Separation (2021)
| Theatrical Performance | ||
| Domestic Box Office | $4,509,143 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $47,733 | |
| Total | $47,733 | |
| OpusData ID: 379790100 More info... | ||
| Further financial details... | ||
Synopsis
8 year-old Jenny is constantly caught in the middle of the feuding between her lawyer mother Maggie and artist father Jeff. She leads a lonely but imaginative life, surrounded by puppets called “Grisly Kin”, which are based on the works of her father. When Maggie is tragically killed in a hit-and-run, Jeff and Jenny try to piece together a new life. But when Maggie’s father sues for custody, and babysitter Samantha tries to be the new woman of the house, life in their Brooklyn townhome takes a dark turn. The puppets and frightening characters come to life and Jenny is the only person who can see them. When the motives of the ghoulish creatures become clear, the lives of everyone are put very much in jeopardy.
Metrics
| Opening Weekend: | $1,800,162 (39.9% of total gross) |
| Legs: | 2.50 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,751 opening theaters/1,911 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,302,789 |
Movie Details
| Domestic Releases: | April 30th, 2021 (Wide) by Open Road |
| Video Release: | June 29th, 2021 by Universal Home Entertainment |
| MPA Rating: | R for language, some violence and brief drug use. (Rating bulletin 2677 (cert #53176), 4/21/2021) |
| Running Time: | 107 minutes |
| Plot point: | Adult Child of Divorce, Living Toys, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Open Road Films, Briarcliff Entertainment, Rainmaker Entertainment, Yale Productions, The Machine Room, Post Film |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 30, 2021 | 4 | $1,800,162 | 1,751 | $1,028 | $1,800,162 | 1 | |
| May 7, 2021 | 6 | $1,058,928 | -41% | 1,911 | $554 | $3,362,801 | 2 |
| May 14, 2021 | 14 | $331,391 | -69% | 1,153 | $287 | $4,067,854 | 3 |
| May 21, 2021 | - | $200,925 | -39% | 704 | $285 | $4,392,451 | 4 |
| May 28, 2021 | - | $28,867 | -86% | 121 | $239 | $4,496,216 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 30, 2021 | - | $684,608 | 1,751 | $391 | $684,608 | 1 | ||
| May 1, 2021 | - | $693,936 | +1% | 1,751 | $396 | $1,378,544 | 2 | |
| May 2, 2021 | - | $421,618 | -39% | 1,751 | $241 | $1,800,162 | 3 | |
| May 3, 2021 | - | $123,943 | -71% | 1,751 | $71 | $1,924,105 | 4 | |
| May 4, 2021 | - | $156,183 | +26% | 1,751 | $89 | $2,080,288 | 5 | |
| May 5, 2021 | - | $112,274 | -28% | 1,751 | $64 | $2,192,562 | 6 | |
| May 6, 2021 | - | $111,311 | -1% | 1,751 | $64 | $2,303,873 | 7 | |
| May 7, 2021 | 6 | $317,559 | +185% | -54% | 1,911 | $166 | $2,621,432 | 8 |
| May 8, 2021 | - | $445,387 | +40% | -36% | 1,911 | $233 | $3,066,819 | 9 |
| May 9, 2021 | - | $295,982 | -34% | -30% | 1,911 | $155 | $3,362,801 | 10 |
| May 10, 2021 | - | $101,943 | -66% | -18% | 1,911 | $53 | $3,464,744 | 11 |
| May 11, 2021 | - | $111,467 | +9% | -29% | 1,911 | $58 | $3,576,211 | 12 |
| May 12, 2021 | - | $94,949 | -15% | -15% | 1,911 | $50 | $3,671,160 | 13 |
| May 13, 2021 | - | $65,303 | -31% | -41% | 1,911 | $34 | $3,736,463 | 14 |
| May 14, 2021 | - | $101,421 | +55% | -68% | 1,153 | $88 | $3,837,884 | 15 |
| May 15, 2021 | - | $143,725 | +42% | -68% | 1,153 | $125 | $3,981,609 | 16 |
| May 16, 2021 | - | $86,245 | -40% | -71% | 1,153 | $75 | $4,067,854 | 17 |
| May 17, 2021 | - | $27,577 | -68% | -73% | 1,053 | $26 | $4,095,431 | 18 |
| May 18, 2021 | - | $33,059 | +20% | -70% | 1,053 | $31 | $4,128,490 | 19 |
| May 19, 2021 | - | $30,448 | -8% | -68% | 1,153 | $26 | $4,158,938 | 20 |
| May 20, 2021 | - | $32,588 | +7% | -50% | 1,153 | $28 | $4,191,526 | 21 |
| May 21, 2021 | - | $59,917 | +84% | -41% | 704 | $85 | $4,251,443 | 22 |
| May 22, 2021 | - | $88,822 | +48% | -38% | 704 | $126 | $4,340,265 | 23 |
| May 23, 2021 | - | $52,186 | -41% | -39% | 704 | $74 | $4,392,451 | 24 |
| May 24, 2021 | - | $22,017 | -58% | -20% | 704 | $31 | $4,414,468 | 25 |
| May 25, 2021 | - | $23,133 | +5% | -30% | 704 | $33 | $4,437,601 | 26 |
| May 26, 2021 | - | $23,746 | +3% | -22% | 704 | $34 | $4,461,347 | 27 |
| May 27, 2021 | - | $6,002 | -75% | -82% | 704 | $9 | $4,467,349 | 28 |
| May 28, 2021 | - | $6,594 | +10% | -89% | 704 | $9 | $4,473,943 | 29 |
| May 29, 2021 | - | $11,262 | +71% | -87% | 121 | $93 | $4,485,205 | 30 |
| May 30, 2021 | - | $11,011 | -2% | -79% | 121 | $91 | $4,496,216 | 31 |
| May 31, 2021 | - | $4,854 | -56% | -78% | 121 | $40 | $4,501,070 | 32 |
| Jun 1, 2021 | - | $2,665 | -45% | -88% | 121 | $22 | $4,503,735 | 33 |
| Jun 2, 2021 | - | $3,192 | +20% | -87% | 121 | $26 | $4,506,927 | 34 |
| Jun 3, 2021 | - | $2,216 | -31% | -63% | 121 | $18 | $4,509,143 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 30, 2021 | 4 | $2,303,873 | 1,751 | $1,316 | $2,303,873 | 1 | |
| May 7, 2021 | 6 | $1,432,590 | -38% | 1,911 | $750 | $3,736,463 | 2 |
| May 14, 2021 | 13 | $455,063 | -68% | 1,153 | $395 | $4,191,526 | 3 |
| May 21, 2021 | 12 | $275,823 | -39% | 704 | $392 | $4,467,349 | 4 |
| May 28, 2021 | 21 | $41,794 | -85% | 121 | $345 | $4,509,143 | 5 |
Leading
| Rupert Friend | Jeff |
Supporting
| Mamie Gummer | Maggie | |
| Madeline Brewer | Samantha Nally |
Leading
| Violet McGraw | Jenny |
Supporting
| Simon Quarterman | Alan Ross | |
| Brian Cox | Maggie’s Father |
Production and Technical Credits
| William Brent Bell | Director | |
| Nick Amadeus | Screenwriter | |
| Josh Braun | Screenwriter | |
| Jordan Yale Levine | Producer | |
| Jordan Beckerman | Producer | |
| Russ Posternak | Producer | |
| Jesse Korman | Producer | |
| Clay Pecorin | Producer | |
| William Brent Bell | Producer | |
| Jon Keeyes | Co-Producer | |
| Nick Amadeus | Executive Producer | |
| Josh Braun | Executive Producer | |
| Russell Geyser | Executive Producer | |
| Seth Posternak | Executive Producer | |
| Jane Oster Sinisi | Executive Producer | |
| Rupert Friend | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Karl Walter Lindenlaub | Director of Photography | |
| Rik Zang | Director of Photography | |
| Ola Maslik | Production Designer | |
| Gina Ruiz | Costume Designer | |
| Brian Berdan | Editor | |
| Eric L. Beason | Editor | |
| Brett Detar | Composer | |
| Brandon Henry Rodriguez | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
8 year-old Jenny is constantly caught in the middle of the feuding between her lawyer mother Maggie and artist father Jeff. She leads a lonely but imaginative life, surrounded by puppets called “Grisly Kin”, which are based on the works of her father. When Maggie is tragically killed in a hit-and-run, Jeff and Jenny try to piece together a new life. But when Maggie’s father sues for custody, and babysitter Samantha tries to be the new woman of the house, life in their Brooklyn townhome takes a dark turn. The puppets and frightening characters come to life and Jenny is the only person who can see them. When the motives of the ghoulish creatures become clear, the lives of everyone are put very much in jeopardy.
Metrics
| Opening Weekend: | $1,800,162 (39.9% of total gross) |
| Legs: | 2.50 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,751 opening theaters/1,911 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,302,789 |
Movie Details
| Domestic Releases: | April 30th, 2021 (Wide) by Open Road |
| Video Release: | June 29th, 2021 by Universal Home Entertainment |
| MPA Rating: | R for language, some violence and brief drug use. (Rating bulletin 2677 (cert #53176), 4/21/2021) |
| Running Time: | 107 minutes |
| Plot point: | Adult Child of Divorce, Living Toys, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Open Road Films, Briarcliff Entertainment, Rainmaker Entertainment, Yale Productions, The Machine Room, Post Film |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 30, 2021 | 4 | $1,800,162 | 1,751 | $1,028 | $1,800,162 | 1 | |
| May 7, 2021 | 6 | $1,058,928 | -41% | 1,911 | $554 | $3,362,801 | 2 |
| May 14, 2021 | 14 | $331,391 | -69% | 1,153 | $287 | $4,067,854 | 3 |
| May 21, 2021 | - | $200,925 | -39% | 704 | $285 | $4,392,451 | 4 |
| May 28, 2021 | - | $28,867 | -86% | 121 | $239 | $4,496,216 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 30, 2021 | - | $684,608 | 1,751 | $391 | $684,608 | 1 | ||
| May 1, 2021 | - | $693,936 | +1% | 1,751 | $396 | $1,378,544 | 2 | |
| May 2, 2021 | - | $421,618 | -39% | 1,751 | $241 | $1,800,162 | 3 | |
| May 3, 2021 | - | $123,943 | -71% | 1,751 | $71 | $1,924,105 | 4 | |
| May 4, 2021 | - | $156,183 | +26% | 1,751 | $89 | $2,080,288 | 5 | |
| May 5, 2021 | - | $112,274 | -28% | 1,751 | $64 | $2,192,562 | 6 | |
| May 6, 2021 | - | $111,311 | -1% | 1,751 | $64 | $2,303,873 | 7 | |
| May 7, 2021 | 6 | $317,559 | +185% | -54% | 1,911 | $166 | $2,621,432 | 8 |
| May 8, 2021 | - | $445,387 | +40% | -36% | 1,911 | $233 | $3,066,819 | 9 |
| May 9, 2021 | - | $295,982 | -34% | -30% | 1,911 | $155 | $3,362,801 | 10 |
| May 10, 2021 | - | $101,943 | -66% | -18% | 1,911 | $53 | $3,464,744 | 11 |
| May 11, 2021 | - | $111,467 | +9% | -29% | 1,911 | $58 | $3,576,211 | 12 |
| May 12, 2021 | - | $94,949 | -15% | -15% | 1,911 | $50 | $3,671,160 | 13 |
| May 13, 2021 | - | $65,303 | -31% | -41% | 1,911 | $34 | $3,736,463 | 14 |
| May 14, 2021 | - | $101,421 | +55% | -68% | 1,153 | $88 | $3,837,884 | 15 |
| May 15, 2021 | - | $143,725 | +42% | -68% | 1,153 | $125 | $3,981,609 | 16 |
| May 16, 2021 | - | $86,245 | -40% | -71% | 1,153 | $75 | $4,067,854 | 17 |
| May 17, 2021 | - | $27,577 | -68% | -73% | 1,053 | $26 | $4,095,431 | 18 |
| May 18, 2021 | - | $33,059 | +20% | -70% | 1,053 | $31 | $4,128,490 | 19 |
| May 19, 2021 | - | $30,448 | -8% | -68% | 1,153 | $26 | $4,158,938 | 20 |
| May 20, 2021 | - | $32,588 | +7% | -50% | 1,153 | $28 | $4,191,526 | 21 |
| May 21, 2021 | - | $59,917 | +84% | -41% | 704 | $85 | $4,251,443 | 22 |
| May 22, 2021 | - | $88,822 | +48% | -38% | 704 | $126 | $4,340,265 | 23 |
| May 23, 2021 | - | $52,186 | -41% | -39% | 704 | $74 | $4,392,451 | 24 |
| May 24, 2021 | - | $22,017 | -58% | -20% | 704 | $31 | $4,414,468 | 25 |
| May 25, 2021 | - | $23,133 | +5% | -30% | 704 | $33 | $4,437,601 | 26 |
| May 26, 2021 | - | $23,746 | +3% | -22% | 704 | $34 | $4,461,347 | 27 |
| May 27, 2021 | - | $6,002 | -75% | -82% | 704 | $9 | $4,467,349 | 28 |
| May 28, 2021 | - | $6,594 | +10% | -89% | 704 | $9 | $4,473,943 | 29 |
| May 29, 2021 | - | $11,262 | +71% | -87% | 121 | $93 | $4,485,205 | 30 |
| May 30, 2021 | - | $11,011 | -2% | -79% | 121 | $91 | $4,496,216 | 31 |
| May 31, 2021 | - | $4,854 | -56% | -78% | 121 | $40 | $4,501,070 | 32 |
| Jun 1, 2021 | - | $2,665 | -45% | -88% | 121 | $22 | $4,503,735 | 33 |
| Jun 2, 2021 | - | $3,192 | +20% | -87% | 121 | $26 | $4,506,927 | 34 |
| Jun 3, 2021 | - | $2,216 | -31% | -63% | 121 | $18 | $4,509,143 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 30, 2021 | 4 | $2,303,873 | 1,751 | $1,316 | $2,303,873 | 1 | |
| May 7, 2021 | 6 | $1,432,590 | -38% | 1,911 | $750 | $3,736,463 | 2 |
| May 14, 2021 | 13 | $455,063 | -68% | 1,153 | $395 | $4,191,526 | 3 |
| May 21, 2021 | 12 | $275,823 | -39% | 704 | $392 | $4,467,349 | 4 |
| May 28, 2021 | 21 | $41,794 | -85% | 121 | $345 | $4,509,143 | 5 |
Leading
| Rupert Friend | Jeff |
Supporting
| Mamie Gummer | Maggie | |
| Madeline Brewer | Samantha Nally |
Leading
| Violet McGraw | Jenny |
Supporting
| Simon Quarterman | Alan Ross | |
| Brian Cox | Maggie’s Father |
Production and Technical Credits
| William Brent Bell | Director | |
| Nick Amadeus | Screenwriter | |
| Josh Braun | Screenwriter | |
| Jordan Yale Levine | Producer | |
| Jordan Beckerman | Producer | |
| Russ Posternak | Producer | |
| Jesse Korman | Producer | |
| Clay Pecorin | Producer | |
| William Brent Bell | Producer | |
| Jon Keeyes | Co-Producer | |
| Nick Amadeus | Executive Producer | |
| Josh Braun | Executive Producer | |
| Russell Geyser | Executive Producer | |
| Seth Posternak | Executive Producer | |
| Jane Oster Sinisi | Executive Producer | |
| Rupert Friend | Executive Producer | |
| James Masciello | Executive Producer | |
| Matthew Sidari | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Karl Walter Lindenlaub | Director of Photography | |
| Rik Zang | Director of Photography | |
| Ola Maslik | Production Designer | |
| Gina Ruiz | Costume Designer | |
| Brian Berdan | Editor | |
| Eric L. Beason | Editor | |
| Brett Detar | Composer | |
| Brandon Henry Rodriguez | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.