Sayonara no asa ni yakusoku no hana o kazarô (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $4,324,668 | Details |
| Worldwide Box Office | $4,324,668 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $141,896 | |
| Blu-ray Sales (estimated) | $527,021 | |
| Total | $668,917 | |
| OpusData ID: 328260100 More info... | ||
| Further financial details... | ||
Synopsis
The people of Iorph live far away from the lands of men, weaving the happenings of each day into a fabric called Hibiol. They live for centuries while maintaining their youthful appearance. Maquia, an orphaned Iorph girl, lives her life in an oasis surrounded by friends, yet somehow feels “alone”. But the tranquil lives of the Iorph are shattered in an instant when the Mezarte army invades their territory on a dragon fleet, seeking the blood that grants the Iorph long life. Maquia manages to escape, but loses her friends and her home in the chaos. She then encounters an orphaned baby who is “alone”. Maquia raises this boy "Ariel", with the help of some new friends. But as the era changes, the bond between Maquia and Ariel changes too, amidst a backdrop of racial tensions between the Iorph and the Mezarte. This is a story of irreplaceable time, woven by two lonely people who can only find solace in each other.
Metrics
Movie Details
| Domestic Releases: | July 20th, 2018 (Limited) by Eleven Arts, released as Maquia: When The Promised Flower Blooms |
| International Releases: | February 23rd, 2018 (Wide) (Japan)
April 19th, 2018 (Wide), released as УКРАСЬ ПРОЩАЛЬНОЕ УТРО ЦВЕТАМИ ОБЕЩАНИЯ (Russia (CIS)) June 8th, 2018 (Wide), released as Maquia: When the Promised Flower Blooms (New Zealand) June 8th, 2018 (Wide), released as Maquia: When The Promised Flower Blooms (Australia) June 27th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | February 5th, 2019 by Shout Factory, released as Maquia: When The Promised Flower Blooms |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Cast, crew, or production detail: | Anime |
| Plot point: | Abandoned Child, Unexpected Families |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | P A Works, Bandai Visual, Cygames, Hakuhodo DY Music and Pictures, Lantis Productions |
| Production Countries: | Japan |
| Languages: | Japanese |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/8/2018 | $32,685 | 36 | 36 | 43 | $49,226 | 6/18/2018 | |||
| China | 2/22/2019 | $1,592,860 | 0 | 1,999 | 1,719 | $2,551,388 | 4/4/2026 | |||
| Japan | 2/23/2018 | $444,800 | 0 | 0 | 0 | $1,218,765 | 6/8/2018 | |||
| New Zealand | 6/8/2018 | $5,092 | 9 | 9 | 11 | $6,137 | 6/25/2018 | |||
| Russia (CIS) | 4/19/2018 | $116,296 | 290 | 290 | 531 | $233,350 | 2/26/2019 | |||
| South Korea | 7/19/2018 | $131,099 | 117 | 121 | 206 | $265,802 | 4/4/2026 | |||
| International Total | $4,324,668 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Manaka Iwami | Maquia |
Supporting
| Miyu Irino | Ariel | |
| Ai Kayano | Leilia | |
| Yūki Kaji | Krim | |
| Miyuki Sawashiro | Racine | |
| Rina Satō | Mido | |
| Yoshimasa Hosoya | Lang | |
| Yōko Hikasa | Tita | |
| Misaki Kuno | Medmel | |
| Tomokazu Sugita | Izor |
Production and Technical Credits
| Mari Okada | Director | |
| Mari Okada | Screenwriter | |
| Naoko Endo | Producer | |
| Nobuhiro Takenaka | Producer | |
| Kenji Horikawa | Producer | |
| Takahiro Kikuchi | Producer | |
| Tomomi Kyōtani | Producer | |
| Ayumu Takahashi | Editor | |
| Kenji Kawai | Composer | |
| Satoshi Namiki | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The people of Iorph live far away from the lands of men, weaving the happenings of each day into a fabric called Hibiol. They live for centuries while maintaining their youthful appearance. Maquia, an orphaned Iorph girl, lives her life in an oasis surrounded by friends, yet somehow feels “alone”. But the tranquil lives of the Iorph are shattered in an instant when the Mezarte army invades their territory on a dragon fleet, seeking the blood that grants the Iorph long life. Maquia manages to escape, but loses her friends and her home in the chaos. She then encounters an orphaned baby who is “alone”. Maquia raises this boy "Ariel", with the help of some new friends. But as the era changes, the bond between Maquia and Ariel changes too, amidst a backdrop of racial tensions between the Iorph and the Mezarte. This is a story of irreplaceable time, woven by two lonely people who can only find solace in each other.
Metrics
Movie Details
| Domestic Releases: | July 20th, 2018 (Limited) by Eleven Arts, released as Maquia: When The Promised Flower Blooms |
| International Releases: | February 23rd, 2018 (Wide) (Japan)
April 19th, 2018 (Wide), released as УКРАСЬ ПРОЩАЛЬНОЕ УТРО ЦВЕТАМИ ОБЕЩАНИЯ (Russia (CIS)) June 8th, 2018 (Wide), released as Maquia: When the Promised Flower Blooms (New Zealand) June 8th, 2018 (Wide), released as Maquia: When The Promised Flower Blooms (Australia) June 27th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | February 5th, 2019 by Shout Factory, released as Maquia: When The Promised Flower Blooms |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Cast, crew, or production detail: | Anime |
| Plot point: | Abandoned Child, Unexpected Families |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: | P A Works, Bandai Visual, Cygames, Hakuhodo DY Music and Pictures, Lantis Productions |
| Production Countries: | Japan |
| Languages: | Japanese |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/8/2018 | $32,685 | 36 | 36 | 43 | $49,226 | 6/18/2018 | |||
| China | 2/22/2019 | $1,592,860 | 0 | 1,999 | 1,719 | $2,551,388 | 4/4/2026 | |||
| Japan | 2/23/2018 | $444,800 | 0 | 0 | 0 | $1,218,765 | 6/8/2018 | |||
| New Zealand | 6/8/2018 | $5,092 | 9 | 9 | 11 | $6,137 | 6/25/2018 | |||
| Russia (CIS) | 4/19/2018 | $116,296 | 290 | 290 | 531 | $233,350 | 2/26/2019 | |||
| South Korea | 7/19/2018 | $131,099 | 117 | 121 | 206 | $265,802 | 4/4/2026 | |||
| International Total | $4,324,668 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Manaka Iwami | Maquia |
Supporting
| Miyu Irino | Ariel | |
| Ai Kayano | Leilia | |
| Yūki Kaji | Krim | |
| Miyuki Sawashiro | Racine | |
| Rina Satō | Mido | |
| Yoshimasa Hosoya | Lang | |
| Yōko Hikasa | Tita | |
| Misaki Kuno | Medmel | |
| Tomokazu Sugita | Izor |
Production and Technical Credits
| Mari Okada | Director | |
| Mari Okada | Screenwriter | |
| Naoko Endo | Producer | |
| Nobuhiro Takenaka | Producer | |
| Kenji Horikawa | Producer | |
| Takahiro Kikuchi | Producer | |
| Tomomi Kyōtani | Producer | |
| Ayumu Takahashi | Editor | |
| Kenji Kawai | Composer | |
| Satoshi Namiki | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.