The Seduction (1982)
| Theatrical Performance | ||
| Domestic Box Office | $4,888,270 | Details |
| OpusData ID: 46790100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,158,452 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 691 opening theaters/691 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,804,866 |
Movie Details
| Domestic Releases: | January 22nd, 1982 (Wide) by Avco Embassy |
| Video Release: | November 7th, 2006 by Starz / Anchor Bay |
| Running Time: | 104 minutes |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Avco Embassy Pictures Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 1982 | 3 | $2,158,452 | 691 | $3,124 | $2,158,452 | 1 | |
| Jan 29, 1982 | 7 | $1,503,543 | -30% | 597 | $2,518 | $4,043,460 | 2 |
| Feb 5, 1982 | 12 | $844,810 | -44% | 476 | $1,775 | $4,888,270 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 1982 | 5 | $2,539,917 | 691 | $3,676 | $2,539,917 | 1 | |
| Jan 29, 1982 | 8 | $1,503,543 | -41% | 597 | $2,518 | $4,043,460 | 2 |
Leading
| Morgan Fairchild | Jamie Douglas |
Supporting
| Michael Sarrazin | Brandon | |
| Vince Edwards | Maxwell | |
| Andrew Stevens | Derek | |
| Colleen Camp | Robin | |
| Kevin Brophy | Bobby | |
| Wendy Smith Howard | Julie | |
| Woodrow Parfrey | Salesman | |
| Betty Kean | Mrs. Caluso | |
| Marii Mak | Lisa |
Production and Technical Credits
| David Schmoeller | Director | |
| David Schmoeller | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,158,452 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 691 opening theaters/691 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,804,866 |
Movie Details
| Domestic Releases: | January 22nd, 1982 (Wide) by Avco Embassy |
| Video Release: | November 7th, 2006 by Starz / Anchor Bay |
| Running Time: | 104 minutes |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Avco Embassy Pictures Corporation |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 1982 | 3 | $2,158,452 | 691 | $3,124 | $2,158,452 | 1 | |
| Jan 29, 1982 | 7 | $1,503,543 | -30% | 597 | $2,518 | $4,043,460 | 2 |
| Feb 5, 1982 | 12 | $844,810 | -44% | 476 | $1,775 | $4,888,270 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 1982 | 5 | $2,539,917 | 691 | $3,676 | $2,539,917 | 1 | |
| Jan 29, 1982 | 8 | $1,503,543 | -41% | 597 | $2,518 | $4,043,460 | 2 |
Leading
| Morgan Fairchild | Jamie Douglas |
Supporting
| Michael Sarrazin | Brandon | |
| Vince Edwards | Maxwell | |
| Andrew Stevens | Derek | |
| Colleen Camp | Robin | |
| Kevin Brophy | Bobby | |
| Wendy Smith Howard | Julie | |
| Woodrow Parfrey | Salesman | |
| Betty Kean | Mrs. Caluso | |
| Marii Mak | Lisa |
Production and Technical Credits
| David Schmoeller | Director | |
| David Schmoeller | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.