Sense and Sensibility (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $7,203,465 | Details |
| International Box Office | $11,301,000 | Details |
| Worldwide Box Office | $18,504,465 | |
| OpusData ID: 753570100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $7,203,465 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 38.9% (domestic box office/worldwide) |
| Theater counts: | 2,545 opening theaters/2,545 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,203,465 |
Movie Details
| Domestic Releases: | October 16th, 2026 (Wide) by Focus Features |
| International Releases: | September 23rd, 2026 (Wide) (Switzerland)
September 23rd, 2026 (Wide) (Belgium) September 23rd, 2026 (Wide), released as Raison et Sentiments (France) September 24th, 2026 (Wide) (Greece) September 24th, 2026 (Wide) (Cyprus) ... Show all releases |
| MPA Rating: | PG for some thematic elements, partial nudity and brief violence. (Rating bulletin 2944 (cert #56031), 7/8/2026) |
| Running Time: | 132 minutes |
| Geographical setting: | England |
| Subgenre: | Romantic Drama |
| Time period setting: | 1700s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Working Title Films, November Pictures |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2026 | 5 | $7,203,465 | 2,545 | $2,830 | $7,203,465 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 15, 2026 | P | $1,150,000 | 0 | $1,150,000 | |||
| Oct 16, 2026 | 3 | $3,345,130 | 2,545 | $1,314 | $3,345,130 | 1 | |
| Oct 17, 2026 | 7 | $2,255,080 | -33% | 2,545 | $886 | $5,600,210 | 2 |
| Oct 18, 2026 | 5 | $1,603,255 | -29% | 2,545 | $630 | $7,203,465 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 9/23/2026 | $72,474 | 0 | 0 | 0 | $180,353 | 10/11/2026 | |||
| Cyprus | 9/24/2026 | $1,278 | 0 | 0 | 0 | $4,030 | 10/7/2026 | |||
| France | 9/23/2026 | $325,688 | 190 | 215 | 589 | $898,408 | 10/11/2026 | |||
| Greece | 9/24/2026 | $41,441 | 49 | 49 | 61 | $80,897 | 10/11/2026 | |||
| Norway | 10/9/2026 | $100,289 | 0 | 0 | 0 | $109,402 | 10/11/2026 | |||
| Switzerland | 9/23/2026 | $18,954 | 0 | 0 | 0 | $71,543 | 10/11/2026 | |||
| United Kingdom | 9/25/2026 | $1,979,850 | 705 | 725 | 2,078 | $6,735,379 | 10/11/2026 | |||
| Rest of World | $3,220,988 | |||||||||
| International Total | $11,301,000 | 10/11/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Edgar-Jones | Elinor Dashwood |
Supporting
| Esme Creed-Miles | Marianne Dashwood | |
| Caitriona Balfe | Mrs. Dashwood | |
| Bodhi Rae Breathnach | Margaret Dashwood | |
| Frank Dillane | John Willoughby | |
| Herbert Nordrum | Colonel Brandon | |
| George MacKay | Edward Ferrars | |
| Fiona Shaw | Mrs. Jennings | |
| Stacy Martin | Fanny Dashwood | |
| Tom Brooke | John Dashwood | |
| Turlough Convery | Sir John Middleton | |
| Chloe Pirrie | Lady Middleton | |
| Eliot Sumner | Mr. Palmer | |
| Bethany Slater | Mrs. Palmer | |
| Ceara Coveney | Lucy Steele | |
| James Carcaterra | Norland Steward | |
| Charlie Varlet | Nelly | |
| Paulie Bovingdon | Harry | |
| Thea Beyleveld | Norland Housekeeper | |
| Ross Cullum | Portman Square Butler | |
| Forrest Bothwell | Robert Ferrars | |
| Sophie McGibbon | Miss Grey |
Production and Technical Credits
| Georgia Oakley | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| India Flint | Producer | |
| Jo Wallett | Producer | |
| Diana Reid | Screenwriter | |
| Jane Austen | Story based on the novel by | |
| Thea Paulett | Executive Producer | |
| Angela Moneke | Executive Producer | |
| Jane Frazer | Co-Producer | |
| Arnaud Potier | Director of Photography | |
| Francesca Di Mottola | Production Designer | |
| Izabella Curry | Editor | |
| Grace Snell | Costume Designer | |
| Roger Goula | Composer | |
| Kharmel Cochrane | Casting Director | |
| Florian Robin | Stunt Coordinator | |
| Nina Armstrong | Stunt Coordinator | |
| Alice Burridge | Associate Producer | |
| Pat Karam | Unit Production Manager | |
| Donald E G Bentley | First Assistant Director | |
| Marlon Beyer Rieger | Second Assistant Director | |
| Alicja Kielbasa | Production Supervisor | |
| Jane Jackson | Script Supervisor | |
| Yves-Marie Omnes | Sound Mixer | |
| James Mather | Sound Designer | |
| James Mather | Re-recording Mixer | |
| Verity Wislocki | Post-Production Supervisor | |
| Billy Matthews | Post-Production Supervisor | |
| Ian Hutchinson | Supervising Location Manager | |
| Celia De La Hey | Set Decorator | |
| Caroline Barclay | Supervising Art Director | |
| Juan Camara | Art Director | |
| Eddie Smith Taylor | Art Director | |
| Stephen Forrest-Smith | Story Artist | |
| Emily Curtis | Costume Supervisor | |
| Alex Locke | Costume Supervisor | |
| Ellen D’Andrade Brown | Make-up and Hair Designer | |
| Grayson Galway | Make-up and Hair Designer | |
| Andrew Ryland | Location Manager | |
| Sammy Thomson | Location Manager | |
| Hugo Nicholson | Location Manager | |
| Paul McCluskey | Location Manager | |
| Niv Adiri | Re-recording Mixer | |
| Joe Jackson | Dialogue Editor | |
| Tom Williams | Dialogue Editor | |
| Rob Davidson | Foley Editor | |
| Adam Mendez | Foley Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $7,203,465 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 38.9% (domestic box office/worldwide) |
| Theater counts: | 2,545 opening theaters/2,545 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,203,465 |
Movie Details
| Domestic Releases: | October 16th, 2026 (Wide) by Focus Features |
| International Releases: | September 23rd, 2026 (Wide) (Switzerland)
September 23rd, 2026 (Wide) (Belgium) September 23rd, 2026 (Wide), released as Raison et Sentiments (France) September 24th, 2026 (Wide) (Greece) September 24th, 2026 (Wide) (Cyprus) ... Show all releases |
| MPA Rating: | PG for some thematic elements, partial nudity and brief violence. (Rating bulletin 2944 (cert #56031), 7/8/2026) |
| Running Time: | 132 minutes |
| Geographical setting: | England |
| Subgenre: | Romantic Drama |
| Time period setting: | 1700s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Working Title Films, November Pictures |
| Production Countries: | United States, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 16, 2026 | 5 | $7,203,465 | 2,545 | $2,830 | $7,203,465 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 15, 2026 | P | $1,150,000 | 0 | $1,150,000 | |||
| Oct 16, 2026 | 3 | $3,345,130 | 2,545 | $1,314 | $3,345,130 | 1 | |
| Oct 17, 2026 | 7 | $2,255,080 | -33% | 2,545 | $886 | $5,600,210 | 2 |
| Oct 18, 2026 | 5 | $1,603,255 | -29% | 2,545 | $630 | $7,203,465 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 9/23/2026 | $72,474 | 0 | 0 | 0 | $180,353 | 10/11/2026 | |||
| Cyprus | 9/24/2026 | $1,278 | 0 | 0 | 0 | $4,030 | 10/7/2026 | |||
| France | 9/23/2026 | $325,688 | 190 | 215 | 589 | $898,408 | 10/11/2026 | |||
| Greece | 9/24/2026 | $41,441 | 49 | 49 | 61 | $80,897 | 10/11/2026 | |||
| Norway | 10/9/2026 | $100,289 | 0 | 0 | 0 | $109,402 | 10/11/2026 | |||
| Switzerland | 9/23/2026 | $18,954 | 0 | 0 | 0 | $71,543 | 10/11/2026 | |||
| United Kingdom | 9/25/2026 | $1,979,850 | 705 | 725 | 2,078 | $6,735,379 | 10/11/2026 | |||
| Rest of World | $3,220,988 | |||||||||
| International Total | $11,301,000 | 10/11/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Edgar-Jones | Elinor Dashwood |
Supporting
| Esme Creed-Miles | Marianne Dashwood | |
| Caitriona Balfe | Mrs. Dashwood | |
| Bodhi Rae Breathnach | Margaret Dashwood | |
| Frank Dillane | John Willoughby | |
| Herbert Nordrum | Colonel Brandon | |
| George MacKay | Edward Ferrars | |
| Fiona Shaw | Mrs. Jennings | |
| Stacy Martin | Fanny Dashwood | |
| Tom Brooke | John Dashwood | |
| Turlough Convery | Sir John Middleton | |
| Chloe Pirrie | Lady Middleton | |
| Eliot Sumner | Mr. Palmer | |
| Bethany Slater | Mrs. Palmer | |
| Ceara Coveney | Lucy Steele | |
| James Carcaterra | Norland Steward | |
| Charlie Varlet | Nelly | |
| Paulie Bovingdon | Harry | |
| Thea Beyleveld | Norland Housekeeper | |
| Ross Cullum | Portman Square Butler | |
| Forrest Bothwell | Robert Ferrars | |
| Sophie McGibbon | Miss Grey |
Production and Technical Credits
| Georgia Oakley | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| India Flint | Producer | |
| Jo Wallett | Producer | |
| Diana Reid | Screenwriter | |
| Jane Austen | Story based on the novel by | |
| Thea Paulett | Executive Producer | |
| Angela Moneke | Executive Producer | |
| Jane Frazer | Co-Producer | |
| Arnaud Potier | Director of Photography | |
| Francesca Di Mottola | Production Designer | |
| Izabella Curry | Editor | |
| Grace Snell | Costume Designer | |
| Roger Goula | Composer | |
| Kharmel Cochrane | Casting Director | |
| Florian Robin | Stunt Coordinator | |
| Nina Armstrong | Stunt Coordinator | |
| Alice Burridge | Associate Producer | |
| Pat Karam | Unit Production Manager | |
| Donald E G Bentley | First Assistant Director | |
| Marlon Beyer Rieger | Second Assistant Director | |
| Alicja Kielbasa | Production Supervisor | |
| Jane Jackson | Script Supervisor | |
| Yves-Marie Omnes | Sound Mixer | |
| James Mather | Sound Designer | |
| James Mather | Re-recording Mixer | |
| Verity Wislocki | Post-Production Supervisor | |
| Billy Matthews | Post-Production Supervisor | |
| Ian Hutchinson | Supervising Location Manager | |
| Celia De La Hey | Set Decorator | |
| Caroline Barclay | Supervising Art Director | |
| Juan Camara | Art Director | |
| Eddie Smith Taylor | Art Director | |
| Stephen Forrest-Smith | Story Artist | |
| Emily Curtis | Costume Supervisor | |
| Alex Locke | Costume Supervisor | |
| Ellen D’Andrade Brown | Make-up and Hair Designer | |
| Grayson Galway | Make-up and Hair Designer | |
| Andrew Ryland | Location Manager | |
| Sammy Thomson | Location Manager | |
| Hugo Nicholson | Location Manager | |
| Paul McCluskey | Location Manager | |
| Niv Adiri | Re-recording Mixer | |
| Joe Jackson | Dialogue Editor | |
| Tom Williams | Dialogue Editor | |
| Rob Davidson | Foley Editor | |
| Adam Mendez | Foley Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.