Semi-Tough (1977)
| Theatrical Performance | ||
| Domestic Box Office | $37,187,139 | Details |
| OpusData ID: 15210100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $188,603,830 |
Movie Details
| Domestic Releases: | November 11th, 1977 (Wide) by United Artists |
| MPA Rating: | R |
| Running Time: | 108 minutes |
| Plot point: | Romance, Satire |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
| Burt Reynolds | Billy Clyde Puckett | |
| Brian Dennehy | T.J. Lambert | |
| Carl Weathers | Dreamer Tatum | |
| Ron Silver | Vlada Kostov, Miami's Russian Placekicker #7 | |
| Jill Clayburgh | Barbara Jane Bookman | |
| Richard Masur | Phillip Hooper |
Production and Technical Credits
| Michael Ritchie | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $188,603,830 |
Movie Details
| Domestic Releases: | November 11th, 1977 (Wide) by United Artists |
| MPA Rating: | R |
| Running Time: | 108 minutes |
| Plot point: | Romance, Satire |
| Subgenre: | Satirical Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
| Burt Reynolds | Billy Clyde Puckett | |
| Brian Dennehy | T.J. Lambert | |
| Carl Weathers | Dreamer Tatum | |
| Ron Silver | Vlada Kostov, Miami's Russian Placekicker #7 | |
| Jill Clayburgh | Barbara Jane Bookman | |
| Richard Masur | Phillip Hooper |
Production and Technical Credits
| Michael Ritchie | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.