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Self/Less (2015)

Self/Less poster
Theatrical Performance
Domestic Box Office $12,279,691Details
International Box Office $21,434,136Details
Worldwide Box Office $33,713,827
Home Market Performance
Est. Domestic DVD Sales $1,928,460 Details
Est. Domestic Blu-ray Sales $1,229,257 Details
Total Est. Domestic Video Sales $3,157,717
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In this psychological science fiction thriller, an extremely wealthy man dying from cancer undergoes a radical medical procedure that transfers his consciousness into the body of a healthy young man. But all is not as it seems when he starts to uncover the mystery of the body's origin and the organization that will kill to protect its cause.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,401-4,500) 4,485 $12,279,691
All Time International Box Office (Rank 2,601-2,700) 2,628 $21,434,136
All Time Worldwide Box Office (Rank 3,301-3,400) 3,349 $33,713,827

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$26,000,000
Domestic Releases: July 10th, 2015 (Wide) by Focus Features
International Releases: June 8th, 2015 (Wide) (Czech Republic)
July 10th, 2015 (Wide) (Turkey)
July 16th, 2015 (Wide) (Croatia)
July 16th, 2015 (Wide) (Netherlands)
July 17th, 2015 (Wide) (Bulgaria)
... Show all releases
Video Release: October 27th, 2015 by Universal Home Entertainment
MPAA Rating: PG-13 for sequences of violence, some sexuality, and language.
(Rating bulletin 2362, 2/25/2015)
Running Time: 117 minutes
Comparisons: vs. Limitless
Create your own comparison chart…
Keywords: Terminal Illness, Cancer, Inventor, Transferring Consciousness
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production Companies: Ram Bergman Productions
Production Countries: United States

Leading Cast

   Young Damian

Supporting Cast

Natalie Martinez    Madeline
Matthew Goode    Albright
Victor Garber    Martin
Derek Luke    Anton
Ben Kingsley    Damian
Jaynee-Lynne Kinchen    Anna
Melora Hardin    Judy
Michelle Dockery    Claire
Sam Page    Carl
Brendan McCarthy    Anton 2
Thomas Francis Murphy    Dr. Jensen
Sandra Laugherty    Phyllis Jensen
Emily Tremaine    Mallory
Griff Furst    EMT
Cedric Palmisano    EMT
Tom Waite    Ambulance Driver
Douglas M. Griffin    Doctor X-Ray
Marcus Lyle Brown    Lab Technician
Teri Wyble    Andrea
Mariana Vicente    Leah
Gary Weeks    Chauffeur
Kristin Erickson    Gate Agent
Dakota Buchanan    Dickish Cousin
Robert Harvey    Retirement Home Manager
Dylan Lowe    Tony
Jimmy Gonzales    Recovery Mercenary
Jesica Ahlberg    Beautiful Girl
Dacia Fernandez    Beautiful Girl
Hannah Jelinovic    Beautiful Girl
Ashley Laliberty    Beautiful Girl
Anna Dudnik    Beautiful Girl
Antionique Price    Dancer
Stephanie Bertrand    Dancer
Shelby Skipper    Dancer
David Robertson    Mercenary
Alvin Santana    Tap Dancer
Rashod Singleton    Tap Dancer
Keiton Crump    Tap Dancer
Jermel Wilson    Drummer
Clay Chamerlain    Hallway Lab Tech
Kate Ransome Wilcox    Coalition Volunteer
Julian Niccolini    Maitre'd

Cameos

Big Freedia*    Big Freedia

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Alex Pastor    Screenwriter
David Pastor    Screenwriter
Ram Bergman    Producer
James D. Stern    Producer
Peter Schlessel    Producer
Julie Goldstein    Executive Producer
Dave Pomier    Executive Producer
Lia Buman    Executive Producer
Brendan Galvin    Director of Photography
Tom Foden    Production Designer
Robert Duffy    Editor
Shay Cunliffe    Costume Designer
Antonio Pinto    Composer
Mary Vernieu    Casting Director
Dave Pomier    Unit Production Manager
Nick Mastandrea    First Assistant Director
Tim Beach    Assistant Art Director
Matt Gatlin    Assistant Art Director
Cindy Carr    Set Decorator
Walter Schneider    Set Designer
Mary Frances Paguaga    Script Supervisor
Pud Cusack    Sound Mixer
Andree Fortier    Costume Supervisor
Voni Hinkle    Hairstylist
Carl G. Variste    Hairstylist
Vivian Baker    Make up
Stacy Kelly    Make up
Anthony Rossi III    Production Supervisor
Tim Pedegana    Post-Production Supervisor
Tony Bacigalupi    First Assistant Editor
Fulvio Valsangiacomo    First Assistant Editor
David Khalil Nami    Special Effects Coordinator
Alan Markfield    Additional Photography-Still Photographer
Hilary Bronwyn Gayle    Additional Photography-Still Photographer
Brent Caballero    Additional Casting Director
Charlotte Gale    Additional Casting-Extras Casting Assistant
Steven Ritzi    Second Unit Director
Bruce Wayne Gillies    First Assistant Director
Seth W. Hansen*    Second Assistant Director
Jaron Presant    Director of Photography-Second Unit
Alexander Hill    Script Supervisor-Second Unit
Kevin O'Connell    Re-recording Mixer
Steven Ticknor    Re-recording Mixer
Steven Ticknor    Supervising Sound Editor
Robert L. Sephton    Sound Designer
Joe Iemola    Sound Effects Editor
James Morioka    Dialogue Editor
Matt Hanson    Sound Editor-Assistant Sound Editor
Kevin Nanaumi    Sound Editor-Assistant Sound Editor
Raoul Yorke Bolognini    Visual Effects Producer
Curt Miller    Visual Effects Supervisor
John Houlihan    Music Supervisor
Robin Whittaker    Music Producer
Robin Whittaker    Music Editor
Dudu Aram    Additional Music
Tara Moross    Executive Music Producer
Philip Moross    Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for November 10th, 2015

November 9th, 2015

Better Call Saul: Season 1

There are a couple of big hits on this week's list of new releases. Terminator: Genisys was a monster hit internationally, but it failed to live up to expectations here. On the other hand, Trainwreck earned $100 million here, but barely made a peep internationally. Of these two films, Trainwreck is the only one worth picking up. In fact, it is a Contender for Pick of the Week. However, I'm still waiting for the screener and I hate to give out this title when a screener is on its way. Because of that, I'm going with Better Call Saul: Season One as the Best of the Best, but it isn't the only other title worth picking up. More...

Weekend Wrap-Up: Ant-Man Tops Terrific Weekend

July 20th, 2015

Ant-Man

The top of the box office had a small surprise, as Ant-Man earned first place with $57.23 million over the weekend. This is a little lower than predicted, but Minions really collapsed, so Ant-Man easily won the race for the top of the box office race. Meanwhile, Trainwreck had a solid third place opening and could be on its way to $100 million, thanks in part to its target demographic and to its reviews. Overall, the box office pulled in $194 million. This is 9.6% lower than last weekend, but more importantly, it is 30% higher than the same weekend last year. 30%. That's a massive margin of victory. Year-to-date, 2015 has pulled in $6.20 billion, which is 8.1% more than 2014's pace. Summer is winding down, so 2015 is in a great place moving into the slower part of the year. Even if August and September are slower than average, there's almost no chance 2015 will blow through the $460 million lead it has over 2014. More...

Weekend Wrap-Up: Minions Crush Competition, but Fall Short of Record

July 14th, 2015

Minions

As expected Minions dominated the box office earning first place with more than a 50% share of the total box office. It became the fourth film to open with more than $100 million this year. Three of those were released by Universal. On the other hand, the less said about The Gallows or Self/Less the better. To be fair, The Gallows earned more during its opening day that it cost to make, but its advertising budget is much bigger than its production budget. Meanwhile, Self/Less barely topped the Mendoza Line (earning only just over $2,000 per theater). The overall box office reached $215 million, which was 59% more than last week and 43% the same weekend last year. Year-to-date, 2015 has earned $5.92 billion, which is 6.4% higher than last year's pace. More...

Weekend Estimates: Minions Have Second-Best Animated Opening

July 12th, 2015

Minions

2015 is becoming a golden year for blockbuster openings, and a platinum year for Universal. The studio is celebrating yet again, with Minions heading to a gigantic $115.2 million projected opening weekend. That’s the second-best debut of all time for an animated film (see all-time opening weekend records), although, incredibly, it’s only the third-best weekend for the studio this year after the debuts of Furious 7 and Jurassic World. The studio, which would usually consider a 12% market share an excellent year, has so far earned a whopping 26% share for 2015—quite literally off the charts. More...

Friday Estimates: Minions On Pace for Century Opening, Perhaps Record

July 11th, 2015

Minions

The Friday estimates are in and Minions pulled in $46.2 million. On the one hand, this makes my job as a box office analyst easy, because all I have to say is “Wow!” On the other hand, it is hard to compare this film to others to calculate its most likely weekend haul, because there are so few animated films that opened this well. More...

Weekend Predictions: Will Minions Top $100 Million?

July 9th, 2015

Minions

Of the three wide releases this week, only Minions is dominating the box office tracking. Unfortunately, its reviews are nowhere near as strong as they were at the beginning of the month. Even worse, they are twice as good as the reviews for Self/Less and The Gallows. The Gallows should earn a spot in the top five during its opening weekend, but the prospects for Self/Less are not as good. This weekend last year, Dawn of the Planet of the Apes opened with $72.61 million. Minions should crush that number. Also, last year only three films earned more than $10 million over the weekend, while this year, the top five should do the same. 2015 should earn a solid win in the year-over-year comparison. More...

2015 Preview: July

July 1st, 2015

Minions

June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/07/10 8 $5,403,460   2,353 $2,296   $5,403,460 1
2015/07/17 12 $2,268,476 -58% 2,353 $964   $10,331,633 2
2015/07/24 22 $311,140 -86% 608 $512   $11,859,519 3
2015/07/31 31 $96,321 -69% 228 $422   $12,103,504 4
2015/08/07 43 $41,106 -57% 106 $388   $12,207,391 5
2015/08/14 54 $25,285 -38% 41 $617   $12,257,247 6
2015/08/21 75 $5,180 -80% 21 $247   $12,276,810 7

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2015/07/10 7 $1,963,105   2,353 $834   $1,963,105 1
2015/07/11 8 $1,936,041 -1% 2,353 $823   $3,899,146 2
2015/07/12 8 $1,504,314 -22% 2,353 $639   $5,403,460 3
2015/07/13 8 $644,414 -57% 2,353 $274   $6,047,874 4
2015/07/14 8 $893,991 +39% 2,353 $380   $6,941,865 5
2015/07/15 8 $637,788 -29% 2,353 $271   $7,579,653 6
2015/07/16 8 $483,504 -24% 2,353 $205   $8,063,157 7
2015/07/17 11 $656,929 +36% 2,353 $279   $8,720,086 8
2015/07/18 12 $924,550 +41% 2,353 $393   $9,644,636 9
2015/07/19 11 $686,997 -26% 2,353 $292   $10,331,633 10
2015/07/20 11 $303,721 -56% 2,353 $129   $10,635,354 11
2015/07/21 10 $414,275 +36% 2,353 $176   $11,049,629 12
2015/07/22 11 $305,983 -26% 2,353 $130   $11,355,612 13
2015/07/23 13 $192,767 -37% 2,353 $82   $11,548,379 14
2015/07/24 - $88,924 -54% 608 $146   $11,637,303 15
2015/07/25 - $124,598 +40% 608 $205   $11,761,901 16
2015/07/26 - $97,618 -22% 608 $161   $11,859,519 17
2015/07/27 - $47,814 -51% 608 $79   $11,907,333 18
2015/07/28 - $53,613 +12% 608 $88   $11,960,946 19
2015/07/29 - $26,159 -51% 608 $43   $11,987,105 20
2015/07/30 - $20,078 -23% 608 $33   $12,007,183 21
2015/07/31 - $27,888 +39% 228 $122   $12,035,071 22
2015/08/01 - $36,628 +31% 228 $161   $12,071,699 23
2015/08/02 - $31,805 -13% 228 $139   $12,103,504 24
2015/08/03 - $17,445 -45% 228 $77   $12,120,949 25
2015/08/04 - $20,509 +18% 228 $90   $12,141,458 26
2015/08/05 - $13,519 -34% 228 $59   $12,154,977 27
2015/08/06 - $11,308 -16% 228 $50   $12,166,285 28
2015/08/07 - $12,133 +7% 106 $114   $12,178,418 29
2015/08/08 - $17,093 +41% 106 $161   $12,195,511 30
2015/08/09 - $11,880 -30% 106 $112   $12,207,391 31
2015/08/10 - $5,937 -50% 106 $56   $12,213,328 32
2015/08/11 - $7,011 +18% 106 $66   $12,220,339 33
2015/08/12 - $5,975 -15% 106 $56   $12,226,314 34
2015/08/13 - $5,648 -5% 106 $53   $12,231,962 35
2015/08/14 - $7,706 +36% 41 $188   $12,239,668 36
2015/08/15 - $10,272 +33% 41 $251   $12,249,940 37
2015/08/16 - $7,307 -29% 41 $178   $12,257,247 38
2015/08/17 - $3,082 -58% 41 $75   $12,260,329 39
2015/08/18 - $3,261 +6% 41 $80   $12,263,590 40
2015/08/19 - $3,603 +10% 41 $88   $12,267,193 41
2015/08/20 - $4,437 +23% 41 $108   $12,271,630 42
2015/08/21 - $1,579 -64% 21 $75   $12,273,209 43
2015/08/22 - $2,071 +31% 21 $99   $12,275,280 44
2015/08/23 - $1,530 -26% 21 $73   $12,276,810 45
2015/08/24 - $584 -62% 21 $28   $12,277,394 46
2015/08/25 - $990 +70% 21 $47   $12,278,384 47
2015/08/26 - $565 -43% 21 $27   $12,278,949 48
2015/08/27 - $742 +31% 21 $35   $12,279,691 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/07/10 8 $8,063,157   2,353 $3,427   $8,063,157 1
2015/07/17 12 $3,485,222 -57% 2,353 $1,481   $11,548,379 2
2015/07/24 23 $458,804 -87% 608 $755   $12,007,183 3
2015/07/31 32 $159,102 -65% 228 $698   $12,166,285 4
2015/08/07 43 $65,677 -59% 106 $620   $12,231,962 5
2015/08/14 55 $39,668 -40% 41 $968   $12,271,630 6
2015/08/21 79 $8,061 -80% 21 $384   $12,279,691 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/17/2015 $84,282 32 32 37 $110,001 9/30/2015
Australia 7/23/2015 $435,799 190 190 466 $844,770 9/8/2015
Austria 10/9/2015 $3,535 5 5 11 $6,942 10/27/2015
Belgium 7/29/2015 $142,695 40 40 202 $544,599 9/22/2015
Bolivia 9/24/2015 $0 0 4 5 $15,915 10/13/2015
Bulgaria 7/17/2015 $21,563 39 39 139 $152,212 10/6/2015
China 5/12/2016 $2,800,000 24848 24848 24848 $5,190,000 6/9/2016
Colombia 9/17/2015 $44,730 36 36 42 $63,498 10/6/2015
Croatia 7/16/2015 $0 0 14 15 $140,997 9/9/2015
Czech Republic 6/8/2015 $0 0 57 99 $75,582 8/19/2015
Estonia 8/14/2015 $13,650 9 11 26 $43,952 9/2/2015
Finland 8/14/2015 $11,014 9 9 17 $23,542 8/25/2015
France 7/29/2015 $1,250,231 302 302 885 $2,940,801 8/18/2015
Germany 8/20/2015 $248,933 268 268 523 $604,603 10/20/2015
Hungary 7/23/2015 $97,474 42 42 84 $342,285 8/19/2015
Italy 9/11/2015 $353,291 0 134 157 $739,482 12/16/2015
Latvia 7/31/2015 $0 0 5 5 $20,920 8/11/2015
Lithuania 7/31/2015 $10,731 70 70 123 $31,194 8/19/2015
Mexico 7/24/2015 $0 0 8 20 $204,824 9/9/2015
Netherlands 7/16/2015 $97,124 46 46 109 $382,526 8/18/2015
New Zealand 7/23/2015 $52,242 35 35 126 $120,707 9/30/2015
Peru 9/24/2015 $41,951 17 17 27 $74,610 10/6/2015
Portugal 8/20/2015 $51,258 29 29 44 $132,198 9/22/2015
Romania 8/7/2015 $80,098 55 55 213 $759,371 9/9/2015
Russia (CIS) 7/30/2015 $1,054,667 921 921 2393 $2,707,103 8/25/2015
Slovakia 8/6/2015 $28,292 44 44 94 $92,074 8/26/2015
South Africa 9/25/2015 $19,569 37 38 80 $66,087 10/13/2015
South Korea 9/10/2015 $505,265 0 33 43 $748,934 9/30/2015
Spain 7/17/2015 $232,804 193 193 483 $768,623 10/13/2015
Switzerland 7/29/2015 $0 0 28 44 $120,112 8/18/2015
Taiwan 9/4/2015 $223,354 55 55 109 $489,564 9/30/2015
Thailand 9/10/2015 $145,855 101 101 183 $260,524 9/30/2015
Turkey 7/10/2015 $135,191 208 208 584 $495,953 8/18/2015
Ukraine 7/30/2015 $103,357 132 132 325 $234,286 9/22/2015
United Kingdom 7/17/2015 $336,323 267 267 452 $799,565 8/25/2015
Vietnam 8/14/2015 $43,579 39 39 66 $80,313 8/25/2015
 
Rest of World $1,005,467
 
International Total$21,434,136 6/9/2016

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
11/15/2015853,243 53,243$850,823$850,8233
11/22/20152719,032-64% 72,275$303,560$1,154,3844

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
11/15/2015629,084 29,084$522,631$522,6313
11/22/20151612,356-58% 41,440$221,173$743,8044

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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