Saved! (2004)
| Theatrical Performance | ||
| Domestic Box Office | $8,886,160 | Details |
| International Box Office | $1,320,391 | Details |
| Worldwide Box Office | $10,206,551 | |
| OpusData ID: 39090100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $345,136 (3.9% of total gross) |
| Legs: | 3.51 (domestic box office/biggest weekend) |
| Domestic Share: | 87.1% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 2.0 times production budget) |
| Theater counts: | 20 opening theaters/592 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,114,090 |
Movie Details
| Domestic Releases: | May 28th, 2004 (Limited) by MGM June 11th, 2004 (Expands Wide) by MGM |
| International Releases: | October 29th, 2004 (Wide) (Australia) |
| Video Release: | October 5th, 2004 by MGM Video |
| MPA Rating: | PG-13 for strong thematic issues involving teens - sexual content, pregnancy, smoking and language |
| Running Time: | 92 minutes |
| Plot point: | Jewish, LGBTQ+, Religious, Teen Pregnancy, Teenage Mom, Wheelchair User |
| Social setting: | High School |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Single Cell Pictures, Infinity Media, United Artists |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 28, 2004 | 15 | $345,136 | 20 | $17,257 | $345,136 | 1 | |
| Jun 4, 2004 | 13 | $340,343 | -1% | 31 | $10,979 | $922,409 | 2 |
| Jun 11, 2004 | 9 | $2,535,013 | +645% | 589 | $4,304 | $3,717,375 | 3 |
| Jun 18, 2004 | 12 | $1,226,058 | -52% | 592 | $2,071 | $6,501,521 | 4 |
| Jun 25, 2004 | 15 | $565,151 | -54% | 456 | $1,239 | $7,932,238 | 5 |
| Jul 2, 2004 | 24 | $189,414 | -66% | 211 | $898 | $8,400,237 | 6 |
| Jul 9, 2004 | 37 | $96,997 | -49% | 105 | $924 | $8,679,756 | 7 |
| Jul 16, 2004 | 50 | $44,072 | -55% | 60 | $735 | $8,786,715 | 8 |
| Jul 23, 2004 | 57 | $32,987 | -25% | 30 | $1,100 | $8,846,873 | 9 |
| Jul 30, 2004 | 61 | $18,808 | -43% | 29 | $649 | $8,886,160 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 11, 2004 | 9 | $1,000,000 | 589 | $1,698 | $1,900,000 | 15 | ||
| Jun 12, 2004 | 9 | $898,529 | -10% | 589 | $1,526 | $3,015,587 | 16 | |
| Jun 13, 2004 | 9 | $701,788 | -22% | 589 | $1,191 | $3,717,375 | 17 | |
| Jun 14, 2004 | 9 | $435,000 | -38% | 589 | $739 | $4,153,000 | 18 | |
| Jun 15, 2004 | 9 | $372,000 | -14% | 589 | $632 | $4,525,000 | 19 | |
| Jun 16, 2004 | 10 | $373,000 | n/c | 589 | $633 | $4,899,000 | 20 | |
| Jun 17, 2004 | 10 | $377,000 | +1% | 589 | $640 | $5,275,000 | 21 | |
| Jun 21, 2004 | 10 | $246,000 | -43% | 592 | $416 | $6,748,000 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 28, 2004 | 15 | $582,066 | 20 | $29,103 | $582,066 | 1 | |
| Jun 4, 2004 | 12 | $600,296 | +3% | 31 | $19,364 | $1,182,362 | 2 |
| Jun 11, 2004 | 9 | $4,093,101 | +582% | 589 | $6,949 | $5,275,463 | 3 |
| Jun 18, 2004 | 12 | $2,091,624 | -49% | 592 | $3,533 | $7,367,087 | 4 |
| Jun 25, 2004 | 17 | $843,736 | -60% | 456 | $1,850 | $8,210,823 | 5 |
| Jul 2, 2004 | 28 | $371,936 | -56% | 211 | $1,763 | $8,582,759 | 6 |
| Jul 9, 2004 | 38 | $159,884 | -57% | 105 | $1,523 | $8,742,643 | 7 |
| Jul 16, 2004 | 49 | $71,243 | -55% | 60 | $1,187 | $8,813,886 | 8 |
| Jul 23, 2004 | 50 | $53,466 | -25% | 30 | $1,782 | $8,867,352 | 9 |
| Jul 30, 2004 | 63 | $18,808 | -65% | 29 | $649 | $8,886,160 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/29/2004 | $0 | 0 | 42 | 85 | $264,814 | 8/28/2020 | |||
| Rest of World | $1,055,577 | |||||||||
| International Total | $1,320,391 | 8/28/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jena Malone | Mary | |
| Mandy Moore | Hilary Faye | |
| Macaulay Culkin | Roland | |
| Patrick Fugit | Patrick |
Supporting
| Heather Matarazzo | Tia |
Lead Ensemble Member
| Eva Amurri | Cassandra |
Supporting
| Martin Donovan | Pastor Skip | |
| Mary-Louise Parker | Lillian | |
| Chad Faust | Dean | |
| Kett Turton | Mitch | |
| Elizabeth Thai | Veronica | |
| Julia Arkos | PE Coach | |
| Donna White | Trudy Mason | |
| James Caldwell | Hairdresser | |
| Nicki Clyne | Guitar Player | |
| Aaron Douglas | Paramedic | |
| Patricia Drake | Dean's Mother | |
| Brent Fidler | Church Man | |
| Jay Hilliker | Waiter / Host | |
| John Innes | Pastor | |
| Greg Kean | Dean's Father | |
| Joe MacLeod | Lead Singer | |
| Althea McAdam | Church Wife | |
| Thomas Plustwik | Carpenter / Jesus | |
| Syndie Skeeles | 3 Year Old Mary | |
| Susan Wilkey | Pink Bouffant Lady |
Cameo
| Valerie Bertinelli | Herself |
Production and Technical Credits
| Brian Dannelly | Director | |
| Brian Dannelly | Screenwriter | |
| Michael Urban | Screenwriter | |
| Michael Stipe | Producer | |
| Sandy Stern | Producer | |
| Michael Ohoven | Producer | |
| William Vince | Producer | |
| Bobby Bukowski | Director of Photography | |
| Pamela Martin | Editor | |
| Wendy Chuck | Costume Designer | |
| Cal Shumiatcher | Line Producer | |
| Christophe Beck | Composer | |
| Jon Leshay | Music Supervisor | |
| Kerry Rock | Co-Executive Producer | |
| David Prybil | Co-Executive Producer | |
| Kaye Dyal | Co-Executive Producer | |
| Steven M. Gagnon | Co-Executive Producer | |
| Pete Whyte | Assistant Director | |
| Scott Ateah | Second Unit Director | |
| Lorne Davidson | Unit Production Manager | |
| Tony Devenyi | Production Designer | |
| Kristina Lyne | Art Director | |
| Laura Killam | Set Decorator | |
| James Willcock | Set Decorator | |
| Todd Elyzen | Second Unit Camera | |
| Eric Batut | Sound Mixer | |
| Ken Teaney | Re-recording Mixer | |
| Marshall Garlington | Re-recording Mixer | |
| Andrew DeCristofaro | Supervising Sound Editor | |
| Michael Payne | Supervising Sound Effects Editor | |
| David Esparza | Sound Effects Editor | |
| Nancy Kyong Nugent | Dialogue Editor | |
| John C. Stuver | Dialogue Editor | |
| Tim Isle | Music Editor | |
| Sydney Silvert | Make up | |
| Ian Ballard | Hairstylist | |
| Coreen Mayrs | Casting Director | |
| Heike Brandstatter | Casting Director | |
| Sally Stern | Casting Director | |
| Scott Ateah | Stunt Coordinator | |
| Garvin Cross | Stunt Coordinator | |
| Owen Walstrom | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $345,136 (3.9% of total gross) |
| Legs: | 3.51 (domestic box office/biggest weekend) |
| Domestic Share: | 87.1% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 2.0 times production budget) |
| Theater counts: | 20 opening theaters/592 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $17,114,090 |
Movie Details
| Domestic Releases: | May 28th, 2004 (Limited) by MGM June 11th, 2004 (Expands Wide) by MGM |
| International Releases: | October 29th, 2004 (Wide) (Australia) |
| Video Release: | October 5th, 2004 by MGM Video |
| MPA Rating: | PG-13 for strong thematic issues involving teens - sexual content, pregnancy, smoking and language |
| Running Time: | 92 minutes |
| Plot point: | Jewish, LGBTQ+, Religious, Teen Pregnancy, Teenage Mom, Wheelchair User |
| Social setting: | High School |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Single Cell Pictures, Infinity Media, United Artists |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 28, 2004 | 15 | $345,136 | 20 | $17,257 | $345,136 | 1 | |
| Jun 4, 2004 | 13 | $340,343 | -1% | 31 | $10,979 | $922,409 | 2 |
| Jun 11, 2004 | 9 | $2,535,013 | +645% | 589 | $4,304 | $3,717,375 | 3 |
| Jun 18, 2004 | 12 | $1,226,058 | -52% | 592 | $2,071 | $6,501,521 | 4 |
| Jun 25, 2004 | 15 | $565,151 | -54% | 456 | $1,239 | $7,932,238 | 5 |
| Jul 2, 2004 | 24 | $189,414 | -66% | 211 | $898 | $8,400,237 | 6 |
| Jul 9, 2004 | 37 | $96,997 | -49% | 105 | $924 | $8,679,756 | 7 |
| Jul 16, 2004 | 50 | $44,072 | -55% | 60 | $735 | $8,786,715 | 8 |
| Jul 23, 2004 | 57 | $32,987 | -25% | 30 | $1,100 | $8,846,873 | 9 |
| Jul 30, 2004 | 61 | $18,808 | -43% | 29 | $649 | $8,886,160 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 11, 2004 | 9 | $1,000,000 | 589 | $1,698 | $1,900,000 | 15 | ||
| Jun 12, 2004 | 9 | $898,529 | -10% | 589 | $1,526 | $3,015,587 | 16 | |
| Jun 13, 2004 | 9 | $701,788 | -22% | 589 | $1,191 | $3,717,375 | 17 | |
| Jun 14, 2004 | 9 | $435,000 | -38% | 589 | $739 | $4,153,000 | 18 | |
| Jun 15, 2004 | 9 | $372,000 | -14% | 589 | $632 | $4,525,000 | 19 | |
| Jun 16, 2004 | 10 | $373,000 | n/c | 589 | $633 | $4,899,000 | 20 | |
| Jun 17, 2004 | 10 | $377,000 | +1% | 589 | $640 | $5,275,000 | 21 | |
| Jun 21, 2004 | 10 | $246,000 | -43% | 592 | $416 | $6,748,000 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 28, 2004 | 15 | $582,066 | 20 | $29,103 | $582,066 | 1 | |
| Jun 4, 2004 | 12 | $600,296 | +3% | 31 | $19,364 | $1,182,362 | 2 |
| Jun 11, 2004 | 9 | $4,093,101 | +582% | 589 | $6,949 | $5,275,463 | 3 |
| Jun 18, 2004 | 12 | $2,091,624 | -49% | 592 | $3,533 | $7,367,087 | 4 |
| Jun 25, 2004 | 17 | $843,736 | -60% | 456 | $1,850 | $8,210,823 | 5 |
| Jul 2, 2004 | 28 | $371,936 | -56% | 211 | $1,763 | $8,582,759 | 6 |
| Jul 9, 2004 | 38 | $159,884 | -57% | 105 | $1,523 | $8,742,643 | 7 |
| Jul 16, 2004 | 49 | $71,243 | -55% | 60 | $1,187 | $8,813,886 | 8 |
| Jul 23, 2004 | 50 | $53,466 | -25% | 30 | $1,782 | $8,867,352 | 9 |
| Jul 30, 2004 | 63 | $18,808 | -65% | 29 | $649 | $8,886,160 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/29/2004 | $0 | 0 | 42 | 85 | $264,814 | 8/28/2020 | |||
| Rest of World | $1,055,577 | |||||||||
| International Total | $1,320,391 | 8/28/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jena Malone | Mary | |
| Mandy Moore | Hilary Faye | |
| Macaulay Culkin | Roland | |
| Patrick Fugit | Patrick |
Supporting
| Heather Matarazzo | Tia |
Lead Ensemble Member
| Eva Amurri | Cassandra |
Supporting
| Martin Donovan | Pastor Skip | |
| Mary-Louise Parker | Lillian | |
| Chad Faust | Dean | |
| Kett Turton | Mitch | |
| Elizabeth Thai | Veronica | |
| Julia Arkos | PE Coach | |
| Donna White | Trudy Mason | |
| James Caldwell | Hairdresser | |
| Nicki Clyne | Guitar Player | |
| Aaron Douglas | Paramedic | |
| Patricia Drake | Dean's Mother | |
| Brent Fidler | Church Man | |
| Jay Hilliker | Waiter / Host | |
| John Innes | Pastor | |
| Greg Kean | Dean's Father | |
| Joe MacLeod | Lead Singer | |
| Althea McAdam | Church Wife | |
| Thomas Plustwik | Carpenter / Jesus | |
| Syndie Skeeles | 3 Year Old Mary | |
| Susan Wilkey | Pink Bouffant Lady |
Cameo
| Valerie Bertinelli | Herself |
Production and Technical Credits
| Brian Dannelly | Director | |
| Brian Dannelly | Screenwriter | |
| Michael Urban | Screenwriter | |
| Michael Stipe | Producer | |
| Sandy Stern | Producer | |
| Michael Ohoven | Producer | |
| William Vince | Producer | |
| Bobby Bukowski | Director of Photography | |
| Pamela Martin | Editor | |
| Wendy Chuck | Costume Designer | |
| Cal Shumiatcher | Line Producer | |
| Christophe Beck | Composer | |
| Jon Leshay | Music Supervisor | |
| Kerry Rock | Co-Executive Producer | |
| David Prybil | Co-Executive Producer | |
| Kaye Dyal | Co-Executive Producer | |
| Steven M. Gagnon | Co-Executive Producer | |
| Pete Whyte | Assistant Director | |
| Scott Ateah | Second Unit Director | |
| Lorne Davidson | Unit Production Manager | |
| Tony Devenyi | Production Designer | |
| Kristina Lyne | Art Director | |
| Laura Killam | Set Decorator | |
| James Willcock | Set Decorator | |
| Todd Elyzen | Second Unit Camera | |
| Eric Batut | Sound Mixer | |
| Ken Teaney | Re-recording Mixer | |
| Marshall Garlington | Re-recording Mixer | |
| Andrew DeCristofaro | Supervising Sound Editor | |
| Michael Payne | Supervising Sound Effects Editor | |
| David Esparza | Sound Effects Editor | |
| Nancy Kyong Nugent | Dialogue Editor | |
| John C. Stuver | Dialogue Editor | |
| Tim Isle | Music Editor | |
| Sydney Silvert | Make up | |
| Ian Ballard | Hairstylist | |
| Coreen Mayrs | Casting Director | |
| Heike Brandstatter | Casting Director | |
| Sally Stern | Casting Director | |
| Scott Ateah | Stunt Coordinator | |
| Garvin Cross | Stunt Coordinator | |
| Owen Walstrom | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.