Saja (2019)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $102,982 | Details |
| International Box Office | $10,673,135 | Details |
| Worldwide Box Office | $10,776,117 | |
| OpusData ID: 417410100 More info... | ||
| Further financial details... | ||
Synopsis
After losing his father at a young age in a terrible accident, Yong-hu abandons his Christian faith and chooses to only believe in himself. Now as an adult, Yong-hu is a champion fighter and has everything he has ever wanted, that is until mysterious wounds appear in the palms of his hands. He solicits help from a local priest Father Ahn, hoping the priest can help relieve him of the painful markings only to find himself in the middle of a dangerous fight against otherworldly evil forces seeking to wreak havoc on the human world.
Metrics
| Opening Weekend: | $43,863 (42.6% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 1.0% (domestic box office/worldwide) |
| Theater counts: | 23 opening theaters/23 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $134,466 |
Movie Details
| Domestic Releases: | August 16th, 2019 (Limited) by Well Go USA, released as The Divine Fury |
| International Releases: | July 31st, 2019 (Wide) (South Korea)
August 8th, 2019 (Wide), released as The Divine Fury (New Zealand) August 9th, 2019 (Wide), released as The Divine Fury (Australia) |
| Video Release: | November 19th, 2019 by Well Go USA Video, released as The Divine Fury |
| MPA Rating: | Not Rated |
| Running Time: | 129 minutes |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 42 | $43,863 | 23 | $1,907 | $43,863 | 1 | |
| Aug 23, 2019 | 57 | $11,759 | -73% | 7 | $1,680 | $83,507 | 2 |
| Aug 30, 2019 | 65 | $6,517 | -45% | 3 | $2,172 | $97,484 | 3 |
| Sep 6, 2019 | 76 | $1,250 | -81% | 2 | $625 | $101,758 | 4 |
| Sep 13, 2019 | 89 | $441 | -65% | 1 | $441 | $102,913 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 42 | $71,748 | 23 | $3,119 | $71,748 | 1 | |
| Aug 23, 2019 | 57 | $19,219 | -73% | 7 | $2,746 | $90,967 | 2 |
| Aug 30, 2019 | 65 | $9,541 | -50% | 3 | $3,180 | $100,508 | 3 |
| Sep 6, 2019 | 75 | $1,964 | -79% | 2 | $982 | $102,472 | 4 |
| Sep 13, 2019 | 99 | $510 | -74% | 1 | $510 | $102,982 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/9/2019 | $18,841 | 17 | 17 | 24 | $32,675 | 8/20/2019 | |||
| New Zealand | 8/8/2019 | $3,661 | 4 | 4 | 7 | $6,159 | 10/19/2022 | |||
| South Korea | 7/31/2019 | $4,350,673 | 1,231 | 1,231 | 2,093 | $10,634,301 | 8/28/2019 | |||
| International Total | $10,673,135 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Park Seo-Jun | Yong-hu | |
| Sung Ki Ahn | Father Ahn | |
| Woo Do-hwan | Ji-sin |
Supporting
| Jihyun Park | Soo-jin | |
| Jung Ji-hoon | Ho-seok | |
| Lee Seung-hee-II | Man | |
| Shim Hee-sub | Father Kim | |
| Lee Chan-yoo | Young Yong-hoo | |
| Kim Si eun | Theresa | |
| Jung Eui-soon | Veronica |
Production and Technical Credits
| Joo-hwan Kim* | Director | |
| Joo-hwan Kim* | Screenwriter | |
| Lim Joon-Hyuk | Producer | |
| Park A-Hyung | Producer | |
| Jo Sang-Yoon | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After losing his father at a young age in a terrible accident, Yong-hu abandons his Christian faith and chooses to only believe in himself. Now as an adult, Yong-hu is a champion fighter and has everything he has ever wanted, that is until mysterious wounds appear in the palms of his hands. He solicits help from a local priest Father Ahn, hoping the priest can help relieve him of the painful markings only to find himself in the middle of a dangerous fight against otherworldly evil forces seeking to wreak havoc on the human world.
Metrics
| Opening Weekend: | $43,863 (42.6% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 1.0% (domestic box office/worldwide) |
| Theater counts: | 23 opening theaters/23 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $134,466 |
Movie Details
| Domestic Releases: | August 16th, 2019 (Limited) by Well Go USA, released as The Divine Fury |
| International Releases: | July 31st, 2019 (Wide) (South Korea)
August 8th, 2019 (Wide), released as The Divine Fury (New Zealand) August 9th, 2019 (Wide), released as The Divine Fury (Australia) |
| Video Release: | November 19th, 2019 by Well Go USA Video, released as The Divine Fury |
| MPA Rating: | Not Rated |
| Running Time: | 129 minutes |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 42 | $43,863 | 23 | $1,907 | $43,863 | 1 | |
| Aug 23, 2019 | 57 | $11,759 | -73% | 7 | $1,680 | $83,507 | 2 |
| Aug 30, 2019 | 65 | $6,517 | -45% | 3 | $2,172 | $97,484 | 3 |
| Sep 6, 2019 | 76 | $1,250 | -81% | 2 | $625 | $101,758 | 4 |
| Sep 13, 2019 | 89 | $441 | -65% | 1 | $441 | $102,913 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 42 | $71,748 | 23 | $3,119 | $71,748 | 1 | |
| Aug 23, 2019 | 57 | $19,219 | -73% | 7 | $2,746 | $90,967 | 2 |
| Aug 30, 2019 | 65 | $9,541 | -50% | 3 | $3,180 | $100,508 | 3 |
| Sep 6, 2019 | 75 | $1,964 | -79% | 2 | $982 | $102,472 | 4 |
| Sep 13, 2019 | 99 | $510 | -74% | 1 | $510 | $102,982 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/9/2019 | $18,841 | 17 | 17 | 24 | $32,675 | 8/20/2019 | |||
| New Zealand | 8/8/2019 | $3,661 | 4 | 4 | 7 | $6,159 | 10/19/2022 | |||
| South Korea | 7/31/2019 | $4,350,673 | 1,231 | 1,231 | 2,093 | $10,634,301 | 8/28/2019 | |||
| International Total | $10,673,135 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Park Seo-Jun | Yong-hu | |
| Sung Ki Ahn | Father Ahn | |
| Woo Do-hwan | Ji-sin |
Supporting
| Jihyun Park | Soo-jin | |
| Jung Ji-hoon | Ho-seok | |
| Lee Seung-hee-II | Man | |
| Shim Hee-sub | Father Kim | |
| Lee Chan-yoo | Young Yong-hoo | |
| Kim Si eun | Theresa | |
| Jung Eui-soon | Veronica |
Production and Technical Credits
| Joo-hwan Kim* | Director | |
| Joo-hwan Kim* | Screenwriter | |
| Lim Joon-Hyuk | Producer | |
| Park A-Hyung | Producer | |
| Jo Sang-Yoon | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.