Saint Judy (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $39,275 | Details |
| International Box Office | $156,690 | Details |
| Worldwide Box Office | $195,965 | |
| OpusData ID: 364470100 More info... | ||
| Further financial details... | ||
Synopsis
In a landmark case, one of her first as an immigration lawyer, Judy Wood represented an Afghan woman who fled her home country after being persecuted by the Taliban for opening a school for girls. After a tenacious battle both in and out of court, Judy’s efforts culminated in arguments before the United States Court of Appeals for the Ninth Circuit where she fought to include women as a protected class.
Metrics
| Opening Weekend: | $39,275 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 20.0% (domestic box office/worldwide) |
| Theater counts: | 55 opening theaters/55 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,284 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by Blue Fox Entertainment |
| International Releases: | July 31st, 2020 (Wide) (South Korea)
August 20th, 2020 (Wide) (New Zealand) August 21st, 2020 (Wide) (Australia) |
| MPA Rating: | PG-13 for thematic material and language. (Rating bulletin 2562 (Cert #52001), 1/23/2019) |
| Running Time: | 106 minutes |
| Geographical setting: | Afghanistan, Los Angeles |
| Plot point: | Immigration, Refugee, Religious Extremism, Taliban |
| Subgenre: | Courtroom / Legal Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cannonball Productions, Blue Fox Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 49 | $39,275 | 55 | $714 | $39,275 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/21/2020 | $32,015 | 87 | 87 | 275 | $81,858 | 10/20/2022 | |||
| New Zealand | 8/20/2020 | $0 | 0 | 26 | 56 | $14,218 | 10/19/2022 | |||
| South Korea | 7/31/2020 | $21,296 | 151 | 151 | 185 | $60,614 | 8/19/2020 | |||
| International Total | $156,690 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michelle Monaghan | Judy Wood |
Supporting
| Leem Lubany | Asefa Ashwari | |
| Common | Benjamin Adebayo | |
| Peter Krause | Matthew | |
| Alfred Molina | Ray Hernandez | |
| Alfre Woodard | Judge Benton | |
| Ben Schnetzer | Parker | |
| Gabriel Bateman | Alex | |
| Mykelti Williamson | Dikembe | |
| Waleed Zuaiter | Omar |
Production and Technical Credits
| Sean Hanish | Director | |
| Dmitry Portnoy | Screenwriter | |
| Paul Jaconi-Biery | Producer | |
| Sean Hanish | Producer | |
| Kelly Kahl | Executive Producer | |
| Alfred Molina | Executive Producer | |
| Gabriela Revilla Lugo | Executive Producer | |
| Jaime T. Surenkamp | Executive Producer | |
| Pamela Hamel | Executive Producer | |
| George Hamel | Executive Producer | |
| Andreas Olavarria | Co-Executive Producer | |
| Todd Slater | Co-Executive Producer | |
| James Huntsman | Co-Executive Producer | |
| Derek Beamer | Co-Producer | |
| Gene Krekorian | Associate Producer | |
| Don Schlidt | Associate Producer | |
| Trevor Brisbin | Associate Producer | |
| Marisol Brisbin | Associate Producer | |
| Richard Wong | Director of Photography | |
| Gabor Norman | Production Designer | |
| Anita Brandt Burgoye | Editor | |
| Leah Butler | Costume Designer | |
| James T. Sale | Composer | |
| Dondi Bastone | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In a landmark case, one of her first as an immigration lawyer, Judy Wood represented an Afghan woman who fled her home country after being persecuted by the Taliban for opening a school for girls. After a tenacious battle both in and out of court, Judy’s efforts culminated in arguments before the United States Court of Appeals for the Ninth Circuit where she fought to include women as a protected class.
Metrics
| Opening Weekend: | $39,275 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 20.0% (domestic box office/worldwide) |
| Theater counts: | 55 opening theaters/55 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,284 |
Movie Details
| Domestic Releases: | March 1st, 2019 (Limited) by Blue Fox Entertainment |
| International Releases: | July 31st, 2020 (Wide) (South Korea)
August 20th, 2020 (Wide) (New Zealand) August 21st, 2020 (Wide) (Australia) |
| MPA Rating: | PG-13 for thematic material and language. (Rating bulletin 2562 (Cert #52001), 1/23/2019) |
| Running Time: | 106 minutes |
| Geographical setting: | Afghanistan, Los Angeles |
| Plot point: | Immigration, Refugee, Religious Extremism, Taliban |
| Subgenre: | Courtroom / Legal Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cannonball Productions, Blue Fox Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 1, 2019 | 49 | $39,275 | 55 | $714 | $39,275 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/21/2020 | $32,015 | 87 | 87 | 275 | $81,858 | 10/20/2022 | |||
| New Zealand | 8/20/2020 | $0 | 0 | 26 | 56 | $14,218 | 10/19/2022 | |||
| South Korea | 7/31/2020 | $21,296 | 151 | 151 | 185 | $60,614 | 8/19/2020 | |||
| International Total | $156,690 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michelle Monaghan | Judy Wood |
Supporting
| Leem Lubany | Asefa Ashwari | |
| Common | Benjamin Adebayo | |
| Peter Krause | Matthew | |
| Alfred Molina | Ray Hernandez | |
| Alfre Woodard | Judge Benton | |
| Ben Schnetzer | Parker | |
| Gabriel Bateman | Alex | |
| Mykelti Williamson | Dikembe | |
| Waleed Zuaiter | Omar |
Production and Technical Credits
| Sean Hanish | Director | |
| Dmitry Portnoy | Screenwriter | |
| Paul Jaconi-Biery | Producer | |
| Sean Hanish | Producer | |
| Kelly Kahl | Executive Producer | |
| Alfred Molina | Executive Producer | |
| Gabriela Revilla Lugo | Executive Producer | |
| Jaime T. Surenkamp | Executive Producer | |
| Pamela Hamel | Executive Producer | |
| George Hamel | Executive Producer | |
| Andreas Olavarria | Co-Executive Producer | |
| Todd Slater | Co-Executive Producer | |
| James Huntsman | Co-Executive Producer | |
| Derek Beamer | Co-Producer | |
| Gene Krekorian | Associate Producer | |
| Don Schlidt | Associate Producer | |
| Trevor Brisbin | Associate Producer | |
| Marisol Brisbin | Associate Producer | |
| Richard Wong | Director of Photography | |
| Gabor Norman | Production Designer | |
| Anita Brandt Burgoye | Editor | |
| Leah Butler | Costume Designer | |
| James T. Sale | Composer | |
| Dondi Bastone | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.