Ryuichi Sakamoto: Coda (2018)
| Theatrical Performance | ||
| Domestic Box Office | $117,460 | Details |
| International Box Office | $881,425 | Details |
| Worldwide Box Office | $998,885 | |
| OpusData ID: 330610100 More info... | ||
| Further financial details... | ||
Synopsis
One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crisis leads to a resounding new masterpiece.
Metrics
| Opening Weekend: | $12,827 (10.9% of total gross) |
| Legs: | 7.46 (domestic box office/biggest weekend) |
| Domestic Share: | 11.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/9 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $154,212 |
Movie Details
| Domestic Releases: | July 6th, 2018 (Limited) by MUBI |
| International Releases: | May 23rd, 2018 (Wide) (South Korea)
June 29th, 2018 (Limited) (United Kingdom) October 26th, 2018 (Wide) (Australia) December 20th, 2019 (Wide) (China) August 14th, 2020 (Limited), released as Рюити Сакамото: Кода (Russia (CIS)) ... Show all releases |
| Video Release: | November 3rd, 2020 by Mubi |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Geographical setting: | Japan |
| Plot point: | Composer |
| Social setting: | House Music / Electronica, Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Kadosawa, Alex Digital, Dentsu Music and Entertainment, Cineric, Borderland Media |
| Production Countries: | Japan, United States |
| Languages: | English, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 6, 2018 | 48 | $12,827 | 1 | $12,827 | $12,827 | 1 | |
| Jul 13, 2018 | 43 | $15,748 | +23% | 3 | $5,249 | $35,067 | 2 |
| Jul 20, 2018 | 60 | $4,581 | -71% | 2 | $2,291 | $50,298 | 3 |
| Jul 27, 2018 | 51 | $9,416 | +106% | 4 | $2,354 | $65,977 | 4 |
| Aug 3, 2018 | 58 | $7,297 | -23% | 4 | $1,824 | $80,886 | 5 |
| Aug 10, 2018 | 62 | $7,007 | -4% | 9 | $779 | $95,452 | 6 |
| Aug 17, 2018 | 64 | $6,156 | -12% | 4 | $1,539 | $107,103 | 7 |
| Aug 24, 2018 | 77 | $2,744 | -55% | 4 | $686 | $109,847 | 8 |
| Sep 7, 2018 | 100 | $213 | 1 | $213 | $114,378 | 10 | |
| Sep 14, 2018 | 97 | $566 | +166% | 1 | $566 | $114,944 | 11 |
| Sep 21, 2018 | 88 | $1,371 | +142% | 1 | $1,371 | $116,315 | 12 |
| Sep 28, 2018 | 111 | $166 | -88% | 1 | $166 | $117,173 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 3, 2018 | - | $554 | 1 | $554 | $113,731 | 60 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 6, 2018 | 47 | $19,319 | 1 | $19,319 | $19,319 | 1 | |
| Jul 13, 2018 | 42 | $26,398 | +37% | 3 | $8,799 | $45,717 | 2 |
| Jul 20, 2018 | 61 | $10,844 | -59% | 2 | $5,422 | $56,561 | 3 |
| Jul 27, 2018 | 49 | $17,028 | +57% | 4 | $4,257 | $73,589 | 4 |
| Aug 3, 2018 | 56 | $14,856 | -13% | 4 | $3,714 | $88,445 | 5 |
| Aug 10, 2018 | 60 | $12,502 | -16% | 9 | $1,389 | $100,947 | 6 |
| Aug 17, 2018 | 70 | $6,156 | -51% | 4 | $1,539 | $107,103 | 7 |
| Aug 24, 2018 | 76 | $6,014 | -2% | 4 | $1,504 | $113,117 | 8 |
| Aug 31, 2018 | 89 | $988 | -84% | 1 | $988 | $114,165 | 9 |
| Sep 21, 2018 | 92 | $2,063 | 1 | $2,063 | $117,007 | 12 | |
| Sep 28, 2018 | 110 | $453 | -78% | 1 | $453 | $117,460 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $12,397 | 10 | 10 | 25 | $28,311 | 4/22/2024 | |||
| China | 12/20/2019 | $132,035 | 0 | 0 | 0 | $721,945 | 2/1/2020 | |||
| Portugal | 8/15/2024 | $761 | 2 | 4 | 8 | $6,795 | 9/4/2024 | |||
| Russia (CIS) | 8/14/2020 | $188 | 1 | 3 | 14 | $2,638 | 10/19/2022 | |||
| South Korea | 5/23/2018 | $0 | 0 | 22 | 118 | $94,161 | 5/6/2026 | |||
| United Kingdom | 6/29/2018 | $15,010 | 13 | 13 | 13 | $15,010 | 4/4/2026 | |||
| Rest of World | $12,565 | |||||||||
| International Total | $881,425 | 5/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Ryuichi Sakamoto | Himself |
Production and Technical Credits
| Stephen Schible | Director | |
| Eric Nyari | Producer | |
| Yoshiko Hashimoto | Producer | |
| Neo Sora | Director of Photography | |
| Tom Richmond | Director of Photography | |
| Hisayo Kushida | Editor | |
| Tom Paul | Sound Designer | |
| Tsuguhiko Kadokawa | Executive Producer | |
| Hisaou Wakaizumi | Executive Producer | |
| Shuichi Machida | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crisis leads to a resounding new masterpiece.
Metrics
| Opening Weekend: | $12,827 (10.9% of total gross) |
| Legs: | 7.46 (domestic box office/biggest weekend) |
| Domestic Share: | 11.8% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/9 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $154,212 |
Movie Details
| Domestic Releases: | July 6th, 2018 (Limited) by MUBI |
| International Releases: | May 23rd, 2018 (Wide) (South Korea)
June 29th, 2018 (Limited) (United Kingdom) October 26th, 2018 (Wide) (Australia) December 20th, 2019 (Wide) (China) August 14th, 2020 (Limited), released as Рюити Сакамото: Кода (Russia (CIS)) ... Show all releases |
| Video Release: | November 3rd, 2020 by Mubi |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Geographical setting: | Japan |
| Plot point: | Composer |
| Social setting: | House Music / Electronica, Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Kadosawa, Alex Digital, Dentsu Music and Entertainment, Cineric, Borderland Media |
| Production Countries: | Japan, United States |
| Languages: | English, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 6, 2018 | 48 | $12,827 | 1 | $12,827 | $12,827 | 1 | |
| Jul 13, 2018 | 43 | $15,748 | +23% | 3 | $5,249 | $35,067 | 2 |
| Jul 20, 2018 | 60 | $4,581 | -71% | 2 | $2,291 | $50,298 | 3 |
| Jul 27, 2018 | 51 | $9,416 | +106% | 4 | $2,354 | $65,977 | 4 |
| Aug 3, 2018 | 58 | $7,297 | -23% | 4 | $1,824 | $80,886 | 5 |
| Aug 10, 2018 | 62 | $7,007 | -4% | 9 | $779 | $95,452 | 6 |
| Aug 17, 2018 | 64 | $6,156 | -12% | 4 | $1,539 | $107,103 | 7 |
| Aug 24, 2018 | 77 | $2,744 | -55% | 4 | $686 | $109,847 | 8 |
| Sep 7, 2018 | 100 | $213 | 1 | $213 | $114,378 | 10 | |
| Sep 14, 2018 | 97 | $566 | +166% | 1 | $566 | $114,944 | 11 |
| Sep 21, 2018 | 88 | $1,371 | +142% | 1 | $1,371 | $116,315 | 12 |
| Sep 28, 2018 | 111 | $166 | -88% | 1 | $166 | $117,173 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 3, 2018 | - | $554 | 1 | $554 | $113,731 | 60 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 6, 2018 | 47 | $19,319 | 1 | $19,319 | $19,319 | 1 | |
| Jul 13, 2018 | 42 | $26,398 | +37% | 3 | $8,799 | $45,717 | 2 |
| Jul 20, 2018 | 61 | $10,844 | -59% | 2 | $5,422 | $56,561 | 3 |
| Jul 27, 2018 | 49 | $17,028 | +57% | 4 | $4,257 | $73,589 | 4 |
| Aug 3, 2018 | 56 | $14,856 | -13% | 4 | $3,714 | $88,445 | 5 |
| Aug 10, 2018 | 60 | $12,502 | -16% | 9 | $1,389 | $100,947 | 6 |
| Aug 17, 2018 | 70 | $6,156 | -51% | 4 | $1,539 | $107,103 | 7 |
| Aug 24, 2018 | 76 | $6,014 | -2% | 4 | $1,504 | $113,117 | 8 |
| Aug 31, 2018 | 89 | $988 | -84% | 1 | $988 | $114,165 | 9 |
| Sep 21, 2018 | 92 | $2,063 | 1 | $2,063 | $117,007 | 12 | |
| Sep 28, 2018 | 110 | $453 | -78% | 1 | $453 | $117,460 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $12,397 | 10 | 10 | 25 | $28,311 | 4/22/2024 | |||
| China | 12/20/2019 | $132,035 | 0 | 0 | 0 | $721,945 | 2/1/2020 | |||
| Portugal | 8/15/2024 | $761 | 2 | 4 | 8 | $6,795 | 9/4/2024 | |||
| Russia (CIS) | 8/14/2020 | $188 | 1 | 3 | 14 | $2,638 | 10/19/2022 | |||
| South Korea | 5/23/2018 | $0 | 0 | 22 | 118 | $94,161 | 5/6/2026 | |||
| United Kingdom | 6/29/2018 | $15,010 | 13 | 13 | 13 | $15,010 | 4/4/2026 | |||
| Rest of World | $12,565 | |||||||||
| International Total | $881,425 | 5/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Ryuichi Sakamoto | Himself |
Production and Technical Credits
| Stephen Schible | Director | |
| Eric Nyari | Producer | |
| Yoshiko Hashimoto | Producer | |
| Neo Sora | Director of Photography | |
| Tom Richmond | Director of Photography | |
| Hisayo Kushida | Editor | |
| Tom Paul | Sound Designer | |
| Tsuguhiko Kadokawa | Executive Producer | |
| Hisaou Wakaizumi | Executive Producer | |
| Shuichi Machida | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.