The Sender (1982)

Theatrical Performance
Domestic Box Office $968,663Details
OpusData ID: 61970100 More info...
Further financial details...

Metrics

Opening Weekend:$434,884 (44.9% of total gross)
Legs:2.23 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:300 opening theaters/300 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $3,726,385

Movie Details

Domestic Releases: October 22nd, 1982 (Wide) by Paramount Pictures
MPA Rating: R for violence.
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production Countries: United States

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 22, 1982 10 $434,884   300 $1,450   $434,884 1
Nov 12, 1982 12 $285,118   300 $950   $968,663 4

Zeljko Ivanek    John Doe #83/The Sender
Paul Freeman    Dr. Joseph Denman, Gail's Boss
Steven Williams    Lockwood
Kathryn Harrold    Dr. Gail Farmer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$434,884 (44.9% of total gross)
Legs:2.23 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:300 opening theaters/300 max. theaters, 2.0 weeks average run per theater
Infl. Adj. Dom. BO $3,726,385

Movie Details

Domestic Releases: October 22nd, 1982 (Wide) by Paramount Pictures
MPA Rating: R for violence.
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production Countries: United States

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 22, 1982 10 $434,884   300 $1,450   $434,884 1
Nov 12, 1982 12 $285,118   300 $950   $968,663 4

Zeljko Ivanek    John Doe #83/The Sender
Paul Freeman    Dr. Joseph Denman, Gail's Boss
Steven Williams    Lockwood
Kathryn Harrold    Dr. Gail Farmer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.