The Scary of Sixty First (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $45,005 | Details |
| International Box Office | $11,161 | Details |
| Worldwide Box Office | $56,166 | |
| OpusData ID: 496600100 More info... | ||
| Further financial details... | ||
Synopsis
While out apartment hunting, college pals Noelle and Addie stumble upon the deal of a lifetime: a posh duplex on Manhattan’s Upper East Side. But soon after moving in, a more sinister picture of the apartment emerges when a mysterious woman arrives and claims the property used to belong to the infamous and recently-deceased Jeffrey Epstein. With this news, Noelle becomes obsessed with the visitor—to the point of infatuation. As the pair plunge deeper into the conspiracies of the Epstein case, Addie falls into her own bizarre state: a pseudo-possession complete with inexplicable fits of age-regressed sexual mania. As they peel back on these strange occurrences, the truth reveals itself to be more twisted than they could have ever imagined.
Metrics
| Opening Weekend: | $7,808 (17.3% of total gross) |
| Legs: | 4.44 (domestic box office/biggest weekend) |
| Domestic Share: | 80.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/12 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $50,460 |
Movie Details
| Domestic Releases: | December 3rd, 2021 (Limited) by Utopia |
| International Releases: | December 16th, 2021 (Limited) (Australia) |
| Video Release: | December 24th, 2021 by Utopia |
| Running Time: | 81 minutes |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stag Pictures, Spacemaker Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2021 | - | $7,808 | 1 | $7,808 | $7,808 | 1 | |
| Dec 10, 2021 | - | $96 | -99% | 1 | $96 | $10,066 | 2 |
| Dec 17, 2021 | - | $10,135 | +10,457% | 3 | $3,378 | $20,412 | 3 |
| Dec 24, 2021 | - | $502 | -95% | 2 | $251 | $23,811 | 4 |
| Dec 31, 2021 | - | $1,518 | +202% | 3 | $506 | $27,316 | 5 |
| Jan 7, 2022 | - | $2,345 | +54% | 9 | $261 | $30,392 | 6 |
| Jan 14, 2022 | - | $1,297 | -45% | 6 | $216 | $34,322 | 7 |
| Jan 21, 2022 | - | $3,552 | +174% | 5 | $710 | $38,173 | 8 |
| Jan 28, 2022 | - | $102 | -97% | 2 | $51 | $39,199 | 9 |
| Feb 4, 2022 | - | $567 | +456% | 1 | $567 | $39,924 | 10 |
| Feb 11, 2022 | - | $37 | -93% | 1 | $37 | $40,272 | 11 |
| Feb 18, 2022 | - | $2,211 | +5,876% | 2 | $1,106 | $42,998 | 12 |
| Mar 4, 2022 | - | $1,200 | 1 | $1,200 | $44,814 | 14 | |
| Mar 18, 2022 | - | $82 | 1 | $82 | $44,896 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2021 | - | $9,970 | 1 | $9,970 | $9,970 | 1 | |
| Dec 10, 2021 | - | $307 | -97% | 1 | $307 | $10,277 | 2 |
| Dec 17, 2021 | - | $13,032 | +4,145% | 4 | $3,258 | $23,309 | 3 |
| Dec 24, 2021 | - | $2,489 | -81% | 3 | $830 | $25,798 | 4 |
| Dec 31, 2021 | - | $2,249 | -10% | 5 | $450 | $28,047 | 5 |
| Jan 7, 2022 | - | $4,978 | +121% | 12 | $415 | $33,025 | 6 |
| Jan 14, 2022 | - | $1,596 | -68% | 6 | $266 | $34,621 | 7 |
| Jan 21, 2022 | - | $4,476 | +180% | 5 | $895 | $39,097 | 8 |
| Jan 28, 2022 | - | $260 | -94% | 3 | $87 | $39,357 | 9 |
| Feb 4, 2022 | - | $878 | +238% | 1 | $878 | $40,235 | 10 |
| Feb 11, 2022 | - | $552 | -37% | 2 | $276 | $40,787 | 11 |
| Feb 18, 2022 | - | $2,827 | +412% | 2 | $1,414 | $43,614 | 12 |
| Mar 18, 2022 | - | $191 | 2 | $96 | $45,005 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/16/2021 | $1,702 | 5 | 5 | 11 | $11,161 | 10/20/2022 | |||
| International Total | $11,161 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dasha Nekrasova | The Girl |
Supporting
| Betsey Brown | Addie | |
| Madeline Quinn | Noelle | |
| Mark Rapaport | Greg |
Production and Technical Credits
| Dasha Nekrasova | Director | |
| Dasha Nekrasova | Screenwriter | |
| Adam Mitchell | Producer | |
| Mark Rapaport | Producer | |
| Richard Tannenbaum | Executive Producer | |
| Alex Hughes | Executive Producer | |
| Lenny Vigden | Executive Producer | |
| Charmaine Kowalksi | Executive Producer | |
| David Peretz | Executive Producer | |
| Kyle Brown | Production Designer | |
| Sophie Corra | Editor | |
| Eli Keszler | Composer | |
| Hunter Zimny | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
While out apartment hunting, college pals Noelle and Addie stumble upon the deal of a lifetime: a posh duplex on Manhattan’s Upper East Side. But soon after moving in, a more sinister picture of the apartment emerges when a mysterious woman arrives and claims the property used to belong to the infamous and recently-deceased Jeffrey Epstein. With this news, Noelle becomes obsessed with the visitor—to the point of infatuation. As the pair plunge deeper into the conspiracies of the Epstein case, Addie falls into her own bizarre state: a pseudo-possession complete with inexplicable fits of age-regressed sexual mania. As they peel back on these strange occurrences, the truth reveals itself to be more twisted than they could have ever imagined.
Metrics
| Opening Weekend: | $7,808 (17.3% of total gross) |
| Legs: | 4.44 (domestic box office/biggest weekend) |
| Domestic Share: | 80.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/12 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $50,460 |
Movie Details
| Domestic Releases: | December 3rd, 2021 (Limited) by Utopia |
| International Releases: | December 16th, 2021 (Limited) (Australia) |
| Video Release: | December 24th, 2021 by Utopia |
| Running Time: | 81 minutes |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Stag Pictures, Spacemaker Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2021 | - | $7,808 | 1 | $7,808 | $7,808 | 1 | |
| Dec 10, 2021 | - | $96 | -99% | 1 | $96 | $10,066 | 2 |
| Dec 17, 2021 | - | $10,135 | +10,457% | 3 | $3,378 | $20,412 | 3 |
| Dec 24, 2021 | - | $502 | -95% | 2 | $251 | $23,811 | 4 |
| Dec 31, 2021 | - | $1,518 | +202% | 3 | $506 | $27,316 | 5 |
| Jan 7, 2022 | - | $2,345 | +54% | 9 | $261 | $30,392 | 6 |
| Jan 14, 2022 | - | $1,297 | -45% | 6 | $216 | $34,322 | 7 |
| Jan 21, 2022 | - | $3,552 | +174% | 5 | $710 | $38,173 | 8 |
| Jan 28, 2022 | - | $102 | -97% | 2 | $51 | $39,199 | 9 |
| Feb 4, 2022 | - | $567 | +456% | 1 | $567 | $39,924 | 10 |
| Feb 11, 2022 | - | $37 | -93% | 1 | $37 | $40,272 | 11 |
| Feb 18, 2022 | - | $2,211 | +5,876% | 2 | $1,106 | $42,998 | 12 |
| Mar 4, 2022 | - | $1,200 | 1 | $1,200 | $44,814 | 14 | |
| Mar 18, 2022 | - | $82 | 1 | $82 | $44,896 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 3, 2021 | - | $9,970 | 1 | $9,970 | $9,970 | 1 | |
| Dec 10, 2021 | - | $307 | -97% | 1 | $307 | $10,277 | 2 |
| Dec 17, 2021 | - | $13,032 | +4,145% | 4 | $3,258 | $23,309 | 3 |
| Dec 24, 2021 | - | $2,489 | -81% | 3 | $830 | $25,798 | 4 |
| Dec 31, 2021 | - | $2,249 | -10% | 5 | $450 | $28,047 | 5 |
| Jan 7, 2022 | - | $4,978 | +121% | 12 | $415 | $33,025 | 6 |
| Jan 14, 2022 | - | $1,596 | -68% | 6 | $266 | $34,621 | 7 |
| Jan 21, 2022 | - | $4,476 | +180% | 5 | $895 | $39,097 | 8 |
| Jan 28, 2022 | - | $260 | -94% | 3 | $87 | $39,357 | 9 |
| Feb 4, 2022 | - | $878 | +238% | 1 | $878 | $40,235 | 10 |
| Feb 11, 2022 | - | $552 | -37% | 2 | $276 | $40,787 | 11 |
| Feb 18, 2022 | - | $2,827 | +412% | 2 | $1,414 | $43,614 | 12 |
| Mar 18, 2022 | - | $191 | 2 | $96 | $45,005 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/16/2021 | $1,702 | 5 | 5 | 11 | $11,161 | 10/20/2022 | |||
| International Total | $11,161 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dasha Nekrasova | The Girl |
Supporting
| Betsey Brown | Addie | |
| Madeline Quinn | Noelle | |
| Mark Rapaport | Greg |
Production and Technical Credits
| Dasha Nekrasova | Director | |
| Dasha Nekrasova | Screenwriter | |
| Adam Mitchell | Producer | |
| Mark Rapaport | Producer | |
| Richard Tannenbaum | Executive Producer | |
| Alex Hughes | Executive Producer | |
| Lenny Vigden | Executive Producer | |
| Charmaine Kowalksi | Executive Producer | |
| David Peretz | Executive Producer | |
| Kyle Brown | Production Designer | |
| Sophie Corra | Editor | |
| Eli Keszler | Composer | |
| Hunter Zimny | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.