The Seagull (2018)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $1,252,960 | Details |
| International Box Office | $588,696 | Details |
| Worldwide Box Office | $1,841,656 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $68,885 | |
| Total | $68,885 | |
| OpusData ID: 315930100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $79,016 (6.3% of total gross) |
| Legs: | 9.16 (domestic box office/biggest weekend) |
| Domestic Share: | 68.0% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/211 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,644,943 |
Movie Details
| Domestic Releases: | May 11th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | July 27th, 2018 (Wide), released as A Gaivota (Portugal)
August 31st, 2018 (Wide), released as La Gaviota (Spain) September 7th, 2018 (Limited) (United Kingdom) September 13th, 2018 (Wide) (Denmark) October 5th, 2018 (Wide) (Australia) ... Show all releases |
| Video Release: | September 25th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some mature thematic elements, a scene of violence, drug use, and partial nudity. (Rating bulletin 2509 (Cert #51394), 1/10/2018) |
| Running Time: | 98 minutes |
| Geographical setting: | Russia |
| Plot point: | Aspiring Actress / Actor, Depression, Dysfunctional Family, Infidelity, Love Triangle, Relationships Gone Wrong, Suicide, Theater Actor, Writing and Writers |
| Time period setting: | 1900s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | KGB Media, Mar-Key Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 35 | $79,016 | 6 | $13,169 | $79,016 | 1 | |
| May 18, 2018 | 36 | $63,890 | -19% | 13 | $4,915 | $178,806 | 2 |
| May 25, 2018 | 28 | $111,847 | +75% | 29 | $3,857 | $324,826 | 3 |
| Jun 1, 2018 | 30 | $120,087 | +7% | 52 | $2,309 | $481,060 | 4 |
| Jun 8, 2018 | 31 | $100,533 | -16% | 89 | $1,130 | $672,028 | 5 |
| Jun 15, 2018 | 28 | $136,715 | +36% | 211 | $648 | $830,571 | 6 |
| Jun 22, 2018 | 25 | $95,606 | -30% | 145 | $659 | $1,055,956 | 7 |
| Jun 29, 2018 | 34 | $50,507 | -47% | 65 | $777 | $1,161,793 | 8 |
| Jul 6, 2018 | 47 | $13,461 | -73% | 25 | $538 | $1,215,042 | 9 |
| Jul 13, 2018 | 55 | $6,621 | -51% | 14 | $473 | $1,229,431 | 10 |
| Jul 20, 2018 | 59 | $5,959 | -10% | 16 | $372 | $1,241,936 | 11 |
| Jul 27, 2018 | 69 | $2,931 | -51% | 10 | $293 | $1,248,380 | 12 |
| Aug 3, 2018 | 82 | $1,126 | -62% | 5 | $225 | $1,251,619 | 13 |
| Aug 10, 2018 | 82 | $756 | -33% | 2 | $378 | $1,252,960 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 36 | $114,916 | 6 | $19,153 | $114,916 | 1 | |
| May 18, 2018 | 34 | $98,063 | -15% | 13 | $7,543 | $212,979 | 2 |
| May 25, 2018 | 29 | $182,974 | +87% | 29 | $6,309 | $395,953 | 3 |
| Jun 1, 2018 | 31 | $175,542 | -4% | 52 | $3,376 | $571,495 | 4 |
| Jun 8, 2018 | 33 | $157,341 | -10% | 89 | $1,768 | $728,836 | 5 |
| Jun 15, 2018 | 26 | $231,514 | +47% | 211 | $1,097 | $960,350 | 6 |
| Jun 22, 2018 | 28 | $150,936 | -35% | 145 | $1,041 | $1,111,286 | 7 |
| Jun 29, 2018 | 36 | $90,295 | -40% | 65 | $1,389 | $1,201,581 | 8 |
| Jul 6, 2018 | 45 | $21,229 | -76% | 25 | $849 | $1,222,810 | 9 |
| Jul 13, 2018 | 49 | $13,167 | -38% | 14 | $941 | $1,235,977 | 10 |
| Jul 20, 2018 | 63 | $9,472 | -28% | 16 | $592 | $1,245,449 | 11 |
| Jul 27, 2018 | 68 | $5,044 | -47% | 10 | $504 | $1,250,493 | 12 |
| Aug 3, 2018 | 80 | $1,711 | -66% | 5 | $342 | $1,252,204 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/5/2018 | $67,529 | 63 | 64 | 220 | $194,996 | 12/10/2018 | |||
| Denmark | 9/13/2018 | $573 | 1 | 1 | 3 | $1,208 | 10/2/2018 | |||
| Portugal | 7/27/2018 | $9,647 | 11 | 11 | 30 | $27,254 | 8/22/2018 | |||
| Russia (CIS) | 3/15/2019 | $9,176 | 85 | 85 | 134 | $18,741 | 4/19/2019 | |||
| South Korea | 12/6/2018 | $0 | 0 | 43 | 77 | $84,123 | 4/4/2026 | |||
| Spain | 8/31/2018 | $70,692 | 54 | 57 | 151 | $204,897 | 9/25/2018 | |||
| United Kingdom | 9/7/2018 | $57,477 | 63 | 63 | 63 | $57,477 | 4/4/2026 | |||
| International Total | $588,696 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Saoirse Ronan | Nina Zarechnaya | |
| Annette Bening | Irina Arkadina | |
| Corey Stoll | Boris Trigorin | |
| Billy Howle | Konstantin Treplyov | |
| Elisabeth Moss | Masha | |
| Jon Tenney | Dr. Dorn | |
| Brian Dennehy | Sorin | |
| Mare Winningham | ||
| Glenn Fleshler | ||
| Michael Zegen |
Production and Technical Credits
| Michael Mayer | Director | |
| Leslie Urdang | Producer | |
| Tom Hulce | Producer | |
| Robert Salerno | Producer | |
| Anton Chekhov | Based on the play by | |
| Stephen Karam | Screenwriter | |
| Anton Sanko | Composer | |
| Matthew J. Lloyd | Cinematographer | |
| Annette Davey | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $79,016 (6.3% of total gross) |
| Legs: | 9.16 (domestic box office/biggest weekend) |
| Domestic Share: | 68.0% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/211 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,644,943 |
Movie Details
| Domestic Releases: | May 11th, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | July 27th, 2018 (Wide), released as A Gaivota (Portugal)
August 31st, 2018 (Wide), released as La Gaviota (Spain) September 7th, 2018 (Limited) (United Kingdom) September 13th, 2018 (Wide) (Denmark) October 5th, 2018 (Wide) (Australia) ... Show all releases |
| Video Release: | September 25th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for some mature thematic elements, a scene of violence, drug use, and partial nudity. (Rating bulletin 2509 (Cert #51394), 1/10/2018) |
| Running Time: | 98 minutes |
| Geographical setting: | Russia |
| Plot point: | Aspiring Actress / Actor, Depression, Dysfunctional Family, Infidelity, Love Triangle, Relationships Gone Wrong, Suicide, Theater Actor, Writing and Writers |
| Time period setting: | 1900s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | KGB Media, Mar-Key Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 35 | $79,016 | 6 | $13,169 | $79,016 | 1 | |
| May 18, 2018 | 36 | $63,890 | -19% | 13 | $4,915 | $178,806 | 2 |
| May 25, 2018 | 28 | $111,847 | +75% | 29 | $3,857 | $324,826 | 3 |
| Jun 1, 2018 | 30 | $120,087 | +7% | 52 | $2,309 | $481,060 | 4 |
| Jun 8, 2018 | 31 | $100,533 | -16% | 89 | $1,130 | $672,028 | 5 |
| Jun 15, 2018 | 28 | $136,715 | +36% | 211 | $648 | $830,571 | 6 |
| Jun 22, 2018 | 25 | $95,606 | -30% | 145 | $659 | $1,055,956 | 7 |
| Jun 29, 2018 | 34 | $50,507 | -47% | 65 | $777 | $1,161,793 | 8 |
| Jul 6, 2018 | 47 | $13,461 | -73% | 25 | $538 | $1,215,042 | 9 |
| Jul 13, 2018 | 55 | $6,621 | -51% | 14 | $473 | $1,229,431 | 10 |
| Jul 20, 2018 | 59 | $5,959 | -10% | 16 | $372 | $1,241,936 | 11 |
| Jul 27, 2018 | 69 | $2,931 | -51% | 10 | $293 | $1,248,380 | 12 |
| Aug 3, 2018 | 82 | $1,126 | -62% | 5 | $225 | $1,251,619 | 13 |
| Aug 10, 2018 | 82 | $756 | -33% | 2 | $378 | $1,252,960 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 36 | $114,916 | 6 | $19,153 | $114,916 | 1 | |
| May 18, 2018 | 34 | $98,063 | -15% | 13 | $7,543 | $212,979 | 2 |
| May 25, 2018 | 29 | $182,974 | +87% | 29 | $6,309 | $395,953 | 3 |
| Jun 1, 2018 | 31 | $175,542 | -4% | 52 | $3,376 | $571,495 | 4 |
| Jun 8, 2018 | 33 | $157,341 | -10% | 89 | $1,768 | $728,836 | 5 |
| Jun 15, 2018 | 26 | $231,514 | +47% | 211 | $1,097 | $960,350 | 6 |
| Jun 22, 2018 | 28 | $150,936 | -35% | 145 | $1,041 | $1,111,286 | 7 |
| Jun 29, 2018 | 36 | $90,295 | -40% | 65 | $1,389 | $1,201,581 | 8 |
| Jul 6, 2018 | 45 | $21,229 | -76% | 25 | $849 | $1,222,810 | 9 |
| Jul 13, 2018 | 49 | $13,167 | -38% | 14 | $941 | $1,235,977 | 10 |
| Jul 20, 2018 | 63 | $9,472 | -28% | 16 | $592 | $1,245,449 | 11 |
| Jul 27, 2018 | 68 | $5,044 | -47% | 10 | $504 | $1,250,493 | 12 |
| Aug 3, 2018 | 80 | $1,711 | -66% | 5 | $342 | $1,252,204 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/5/2018 | $67,529 | 63 | 64 | 220 | $194,996 | 12/10/2018 | |||
| Denmark | 9/13/2018 | $573 | 1 | 1 | 3 | $1,208 | 10/2/2018 | |||
| Portugal | 7/27/2018 | $9,647 | 11 | 11 | 30 | $27,254 | 8/22/2018 | |||
| Russia (CIS) | 3/15/2019 | $9,176 | 85 | 85 | 134 | $18,741 | 4/19/2019 | |||
| South Korea | 12/6/2018 | $0 | 0 | 43 | 77 | $84,123 | 4/4/2026 | |||
| Spain | 8/31/2018 | $70,692 | 54 | 57 | 151 | $204,897 | 9/25/2018 | |||
| United Kingdom | 9/7/2018 | $57,477 | 63 | 63 | 63 | $57,477 | 4/4/2026 | |||
| International Total | $588,696 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Saoirse Ronan | Nina Zarechnaya | |
| Annette Bening | Irina Arkadina | |
| Corey Stoll | Boris Trigorin | |
| Billy Howle | Konstantin Treplyov | |
| Elisabeth Moss | Masha | |
| Jon Tenney | Dr. Dorn | |
| Brian Dennehy | Sorin | |
| Mare Winningham | ||
| Glenn Fleshler | ||
| Michael Zegen |
Production and Technical Credits
| Michael Mayer | Director | |
| Leslie Urdang | Producer | |
| Tom Hulce | Producer | |
| Robert Salerno | Producer | |
| Anton Chekhov | Based on the play by | |
| Stephen Karam | Screenwriter | |
| Anton Sanko | Composer | |
| Matthew J. Lloyd | Cinematographer | |
| Annette Davey | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.