The Seasons in Quincy: Four Portraits of John Berger (2016)

The Seasons in Quincy: Four Portraits of John Berger
Theatrical Performance
Domestic Box Office $16,738Details
International Box Office $32,779Details
Worldwide Box Office $49,517
Domestic Physical Disc Sales
DVD Sales (estimated) $46,473
Total $46,473
OpusData ID: 263900100 More info...
Further financial details...

Synopsis

In 1973 John Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.

Metrics

Opening Weekend:$5,304 (31.7% of total gross)
Legs:3.16 (domestic box office/biggest weekend)
Domestic Share:33.8% (domestic box office/worldwide)
Theater counts:1 opening theaters/2 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $23,143

Movie Details

Domestic Releases: August 31st, 2016 (Limited) by Icarus Films
International Releases: June 23rd, 2017 (Wide), released as The Seasons In Quincy: Four Portraits of John Berger (United Kingdom)
May 24th, 2025 (Limited), released as The Seasons in Quincy: Four Portraits of John Berger (ジョン・バージャーと4つの季節) (Japan)
Video Release: December 6th, 2016 by Icarus Home Video
MPA Rating: Not Rated
Running Time: 89 minutes
Cast, crew, or production detail: Voiceover/Narration
Plot point: Biography
Social setting: Life on a Farm
Time period setting: 1970s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Derek Jarman Lab, University of Pittsburgh
Production Countries: United Kingdom
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 2, 2016 74 $5,304   1 $5,304   $7,718 1
Sep 9, 2016 87 $4,778 -10% 1 $4,778   $16,738 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 31, 2016 - $1,488     1 $1,488   $1,488 1
Sep 1, 2016 - $926 -38%   1 $926   $2,414 2
Sep 2, 2016 - $1,758 +90%   1 $1,758   $4,172 3
Sep 3, 2016 - $1,870 +6%   2 $935   $6,042 4
Sep 4, 2016 - $1,676 -10%   2 $838   $7,718 5
Sep 5, 2016 - $1,706 +2%   2 $853   $9,424 6
Sep 6, 2016 - $898 -47%   2 $449   $10,322 7
Sep 7, 2016 - $886 -1% -40% 1 $886   $11,208 8
Sep 8, 2016 - $752 -15% -19% 1 $752   $11,960 9
Sep 9, 2016 - $1,342 +78% -24% 1 $1,342   $13,302 10
Sep 10, 2016 - $1,946 +45% +4% 1 $1,946   $15,248 11
Sep 11, 2016 - $1,490 -23% -11% 1 $1,490   $16,738 12

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 26, 2016 98 $2,414   1 $2,414   $2,414 1
Sep 2, 2016 74 $9,546 +295% 1 $9,546   $11,960 2

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 6/23/2017 $9,392 12 12 28 $32,779 9/28/2017
  
International Total $32,779 9/28/2017

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Documentary Subject

John Berger    Himself

Inverviewee

Melina Berger    Herself
Sandra Berger    Herself
Vincent Berger    Himself
Yves Berger    Himself
Ben Lerner    Himself
Jules Linglin    Himself
Xavier Swinton Byrne    Himself
Honor Swinton Byrne    Herself

Production and Technical Credits

Bartek Dziadosz    Director
Colin MacCabe    Director
Christopher Roth    Director
Tilda Swinton    Director
Christopher Roth    Screenwriter
Tilda Swinton    Screenwriter
Lily Ford    Producer
Colin MacCabe    Producer
Adam Bartos    Executive Producer
Steven Connor    Executive Producer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


Synopsis

In 1973 John Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.

Metrics

Opening Weekend:$5,304 (31.7% of total gross)
Legs:3.16 (domestic box office/biggest weekend)
Domestic Share:33.8% (domestic box office/worldwide)
Theater counts:1 opening theaters/2 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $23,143

Movie Details

Domestic Releases: August 31st, 2016 (Limited) by Icarus Films
International Releases: June 23rd, 2017 (Wide), released as The Seasons In Quincy: Four Portraits of John Berger (United Kingdom)
May 24th, 2025 (Limited), released as The Seasons in Quincy: Four Portraits of John Berger (ジョン・バージャーと4つの季節) (Japan)
Video Release: December 6th, 2016 by Icarus Home Video
MPA Rating: Not Rated
Running Time: 89 minutes
Cast, crew, or production detail: Voiceover/Narration
Plot point: Biography
Social setting: Life on a Farm
Time period setting: 1970s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Derek Jarman Lab, University of Pittsburgh
Production Countries: United Kingdom
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 2, 2016 74 $5,304   1 $5,304   $7,718 1
Sep 9, 2016 87 $4,778 -10% 1 $4,778   $16,738 2

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 31, 2016 - $1,488     1 $1,488   $1,488 1
Sep 1, 2016 - $926 -38%   1 $926   $2,414 2
Sep 2, 2016 - $1,758 +90%   1 $1,758   $4,172 3
Sep 3, 2016 - $1,870 +6%   2 $935   $6,042 4
Sep 4, 2016 - $1,676 -10%   2 $838   $7,718 5
Sep 5, 2016 - $1,706 +2%   2 $853   $9,424 6
Sep 6, 2016 - $898 -47%   2 $449   $10,322 7
Sep 7, 2016 - $886 -1% -40% 1 $886   $11,208 8
Sep 8, 2016 - $752 -15% -19% 1 $752   $11,960 9
Sep 9, 2016 - $1,342 +78% -24% 1 $1,342   $13,302 10
Sep 10, 2016 - $1,946 +45% +4% 1 $1,946   $15,248 11
Sep 11, 2016 - $1,490 -23% -11% 1 $1,490   $16,738 12

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 26, 2016 98 $2,414   1 $2,414   $2,414 1
Sep 2, 2016 74 $9,546 +295% 1 $9,546   $11,960 2

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 6/23/2017 $9,392 12 12 28 $32,779 9/28/2017
  
International Total $32,779 9/28/2017

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Documentary Subject

John Berger    Himself

Inverviewee

Melina Berger    Herself
Sandra Berger    Herself
Vincent Berger    Himself
Yves Berger    Himself
Ben Lerner    Himself
Jules Linglin    Himself
Xavier Swinton Byrne    Himself
Honor Swinton Byrne    Herself

Production and Technical Credits

Bartek Dziadosz    Director
Colin MacCabe    Director
Christopher Roth    Director
Tilda Swinton    Director
Christopher Roth    Screenwriter
Tilda Swinton    Screenwriter
Lily Ford    Producer
Colin MacCabe    Producer
Adam Bartos    Executive Producer
Steven Connor    Executive Producer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.