See For Me (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $55,191 | Details |
| International Box Office | $456,256 | Details |
| Worldwide Box Office | $511,447 | |
| OpusData ID: 515960100 More info... | ||
| Further financial details... | ||
Synopsis
Sophie, a young blind woman, house-sitting at a secluded mansion, finds herself under invasion by thieves seeking a hidden safe. Her only means of defense: a new app called “See For Me”. It connects her to a volunteer across the country who helps her survive by seeing on her behalf. Sophie is connected to Kelly, an army veteran who spends her days playing first-person shooter games. Sophie is forced to learn that if she’s going to survive the night, she’ll need all the help she can get. A blind teenage girl who ends up being not so powerless after all.
Metrics
| Opening Weekend: | $23,070 (41.8% of total gross) |
| Legs: | 2.39 (domestic box office/biggest weekend) |
| Domestic Share: | 10.8% (domestic box office/worldwide) |
| Theater counts: | 35 opening theaters/35 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,682 |
Movie Details
| Domestic Releases: | January 7th, 2022 (Limited) by IFC Midnight |
| International Releases: | January 28th, 2022 (Wide), released as Mira por mi (Spain)
March 24th, 2022 (Wide), released as A Ciegas (Mexico) May 19th, 2022 (Wide) (Russia (CIS)) May 26th, 2022 (Wide), released as Vê por Mim (Portugal) August 26th, 2022 (Limited), released as See For Me (シーフォーミー) (Japan) ... Show all releases |
| Video Release: | January 7th, 2022 by IFC Video |
| Running Time: | 93 minutes |
| Plot point: | Home Invasion |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Wildling Pictures, IFC Midnight |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $23,070 | 35 | $659 | $23,070 | 1 | |
| Jan 14, 2022 | - | $8,314 | -64% | 25 | $333 | $40,594 | 2 |
| Jan 21, 2022 | - | $3,391 | -59% | 10 | $339 | $48,620 | 3 |
| Feb 4, 2022 | - | $351 | 2 | $176 | $55,191 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $6,623 | 35 | $189 | $6,623 | 1 | |
| Jan 8, 2022 | - | $9,988 | +51% | 35 | $285 | $16,611 | 2 |
| Jan 9, 2022 | - | $6,459 | -35% | 35 | $185 | $23,070 | 3 |
| Jan 10, 2022 | - | $2,499 | -61% | 35 | $71 | $25,569 | 4 |
| Jan 11, 2022 | - | $2,729 | +9% | 35 | $78 | $28,298 | 5 |
| Jan 12, 2022 | - | $2,251 | -18% | 35 | $64 | $30,549 | 6 |
| Jan 13, 2022 | - | $1,731 | -23% | 35 | $49 | $32,280 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $32,280 | 35 | $922 | $32,280 | 1 | |
| Jan 14, 2022 | - | $12,949 | -60% | 25 | $518 | $45,229 | 2 |
| Jan 21, 2022 | - | $4,693 | -64% | 10 | $469 | $49,922 | 3 |
| Jan 28, 2022 | - | $918 | -80% | 2 | $459 | $50,840 | 4 |
| Feb 4, 2022 | - | $378 | -59% | 2 | $189 | $51,218 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 3/24/2022 | $115,346 | 0 | 0 | 0 | $191,561 | 4/5/2022 | |||
| Portugal | 5/26/2022 | $3,537 | 14 | 14 | 26 | $9,337 | 6/14/2022 | |||
| Russia (CIS) | 5/19/2022 | $140,246 | 1,234 | 1,234 | 2,468 | $240,388 | 6/1/2022 | |||
| Spain | 1/28/2022 | $14,970 | 69 | 69 | 69 | $14,970 | 2/15/2022 | |||
| International Total | $456,256 | 6/14/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Skyler Davenport | Sophie |
Supporting
| Kim Coates | Rico | |
| Jessica Parker Kennedy | Kelly | |
| Pascal Langdale | Ernie | |
| Joe Pingue | Dave | |
| George Tchortov | Otis | |
| Laura Vandervoort | Debra | |
| Emily Piggford | Deputy Brooks | |
| Matthew Gouveia | Cabbie | |
| Natalie Brown |
Production and Technical Credits
| Randall Okita | Director | |
| Adam Yorke | Screenwriter | |
| Tommy Gushue | Screenwriter | |
| Matt Code | Producer | |
| Kristy Neville | Producer | |
| David Di Brina | Producer | |
| Adam Yorke | Producer | |
| Jackson Parrell | Cinematographer | |
| Jordan Oram | Cinematographer | |
| James Vandewater | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sophie, a young blind woman, house-sitting at a secluded mansion, finds herself under invasion by thieves seeking a hidden safe. Her only means of defense: a new app called “See For Me”. It connects her to a volunteer across the country who helps her survive by seeing on her behalf. Sophie is connected to Kelly, an army veteran who spends her days playing first-person shooter games. Sophie is forced to learn that if she’s going to survive the night, she’ll need all the help she can get. A blind teenage girl who ends up being not so powerless after all.
Metrics
| Opening Weekend: | $23,070 (41.8% of total gross) |
| Legs: | 2.39 (domestic box office/biggest weekend) |
| Domestic Share: | 10.8% (domestic box office/worldwide) |
| Theater counts: | 35 opening theaters/35 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,682 |
Movie Details
| Domestic Releases: | January 7th, 2022 (Limited) by IFC Midnight |
| International Releases: | January 28th, 2022 (Wide), released as Mira por mi (Spain)
March 24th, 2022 (Wide), released as A Ciegas (Mexico) May 19th, 2022 (Wide) (Russia (CIS)) May 26th, 2022 (Wide), released as Vê por Mim (Portugal) August 26th, 2022 (Limited), released as See For Me (シーフォーミー) (Japan) ... Show all releases |
| Video Release: | January 7th, 2022 by IFC Video |
| Running Time: | 93 minutes |
| Plot point: | Home Invasion |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Wildling Pictures, IFC Midnight |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $23,070 | 35 | $659 | $23,070 | 1 | |
| Jan 14, 2022 | - | $8,314 | -64% | 25 | $333 | $40,594 | 2 |
| Jan 21, 2022 | - | $3,391 | -59% | 10 | $339 | $48,620 | 3 |
| Feb 4, 2022 | - | $351 | 2 | $176 | $55,191 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $6,623 | 35 | $189 | $6,623 | 1 | |
| Jan 8, 2022 | - | $9,988 | +51% | 35 | $285 | $16,611 | 2 |
| Jan 9, 2022 | - | $6,459 | -35% | 35 | $185 | $23,070 | 3 |
| Jan 10, 2022 | - | $2,499 | -61% | 35 | $71 | $25,569 | 4 |
| Jan 11, 2022 | - | $2,729 | +9% | 35 | $78 | $28,298 | 5 |
| Jan 12, 2022 | - | $2,251 | -18% | 35 | $64 | $30,549 | 6 |
| Jan 13, 2022 | - | $1,731 | -23% | 35 | $49 | $32,280 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $32,280 | 35 | $922 | $32,280 | 1 | |
| Jan 14, 2022 | - | $12,949 | -60% | 25 | $518 | $45,229 | 2 |
| Jan 21, 2022 | - | $4,693 | -64% | 10 | $469 | $49,922 | 3 |
| Jan 28, 2022 | - | $918 | -80% | 2 | $459 | $50,840 | 4 |
| Feb 4, 2022 | - | $378 | -59% | 2 | $189 | $51,218 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 3/24/2022 | $115,346 | 0 | 0 | 0 | $191,561 | 4/5/2022 | |||
| Portugal | 5/26/2022 | $3,537 | 14 | 14 | 26 | $9,337 | 6/14/2022 | |||
| Russia (CIS) | 5/19/2022 | $140,246 | 1,234 | 1,234 | 2,468 | $240,388 | 6/1/2022 | |||
| Spain | 1/28/2022 | $14,970 | 69 | 69 | 69 | $14,970 | 2/15/2022 | |||
| International Total | $456,256 | 6/14/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Skyler Davenport | Sophie |
Supporting
| Kim Coates | Rico | |
| Jessica Parker Kennedy | Kelly | |
| Pascal Langdale | Ernie | |
| Joe Pingue | Dave | |
| George Tchortov | Otis | |
| Laura Vandervoort | Debra | |
| Emily Piggford | Deputy Brooks | |
| Matthew Gouveia | Cabbie | |
| Natalie Brown |
Production and Technical Credits
| Randall Okita | Director | |
| Adam Yorke | Screenwriter | |
| Tommy Gushue | Screenwriter | |
| Matt Code | Producer | |
| Kristy Neville | Producer | |
| David Di Brina | Producer | |
| Adam Yorke | Producer | |
| Jackson Parrell | Cinematographer | |
| Jordan Oram | Cinematographer | |
| James Vandewater | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.