekend: | $7,403 (6.3% of total gross) |
| Legs: | 6.22 (domestic box office/biggest weekend) |
| Domestic Share: | 64.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/43 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $154,021 |
Movie Details
| Domestic Releases: | February 15th, 2019 (Limited) by Sony Pictures Classics, released as Ruben Brandt, Collector |
| International Releases: | April 19th, 2019 (Wide) (Russia (CIS))
May 2nd, 2019 (Wide), released as Ruben Brandt, Coleccionador (Portugal) July 19th, 2019 (Wide) (Netherlands) October 11th, 2019 (Wide), released as Ruben Brandt, Collector (New Zealand) October 29th, 2020 (Limited), released as Ruben Brandt, Collector (Germany) ... Show all releases |
| Video Release: | May 21st, 2019 by Sony Pictures Home Entertainment, released as Ruben Brandt, Collector |
| MPA Rating: | R for nude images and some violence. (Rating bulletin 2552 (Cert #51888), 11/7/2018) |
| Running Time: | 94 minutes |
| Plot point: | Crime Boss, Dream Sequence, Heist, Mental Illness, Prophetic Dreams |
| Social setting: | Surrealism / Absurdism, Therapists / Therapy |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hungarian National Film Fund, Hungarian Film Incentive |
| Production Countries: | Hungary |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 63 | $7,403 | 2 | $3,702 | $8,746 | 1 | |
| Feb 22, 2019 | 58 | $6,720 | -9% | 3 | $2,240 | $18,032 | 2 |
| Mar 1, 2019 | 63 | $12,242 | +82% | 15 | $816 | $33,979 | 3 |
| Mar 8, 2019 | 62 | $8,812 | -28% | 17 | $518 | $50,605 | 4 |
| Mar 15, 2019 | 61 | $18,968 | +115% | 36 | $527 | $75,457 | 5 |
| Mar 22, 2019 | 62 | $10,878 | -43% | 43 | $253 | $98,844 | 6 |
| Mar 29, 2019 | 73 | $2,756 | -75% | 12 | $230 | $108,041 | 7 |
| Apr 5, 2019 | 84 | $672 | -76% | 6 | $112 | $110,227 | 8 |
| Apr 12, 2019 | 93 | $539 | -20% | 9 | $60 | $111,101 | 9 |
| Apr 19, 2019 | 104 | $135 | -75% | 3 | $45 | $113,757 | 10 |
| Apr 26, 2019 | 93 | $633 | +369% | 3 | $211 | $114,533 | 11 |
| May 3, 2019 | 88 | $512 | -19% | 2 | $256 | $115,517 | 12 |
| May 10, 2019 | 81 | $1,101 | +115% | 1 | $1,101 | $116,874 | 13 |
| May 17, 2019 | 93 | $558 | -49% | 1 | $558 | $117,963 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 64 | $9,969 | 2 | $4,985 | $11,312 | 1 | |
| Feb 22, 2019 | 58 | $10,425 | +5% | 3 | $3,475 | $21,737 | 2 |
| Mar 1, 2019 | 62 | $20,056 | +92% | 15 | $1,337 | $41,793 | 3 |
| Mar 8, 2019 | 64 | $14,696 | -27% | 17 | $864 | $56,489 | 4 |
| Mar 15, 2019 | 60 | $31,477 | +114% | 36 | $874 | $87,966 | 5 |
| Mar 22, 2019 | 61 | $17,319 | -45% | 43 | $403 | $105,285 | 6 |
| Mar 29, 2019 | 76 | $4,270 | -75% | 12 | $356 | $109,555 | 7 |
| Apr 5, 2019 | 86 | $1,007 | -76% | 6 | $168 | $110,562 | 8 |
| Apr 12, 2019 | 84 | $3,060 | +204% | 9 | $340 | $113,622 | 9 |
| Apr 19, 2019 | 104 | $278 | -91% | 3 | $93 | $113,900 | 10 |
| Apr 26, 2019 | 95 | $1,105 | +297% | 3 | $368 | $115,005 | 11 |
| May 3, 2019 | 91 | $768 | -30% | 2 | $384 | $115,773 | 12 |
| May 10, 2019 | 83 | $1,632 | +113% | 2 | $816 | $117,405 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/19/2019 | $13,395 | 28 | 28 | 53 | $32,982 | 10/19/2022 | |||
| New Zealand | 10/11/2019 | $152 | 1 | 5 | 12 | $1,790 | 10/19/2022 | |||
| Portugal | 5/2/2019 | $270 | 3 | 3 | 5 | $596 | 5/14/2019 | |||
| Russia (CIS) | 4/19/2019 | $11,778 | 93 | 93 | 152 | $26,550 | 8/20/2019 | |||
| South Korea | 7/8/2021 | $1,621 | 26 | 26 | 26 | $1,895 | 7/15/2021 | |||
| International Total | $63,813 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ivan Kamaras | Ruben Brandt |
Supporting
| Csaba Marton | Mike Kowalski | |
| Gabriella Hamori | Mimi | |
| Katalin Dombi | Marina | |
| Matt Devere | Bye-Bye Joe | |
| Henry Grant | Membrano | |
| Christian Nielson Buckhold | Fernando |
Production and Technical Credits
| Milorad Krstic | Director | |
| Milorad Krstic | Screenwriter | |
| Radmila Roczkov | Screenwriter | |
| Peter Miskolczi | Producer | |
| Janos Kurdy-Feher | Producer | |
| Milorad Krstic | Producer | |
| Hermina Roczkov | Producer | |
| Radmila Roczkov | Producer | |
| Tobor Cari | Composer | |
| Milorad Krstic | Production Designer | |
| Danijel Daka Milosevic | Sound Designer | |
| Marcell Laszlo | Production Design Supervisor | |
| Milorad Krstic | Animation Director | |
| Marcell Laszlo | Animation Director | |
| Laszlo Wimmer | Assistant Director | |
| Lajos Csakovics | Character Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ruben Brandt, a famous psychotherapist, is forced to steal 13 paintings from the world’s renowned museums and private collections to prevent his suffering from terrible nightmares he has as a result of subliminal messaging he received as a child. Accompanied by his four patients, he and his band of thieves strike regularly and with great success: the Louvre, Tate, Uffizi, Hermitage, the Museum of Modern Art. “The Collector” quickly becomes the most wanted criminal in the world. Gangsters and headhunters chase him around the world while the reward for his capture keeps rising, approaching a hundred million dollars. A cartel of insurance companies entrusts Mike Kowalski, a private detective and leading expert on art theft, to solve the “Collector Case.”
Metrics
| Opening Weekend: | $7,403 (6.3% of total gross) |
| Legs: | 6.22 (domestic box office/biggest weekend) |
| Domestic Share: | 64.9% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/43 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $154,021 |
Movie Details
| Domestic Releases: | February 15th, 2019 (Limited) by Sony Pictures Classics, released as Ruben Brandt, Collector |
| International Releases: | April 19th, 2019 (Wide) (Russia (CIS))
May 2nd, 2019 (Wide), released as Ruben Brandt, Coleccionador (Portugal) July 19th, 2019 (Wide) (Netherlands) October 11th, 2019 (Wide), released as Ruben Brandt, Collector (New Zealand) October 29th, 2020 (Limited), released as Ruben Brandt, Collector (Germany) ... Show all releases |
| Video Release: | May 21st, 2019 by Sony Pictures Home Entertainment, released as Ruben Brandt, Collector |
| MPA Rating: | R for nude images and some violence. (Rating bulletin 2552 (Cert #51888), 11/7/2018) |
| Running Time: | 94 minutes |
| Plot point: | Crime Boss, Dream Sequence, Heist, Mental Illness, Prophetic Dreams |
| Social setting: | Surrealism / Absurdism, Therapists / Therapy |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hungarian National Film Fund, Hungarian Film Incentive |
| Production Countries: | Hungary |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 63 | $7,403 | 2 | $3,702 | $8,746 | 1 | |
| Feb 22, 2019 | 58 | $6,720 | -9% | 3 | $2,240 | $18,032 | 2 |
| Mar 1, 2019 | 63 | $12,242 | +82% | 15 | $816 | $33,979 | 3 |
| Mar 8, 2019 | 62 | $8,812 | -28% | 17 | $518 | $50,605 | 4 |
| Mar 15, 2019 | 61 | $18,968 | +115% | 36 | $527 | $75,457 | 5 |
| Mar 22, 2019 | 62 | $10,878 | -43% | 43 | $253 | $98,844 | 6 |
| Mar 29, 2019 | 73 | $2,756 | -75% | 12 | $230 | $108,041 | 7 |
| Apr 5, 2019 | 84 | $672 | -76% | 6 | $112 | $110,227 | 8 |
| Apr 12, 2019 | 93 | $539 | -20% | 9 | $60 | $111,101 | 9 |
| Apr 19, 2019 | 104 | $135 | -75% | 3 | $45 | $113,757 | 10 |
| Apr 26, 2019 | 93 | $633 | +369% | 3 | $211 | $114,533 | 11 |
| May 3, 2019 | 88 | $512 | -19% | 2 | $256 | $115,517 | 12 |
| May 10, 2019 | 81 | $1,101 | +115% | 1 | $1,101 | $116,874 | 13 |
| May 17, 2019 | 93 | $558 | -49% | 1 | $558 | $117,963 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 15, 2019 | 64 | $9,969 | 2 | $4,985 | $11,312 | 1 | |
| Feb 22, 2019 | 58 | $10,425 | +5% | 3 | $3,475 | $21,737 | 2 |
| Mar 1, 2019 | 62 | $20,056 | +92% | 15 | $1,337 | $41,793 | 3 |
| Mar 8, 2019 | 64 | $14,696 | -27% | 17 | $864 | $56,489 | 4 |
| Mar 15, 2019 | 60 | $31,477 | +114% | 36 | $874 | $87,966 | 5 |
| Mar 22, 2019 | 61 | $17,319 | -45% | 43 | $403 | $105,285 | 6 |
| Mar 29, 2019 | 76 | $4,270 | -75% | 12 | $356 | $109,555 | 7 |
| Apr 5, 2019 | 86 | $1,007 | -76% | 6 | $168 | $110,562 | 8 |
| Apr 12, 2019 | 84 | $3,060 | +204% | 9 | $340 | $113,622 | 9 |
| Apr 19, 2019 | 104 | $278 | -91% | 3 | $93 | $113,900 | 10 |
| Apr 26, 2019 | 95 | $1,105 | +297% | 3 | $368 | $115,005 | 11 |
| May 3, 2019 | 91 | $768 | -30% | 2 | $384 | $115,773 | 12 |
| May 10, 2019 | 83 | $1,632 | +113% | 2 | $816 | $117,405 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/19/2019 | $13,395 | 28 | 28 | 53 | $32,982 | 10/19/2022 | |||
| New Zealand | 10/11/2019 | $152 | 1 | 5 | 12 | $1,790 | 10/19/2022 | |||
| Portugal | 5/2/2019 | $270 | 3 | 3 | 5 | $596 | 5/14/2019 | |||
| Russia (CIS) | 4/19/2019 | $11,778 | 93 | 93 | 152 | $26,550 | 8/20/2019 | |||
| South Korea | 7/8/2021 | $1,621 | 26 | 26 | 26 | $1,895 | 7/15/2021 | |||
| International Total | $63,813 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ivan Kamaras | Ruben Brandt |
Supporting
| Csaba Marton | Mike Kowalski | |
| Gabriella Hamori | Mimi | |
| Katalin Dombi | Marina | |
| Matt Devere | Bye-Bye Joe | |
| Henry Grant | Membrano | |
| Christian Nielson Buckhold | Fernando |
Production and Technical Credits
| Milorad Krstic | Director | |
| Milorad Krstic | Screenwriter | |
| Radmila Roczkov | Screenwriter | |
| Peter Miskolczi | Producer | |
| Janos Kurdy-Feher | Producer | |
| Milorad Krstic | Producer | |
| Hermina Roczkov | Producer | |
| Radmila Roczkov | Producer | |
| Tobor Cari | Composer | |
| Milorad Krstic | Production Designer | |
| Danijel Daka Milosevic | Sound Designer | |
| Marcell Laszlo | Production Design Supervisor | |
| Milorad Krstic | Animation Director | |
| Marcell Laszlo | Animation Director | |
| Laszlo Wimmer | Assistant Director | |
| Lajos Csakovics | Character Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.