The Scout (2026)
| Theatrical Performance | ||
| Domestic Box Office | $77,205 | Details |
| OpusData ID: 793590100 More info... | ||
| Further financial details... | ||
Synopsis
Sofia works as a location scout for a TV pilot filming in New York City. It’s her job to find the homes, businesses, and exteriors where the show will be filmed. Driving around the city’s different neighborhoods, she enters the private spaces of strangers to photograph their cozy apartments and eclectic shops, stepping into the fabric of their lives while trying to satisfy the demands of her erratic employers. Over a day filled with these encounters, Sofia witnesses moments of curiosity, vulnerability, and quiet tension until her work takes a sudden, personal turn.
Metrics
| Opening Weekend: | $12,882 (16.7% of total gross) |
| Legs: | 4.51 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/28 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $77,205 |
Movie Details
| Domestic Releases: | September 25th, 2026 (Limited) by Greenwich Entertainment |
| Running Time: | 89 minutes |
| Film festival: | Tribeca Film Festival 2025 |
| Geographical setting: | New York, New York City |
| Release detail: | Festival Acquisition |
| Social setting: | TV Industry |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | - | $12,882 | 1 | $12,882 | $12,882 | 1 | |
| Oct 2, 2026 | - | $8,675 | -33% | 3 | $2,892 | $28,018 | 2 |
| Oct 9, 2026 | - | $17,135 | +98% | 26 | $659 | $49,138 | 3 |
| Oct 16, 2026 | - | $8,709 | -49% | 28 | $311 | $66,850 | 4 |
| Oct 23, 2026 | - | $3,438 | -61% | 16 | $215 | $75,593 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | 41 | $19,343 | 1 | $19,343 | $19,343 | 1 | |
| Oct 2, 2026 | 41 | $12,660 | -35% | 3 | $4,220 | $32,003 | 2 |
| Oct 9, 2026 | 38 | $26,138 | +106% | 26 | $1,005 | $58,141 | 3 |
| Oct 16, 2026 | 36 | $14,014 | -46% | 28 | $501 | $72,155 | 4 |
| Oct 23, 2026 | 40 | $5,050 | -64% | 16 | $316 | $77,205 | 5 |
Leading
| Mimi Davila | Sofia |
Supporting
| Rutanya Alda | Anna | |
| Otmara Marrero | Becca | |
| Max Rosen | Tyler | |
| Sarah Herrman | Angie | |
| Ikechukwu Ufomadu* | Lance | |
| Matt Barats | Josh |
Production and Technical Credits
| Paula Andrea Gonzalez-Nasser | Director | |
| Paula Andrea Gonzalez-Nasser | Screenwriter | |
| Paula Andrea Gonzalez-Nasser | Producer | |
| Ryan Martin Brown | Producer | |
| Matthew Romanski | Producer | |
| Jess Zeidman | Executive Producer | |
| Sarah Herrman | Executive Producer | |
| Hannah Kettering | Executive Producer | |
| Roger Mancusi | Executive Producer | |
| Nicola Newton | Cinematographer | |
| Byron Leon | Editor | |
| Ryan Martin Brown | Editor | |
| Dan Arnés | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sofia works as a location scout for a TV pilot filming in New York City. It’s her job to find the homes, businesses, and exteriors where the show will be filmed. Driving around the city’s different neighborhoods, she enters the private spaces of strangers to photograph their cozy apartments and eclectic shops, stepping into the fabric of their lives while trying to satisfy the demands of her erratic employers. Over a day filled with these encounters, Sofia witnesses moments of curiosity, vulnerability, and quiet tension until her work takes a sudden, personal turn.
Metrics
| Opening Weekend: | $12,882 (16.7% of total gross) |
| Legs: | 4.51 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/28 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $77,205 |
Movie Details
| Domestic Releases: | September 25th, 2026 (Limited) by Greenwich Entertainment |
| Running Time: | 89 minutes |
| Film festival: | Tribeca Film Festival 2025 |
| Geographical setting: | New York, New York City |
| Release detail: | Festival Acquisition |
| Social setting: | TV Industry |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | - | $12,882 | 1 | $12,882 | $12,882 | 1 | |
| Oct 2, 2026 | - | $8,675 | -33% | 3 | $2,892 | $28,018 | 2 |
| Oct 9, 2026 | - | $17,135 | +98% | 26 | $659 | $49,138 | 3 |
| Oct 16, 2026 | - | $8,709 | -49% | 28 | $311 | $66,850 | 4 |
| Oct 23, 2026 | - | $3,438 | -61% | 16 | $215 | $75,593 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2026 | 41 | $19,343 | 1 | $19,343 | $19,343 | 1 | |
| Oct 2, 2026 | 41 | $12,660 | -35% | 3 | $4,220 | $32,003 | 2 |
| Oct 9, 2026 | 38 | $26,138 | +106% | 26 | $1,005 | $58,141 | 3 |
| Oct 16, 2026 | 36 | $14,014 | -46% | 28 | $501 | $72,155 | 4 |
| Oct 23, 2026 | 40 | $5,050 | -64% | 16 | $316 | $77,205 | 5 |
Leading
| Mimi Davila | Sofia |
Supporting
| Rutanya Alda | Anna | |
| Otmara Marrero | Becca | |
| Max Rosen | Tyler | |
| Sarah Herrman | Angie | |
| Ikechukwu Ufomadu* | Lance | |
| Matt Barats | Josh |
Production and Technical Credits
| Paula Andrea Gonzalez-Nasser | Director | |
| Paula Andrea Gonzalez-Nasser | Screenwriter | |
| Paula Andrea Gonzalez-Nasser | Producer | |
| Ryan Martin Brown | Producer | |
| Matthew Romanski | Producer | |
| Jess Zeidman | Executive Producer | |
| Sarah Herrman | Executive Producer | |
| Hannah Kettering | Executive Producer | |
| Roger Mancusi | Executive Producer | |
| Nicola Newton | Cinematographer | |
| Byron Leon | Editor | |
| Ryan Martin Brown | Editor | |
| Dan Arnés | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.