Saint Frances (2020)
| Theatrical Performance | ||
| Domestic Box Office | $127,275 | Details |
| International Box Office | $14,923 | Details |
| Worldwide Box Office | $142,198 | |
| OpusData ID: 400640100 More info... | ||
| Further financial details... | ||
Synopsis
Flailing thirty-four-year-old Bridget finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances. But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances’ moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else’s family.
Metrics
| Opening Weekend: | $14,298 (11.2% of total gross) |
| Legs: | 8.90 (domestic box office/biggest weekend) |
| Domestic Share: | 89.5% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/126 max. theaters, 0.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $165,813 |
Movie Details
| Domestic Releases: | February 28th, 2020 (Limited) by Oscilloscope Pictures March 17th, 2020 (Virtual) by Oscilloscope Pictures |
| International Releases: | July 24th, 2020 (Limited) (United Kingdom)
August 19th, 2022 (Limited), released as Saint Frances (セイント・フランシス) (Japan) |
| Video Release: | May 4th, 2020 by Oscilloscope Video |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Source: | Original Screenplay |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Runaway Train, Easy Open Productions, Metropolitan Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 51 | $14,298 | 1 | $14,298 | $14,298 | 1 | |
| Mar 6, 2020 | 53 | $14,220 | -1% | 4 | $3,555 | $31,640 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 56 | $17,420 | 1 | $17,420 | $17,420 | 1 | |
| Mar 6, 2020 | 59 | $15,575 | -11% | 4 | $3,894 | $32,995 | 2 |
| Mar 13, 2020 | 44 | $2,880 | -82% | 1 | $2,880 | $35,875 | 3 |
| Mar 20, 2020 | 2 | $24,480 | +750% | 25 | $979 | $60,355 | 4 |
| Mar 27, 2020 | 1 | $22,771 | -7% | 89 | $256 | $83,126 | 5 |
| Apr 3, 2020 | 1 | $18,129 | -20% | 107 | $169 | $101,255 | 6 |
| Apr 10, 2020 | 2 | $15,397 | -15% | 126 | $122 | $116,652 | 7 |
| Apr 17, 2020 | 4 | $10,623 | -31% | 100 | $106 | $127,275 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/24/2020 | $14,923 | 89 | 89 | 89 | $14,923 | 4/4/2026 | |||
| International Total | $14,923 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kelly O’Sullivan | Bridget |
Supporting
| Ramona Edith Williams | ||
| Jim True-Frost* | ||
| Francis Guinan | ||
| Lily Mojekwu | ||
| Mary Beth Fisher | ||
| Charin Alvarez | ||
| Max Lipchitz |
Production and Technical Credits
| Alex Thompson | Director | |
| Kelly O’Sullivan | Screenwriter | |
| Pierce Cravens | Producer | |
| Ian Keiser | Producer | |
| Eddie Linker | Producer | |
| Alex Thompson | Producer | |
| James Choi | Producer | |
| Raphael Nash | Producer | |
| Roger Welp | Producer | |
| Greg Beckway | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Flailing thirty-four-year-old Bridget finally catches a break when she meets a nice guy and lands a much-needed job nannying six-year-old Frances. But an unwanted pregnancy introduces an unexpected complication. To make matters worse, she clashes with the obstinate Frances and struggles to navigate a growing tension between Frances’ moms. Amidst her tempestuous personal relationships, a reluctant friendship with Frances emerges, and Bridget contends with the inevitable joys and shit-shows of becoming a part of someone else’s family.
Metrics
| Opening Weekend: | $14,298 (11.2% of total gross) |
| Legs: | 8.90 (domestic box office/biggest weekend) |
| Domestic Share: | 89.5% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/126 max. theaters, 0.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $165,813 |
Movie Details
| Domestic Releases: | February 28th, 2020 (Limited) by Oscilloscope Pictures March 17th, 2020 (Virtual) by Oscilloscope Pictures |
| International Releases: | July 24th, 2020 (Limited) (United Kingdom)
August 19th, 2022 (Limited), released as Saint Frances (セイント・フランシス) (Japan) |
| Video Release: | May 4th, 2020 by Oscilloscope Video |
| MPA Rating: | Not Rated |
| Running Time: | 101 minutes |
| Source: | Original Screenplay |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Runaway Train, Easy Open Productions, Metropolitan Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 51 | $14,298 | 1 | $14,298 | $14,298 | 1 | |
| Mar 6, 2020 | 53 | $14,220 | -1% | 4 | $3,555 | $31,640 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2020 | 56 | $17,420 | 1 | $17,420 | $17,420 | 1 | |
| Mar 6, 2020 | 59 | $15,575 | -11% | 4 | $3,894 | $32,995 | 2 |
| Mar 13, 2020 | 44 | $2,880 | -82% | 1 | $2,880 | $35,875 | 3 |
| Mar 20, 2020 | 2 | $24,480 | +750% | 25 | $979 | $60,355 | 4 |
| Mar 27, 2020 | 1 | $22,771 | -7% | 89 | $256 | $83,126 | 5 |
| Apr 3, 2020 | 1 | $18,129 | -20% | 107 | $169 | $101,255 | 6 |
| Apr 10, 2020 | 2 | $15,397 | -15% | 126 | $122 | $116,652 | 7 |
| Apr 17, 2020 | 4 | $10,623 | -31% | 100 | $106 | $127,275 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/24/2020 | $14,923 | 89 | 89 | 89 | $14,923 | 4/4/2026 | |||
| International Total | $14,923 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kelly O’Sullivan | Bridget |
Supporting
| Ramona Edith Williams | ||
| Jim True-Frost* | ||
| Francis Guinan | ||
| Lily Mojekwu | ||
| Mary Beth Fisher | ||
| Charin Alvarez | ||
| Max Lipchitz |
Production and Technical Credits
| Alex Thompson | Director | |
| Kelly O’Sullivan | Screenwriter | |
| Pierce Cravens | Producer | |
| Ian Keiser | Producer | |
| Eddie Linker | Producer | |
| Alex Thompson | Producer | |
| James Choi | Producer | |
| Raphael Nash | Producer | |
| Roger Welp | Producer | |
| Greg Beckway | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.