Un sac de billes (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $409,862 | Details |
| International Box Office | $13,952,181 | Details |
| Worldwide Box Office | $14,362,043 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $164,666 | |
| Total | $164,666 | |
| OpusData ID: 290730100 More info... | ||
| Further financial details... | ||
Synopsis
In occupied France, Maurice and Joseph, two young Jewish brothers left to their own devices demonstrate an incredible amount of cleverness, courage, and ingenuity to escape the enemy invasion and to try to reunite their family once again.
Metrics
| Opening Weekend: | $14,420 (3.5% of total gross) |
| Legs: | 8.54 (domestic box office/biggest weekend) |
| Domestic Share: | 2.9% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 4 opening theaters/16 max. theaters, 8.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $538,080 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Limited) by Gaumont British Picture Corporation of America, released as A Bag of Marbles |
| International Releases: | January 20th, 2017 (Wide), released as Un Sac De Billes (France)
May 12th, 2017 (Wide), released as Un Saco de Canicas (Mexico) May 12th, 2017 (Wide), released as Bag Of Marbles (Australia) June 2nd, 2017 (Wide), released as Z Paříže do Paříže (Czech Republic) June 2nd, 2017 (Wide), released as Un Sac De Billes (Slovakia) ... Show all releases |
| Video Release: | December 4th, 2018 by Passion River, released as A Bag of Marbles |
| MPA Rating: | PG |
| Running Time: | 113 minutes |
| Geographical setting: | Paris |
| Plot point: | Jewish, Nazis, Occupying Army |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Main Journey, Quad Productions |
| Production Countries: | France, Canada, Czech Republic |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 64 | $14,420 | 4 | $3,605 | $14,420 | 1 | |
| Mar 30, 2018 | 67 | $9,091 | -37% | 4 | $2,273 | $31,126 | 2 |
| Apr 6, 2018 | 65 | $8,700 | -4% | 4 | $2,175 | $42,176 | 3 |
| Apr 13, 2018 | 57 | $14,178 | +63% | 6 | $2,363 | $70,126 | 4 |
| Apr 20, 2018 | 40 | $47,989 | +238% | 16 | $2,999 | $125,699 | 5 |
| Apr 27, 2018 | 40 | $37,247 | -22% | 14 | $2,661 | $190,101 | 6 |
| May 4, 2018 | 42 | $33,223 | -11% | 15 | $2,215 | $241,159 | 7 |
| May 11, 2018 | 50 | $25,232 | -24% | 15 | $1,682 | $266,391 | 8 |
| May 18, 2018 | 56 | $14,584 | -42% | 11 | $1,326 | $307,999 | 9 |
| May 25, 2018 | 46 | $22,337 | +53% | 11 | $2,031 | $337,540 | 10 |
| Jun 1, 2018 | 55 | $10,557 | -53% | 7 | $1,508 | $354,908 | 11 |
| Jun 8, 2018 | 59 | $5,822 | -45% | 3 | $1,941 | $364,417 | 12 |
| Jun 15, 2018 | 61 | $4,093 | -30% | 3 | $1,364 | $370,277 | 13 |
| Jun 22, 2018 | 60 | $5,709 | +39% | 4 | $1,427 | $377,902 | 14 |
| Jun 29, 2018 | 57 | $6,955 | +22% | 3 | $2,318 | $387,507 | 15 |
| Jul 6, 2018 | 58 | $5,953 | -14% | 3 | $1,984 | $399,023 | 16 |
| Jul 13, 2018 | 63 | $3,283 | -45% | 3 | $1,094 | $404,235 | 17 |
| Jul 20, 2018 | 63 | $3,279 | n/c | 3 | $1,093 | $409,862 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 64 | $22,035 | 4 | $5,509 | $22,035 | 1 | |
| Mar 30, 2018 | 71 | $11,441 | -48% | 4 | $2,860 | $33,476 | 2 |
| Apr 6, 2018 | 57 | $22,472 | +96% | 4 | $5,618 | $55,948 | 3 |
| Apr 13, 2018 | 59 | $21,762 | -3% | 6 | $3,627 | $77,710 | 4 |
| Apr 20, 2018 | 40 | $75,144 | +245% | 16 | $4,697 | $152,854 | 5 |
| Apr 27, 2018 | 41 | $55,082 | -27% | 14 | $3,934 | $207,936 | 6 |
| May 4, 2018 | 47 | $33,223 | -40% | 15 | $2,215 | $241,159 | 7 |
| May 11, 2018 | 48 | $52,256 | +57% | 15 | $3,484 | $293,415 | 8 |
| May 18, 2018 | 55 | $21,788 | -58% | 11 | $1,981 | $315,203 | 9 |
| May 25, 2018 | 50 | $29,148 | +34% | 11 | $2,650 | $344,351 | 10 |
| Jun 1, 2018 | 59 | $14,244 | -51% | 7 | $2,035 | $358,595 | 11 |
| Jun 8, 2018 | 65 | $7,589 | -47% | 3 | $2,530 | $366,184 | 12 |
| Jun 15, 2018 | 64 | $6,009 | -21% | 3 | $2,003 | $372,193 | 13 |
| Jun 22, 2018 | 59 | $8,359 | +39% | 4 | $2,090 | $380,552 | 14 |
| Jun 29, 2018 | 59 | $12,518 | +50% | 3 | $4,173 | $393,070 | 15 |
| Jul 6, 2018 | 62 | $7,882 | -37% | 3 | $2,627 | $400,952 | 16 |
| Jul 13, 2018 | 73 | $2,348 | -70% | 3 | $783 | $403,300 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/12/2017 | $3,248 | 5 | 5 | 14 | $15,890 | 7/18/2017 | |||
| Czech Republic | 6/2/2017 | $10,269 | 62 | 62 | 104 | $19,710 | 1/1/2019 | |||
| France | 1/20/2017 | $2,379,977 | 0 | 0 | 0 | $9,053,399 | 6/27/2018 | |||
| Italy | 1/8/2018 | $0 | 0 | 11 | 11 | $922,884 | 2/12/2019 | |||
| Mexico | 5/12/2017 | $76,743 | 0 | 0 | 0 | $76,743 | 5/18/2017 | |||
| Portugal | 12/29/2017 | $7,701 | 4 | 4 | 13 | $18,914 | 3/12/2019 | |||
| Slovakia | 6/2/2017 | $2,790 | 27 | 27 | 51 | $6,585 | 6/26/2017 | |||
| Spain | 12/29/2017 | $71,038 | 97 | 97 | 229 | $267,626 | 1/19/2018 | |||
| Rest of World | $3,570,430 | |||||||||
| International Total | $13,952,181 | 3/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Patrick Bruel | ||
| Christian Clavier | ||
| Kev Adams | ||
| Elsa Zylberstein |
Production and Technical Credits
| Christian Duguay | Director | |
| Christian Duguay | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In occupied France, Maurice and Joseph, two young Jewish brothers left to their own devices demonstrate an incredible amount of cleverness, courage, and ingenuity to escape the enemy invasion and to try to reunite their family once again.
Metrics
| Opening Weekend: | $14,420 (3.5% of total gross) |
| Legs: | 8.54 (domestic box office/biggest weekend) |
| Domestic Share: | 2.9% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 4 opening theaters/16 max. theaters, 8.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $538,080 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Limited) by Gaumont British Picture Corporation of America, released as A Bag of Marbles |
| International Releases: | January 20th, 2017 (Wide), released as Un Sac De Billes (France)
May 12th, 2017 (Wide), released as Un Saco de Canicas (Mexico) May 12th, 2017 (Wide), released as Bag Of Marbles (Australia) June 2nd, 2017 (Wide), released as Z Paříže do Paříže (Czech Republic) June 2nd, 2017 (Wide), released as Un Sac De Billes (Slovakia) ... Show all releases |
| Video Release: | December 4th, 2018 by Passion River, released as A Bag of Marbles |
| MPA Rating: | PG |
| Running Time: | 113 minutes |
| Geographical setting: | Paris |
| Plot point: | Jewish, Nazis, Occupying Army |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Main Journey, Quad Productions |
| Production Countries: | France, Canada, Czech Republic |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 64 | $14,420 | 4 | $3,605 | $14,420 | 1 | |
| Mar 30, 2018 | 67 | $9,091 | -37% | 4 | $2,273 | $31,126 | 2 |
| Apr 6, 2018 | 65 | $8,700 | -4% | 4 | $2,175 | $42,176 | 3 |
| Apr 13, 2018 | 57 | $14,178 | +63% | 6 | $2,363 | $70,126 | 4 |
| Apr 20, 2018 | 40 | $47,989 | +238% | 16 | $2,999 | $125,699 | 5 |
| Apr 27, 2018 | 40 | $37,247 | -22% | 14 | $2,661 | $190,101 | 6 |
| May 4, 2018 | 42 | $33,223 | -11% | 15 | $2,215 | $241,159 | 7 |
| May 11, 2018 | 50 | $25,232 | -24% | 15 | $1,682 | $266,391 | 8 |
| May 18, 2018 | 56 | $14,584 | -42% | 11 | $1,326 | $307,999 | 9 |
| May 25, 2018 | 46 | $22,337 | +53% | 11 | $2,031 | $337,540 | 10 |
| Jun 1, 2018 | 55 | $10,557 | -53% | 7 | $1,508 | $354,908 | 11 |
| Jun 8, 2018 | 59 | $5,822 | -45% | 3 | $1,941 | $364,417 | 12 |
| Jun 15, 2018 | 61 | $4,093 | -30% | 3 | $1,364 | $370,277 | 13 |
| Jun 22, 2018 | 60 | $5,709 | +39% | 4 | $1,427 | $377,902 | 14 |
| Jun 29, 2018 | 57 | $6,955 | +22% | 3 | $2,318 | $387,507 | 15 |
| Jul 6, 2018 | 58 | $5,953 | -14% | 3 | $1,984 | $399,023 | 16 |
| Jul 13, 2018 | 63 | $3,283 | -45% | 3 | $1,094 | $404,235 | 17 |
| Jul 20, 2018 | 63 | $3,279 | n/c | 3 | $1,093 | $409,862 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 64 | $22,035 | 4 | $5,509 | $22,035 | 1 | |
| Mar 30, 2018 | 71 | $11,441 | -48% | 4 | $2,860 | $33,476 | 2 |
| Apr 6, 2018 | 57 | $22,472 | +96% | 4 | $5,618 | $55,948 | 3 |
| Apr 13, 2018 | 59 | $21,762 | -3% | 6 | $3,627 | $77,710 | 4 |
| Apr 20, 2018 | 40 | $75,144 | +245% | 16 | $4,697 | $152,854 | 5 |
| Apr 27, 2018 | 41 | $55,082 | -27% | 14 | $3,934 | $207,936 | 6 |
| May 4, 2018 | 47 | $33,223 | -40% | 15 | $2,215 | $241,159 | 7 |
| May 11, 2018 | 48 | $52,256 | +57% | 15 | $3,484 | $293,415 | 8 |
| May 18, 2018 | 55 | $21,788 | -58% | 11 | $1,981 | $315,203 | 9 |
| May 25, 2018 | 50 | $29,148 | +34% | 11 | $2,650 | $344,351 | 10 |
| Jun 1, 2018 | 59 | $14,244 | -51% | 7 | $2,035 | $358,595 | 11 |
| Jun 8, 2018 | 65 | $7,589 | -47% | 3 | $2,530 | $366,184 | 12 |
| Jun 15, 2018 | 64 | $6,009 | -21% | 3 | $2,003 | $372,193 | 13 |
| Jun 22, 2018 | 59 | $8,359 | +39% | 4 | $2,090 | $380,552 | 14 |
| Jun 29, 2018 | 59 | $12,518 | +50% | 3 | $4,173 | $393,070 | 15 |
| Jul 6, 2018 | 62 | $7,882 | -37% | 3 | $2,627 | $400,952 | 16 |
| Jul 13, 2018 | 73 | $2,348 | -70% | 3 | $783 | $403,300 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/12/2017 | $3,248 | 5 | 5 | 14 | $15,890 | 7/18/2017 | |||
| Czech Republic | 6/2/2017 | $10,269 | 62 | 62 | 104 | $19,710 | 1/1/2019 | |||
| France | 1/20/2017 | $2,379,977 | 0 | 0 | 0 | $9,053,399 | 6/27/2018 | |||
| Italy | 1/8/2018 | $0 | 0 | 11 | 11 | $922,884 | 2/12/2019 | |||
| Mexico | 5/12/2017 | $76,743 | 0 | 0 | 0 | $76,743 | 5/18/2017 | |||
| Portugal | 12/29/2017 | $7,701 | 4 | 4 | 13 | $18,914 | 3/12/2019 | |||
| Slovakia | 6/2/2017 | $2,790 | 27 | 27 | 51 | $6,585 | 6/26/2017 | |||
| Spain | 12/29/2017 | $71,038 | 97 | 97 | 229 | $267,626 | 1/19/2018 | |||
| Rest of World | $3,570,430 | |||||||||
| International Total | $13,952,181 | 3/12/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Patrick Bruel | ||
| Christian Clavier | ||
| Kev Adams | ||
| Elsa Zylberstein |
Production and Technical Credits
| Christian Duguay | Director | |
| Christian Duguay | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.