Serenity (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $8,547,045 | Details |
| International Box Office | $4,461,759 | Details |
| Worldwide Box Office | $13,008,804 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,156,778 | |
| Blu-ray Sales (estimated) | $630,030 | |
| Total | $1,786,808 | |
| OpusData ID: 321750100 More info... | ||
| Further financial details... | ||
Synopsis
Baker Dill is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen tracks him down with a desperate plea for help. She begs Dill to save her—and their young son— from her new, violent husband by taking him out to sea on a fishing excursion, only to throw him to the sharks and leave him for dead. Karen’s appearance thrusts Dill back into a life he’d tried to forget, and as he struggles between right and wrong, his world is plunged into a new reality that may not be all that it seems.
Metrics
| Opening Weekend: | $4,415,403 (51.7% of total gross) |
| Legs: | 1.94 (domestic box office/biggest weekend) |
| Domestic Share: | 65.7% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,561 opening theaters/2,561 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,159,685 |
Movie Details
| Domestic Releases: | January 25th, 2019 (Wide) by Aviron Pictures |
| International Releases: | January 24th, 2019 (Wide), released as МОРЕ СОБЛАЗНА (Russia (CIS))
January 25th, 2019 (Wide) (Netherlands) January 25th, 2019 (Wide), released as Serenidade (Portugal) January 25th, 2019 (Wide), released as Фатално затишие (Bulgaria) February 1st, 2019 (Wide), released as Ticho před bouří (Czech Republic) ... Show all releases |
| Video Release: | April 30th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for language throughout, sexual content, and some bloody images. (Rating bulletin 2544 (Cert #51662), 9/12/2018) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Famously Bad |
| Plot point: | Betrayal, Domestic Abuse, Fishing, On a Boat, Relationships Gone Wrong, Surprise Twist, The Past Catching up with You, Video Game |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Global Road Entertainment, Aviron Pictures, Starlings Entertainment, Nebulastar Films, Shoebox Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 8 | $4,415,403 | 2,561 | $1,724 | $4,415,403 | 1 | |
| Feb 1, 2019 | 14 | $1,702,512 | -61% | 2,561 | $665 | $7,538,543 | 2 |
| Feb 8, 2019 | 33 | $121,025 | -93% | 283 | $428 | $8,442,639 | 3 |
| Feb 15, 2019 | 52 | $22,146 | -82% | 63 | $352 | $8,509,668 | 4 |
| Feb 22, 2019 | 57 | $8,170 | -63% | 22 | $371 | $8,530,257 | 5 |
| Mar 1, 2019 | 70 | $5,019 | -39% | 15 | $335 | $8,540,680 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 5 | $1,595,951 | 2,561 | $623 | $1,595,951 | 1 | ||
| Jan 26, 2019 | 9 | $1,764,605 | +11% | 2,561 | $689 | $3,360,556 | 2 | |
| Jan 27, 2019 | 9 | $1,054,847 | -40% | 2,561 | $412 | $4,415,403 | 3 | |
| Jan 28, 2019 | 8 | $305,024 | -71% | 2,561 | $119 | $4,720,427 | 4 | |
| Jan 29, 2019 | 7 | $514,644 | +69% | 2,561 | $201 | $5,235,071 | 5 | |
| Jan 30, 2019 | 9 | $309,211 | -40% | 2,561 | $121 | $5,544,282 | 6 | |
| Jan 31, 2019 | 9 | $291,749 | -6% | 2,561 | $114 | $5,836,031 | 7 | |
| Feb 1, 2019 | 11 | $567,972 | +95% | -64% | 2,561 | $222 | $6,404,003 | 8 |
| Feb 2, 2019 | 14 | $832,660 | +47% | -53% | 2,561 | $325 | $7,236,663 | 9 |
| Feb 3, 2019 | 15 | $301,880 | -64% | -71% | 2,561 | $118 | $7,538,543 | 10 |
| Feb 4, 2019 | 12 | $180,430 | -40% | -41% | 2,561 | $70 | $7,718,973 | 11 |
| Feb 5, 2019 | 11 | $297,722 | +65% | -42% | 2,561 | $116 | $8,016,695 | 12 |
| Feb 6, 2019 | 13 | $184,711 | -38% | -40% | 2,561 | $72 | $8,201,406 | 13 |
| Feb 7, 2019 | 14 | $120,208 | -35% | -59% | 2,561 | $47 | $8,321,614 | 14 |
| Feb 8, 2019 | - | $34,960 | -71% | -94% | 283 | $124 | $8,356,574 | 15 |
| Feb 9, 2019 | - | $56,806 | +62% | -93% | 283 | $201 | $8,413,380 | 16 |
| Feb 10, 2019 | - | $29,259 | -48% | -90% | 283 | $103 | $8,442,639 | 17 |
| Feb 11, 2019 | - | $14,321 | -51% | -92% | 283 | $51 | $8,456,960 | 18 |
| Feb 12, 2019 | - | $19,076 | +33% | -94% | 283 | $67 | $8,476,036 | 19 |
| Feb 13, 2019 | - | $5,789 | -70% | -97% | 283 | $20 | $8,481,825 | 20 |
| Feb 14, 2019 | - | $5,697 | -2% | -95% | 283 | $20 | $8,487,522 | 21 |
| Feb 15, 2019 | - | $5,610 | -2% | -84% | 63 | $89 | $8,493,132 | 22 |
| Feb 16, 2019 | - | $9,737 | +74% | -83% | 63 | $155 | $8,502,869 | 23 |
| Feb 17, 2019 | - | $6,799 | -30% | -77% | 63 | $108 | $8,509,668 | 24 |
| Feb 18, 2019 | - | $3,121 | -54% | -78% | 63 | $50 | $8,512,789 | 25 |
| Feb 19, 2019 | - | $3,743 | +20% | -80% | 63 | $59 | $8,516,532 | 26 |
| Feb 20, 2019 | - | $2,525 | -33% | -56% | 63 | $40 | $8,519,057 | 27 |
| Feb 21, 2019 | - | $3,030 | +20% | -47% | 63 | $48 | $8,522,087 | 28 |
| Feb 22, 2019 | - | $2,327 | -23% | -59% | 22 | $106 | $8,524,414 | 29 |
| Feb 23, 2019 | - | $3,920 | +68% | -60% | 22 | $178 | $8,528,334 | 30 |
| Feb 24, 2019 | - | $1,923 | -51% | -72% | 22 | $87 | $8,530,257 | 31 |
| Feb 25, 2019 | - | $851 | -56% | -73% | 22 | $39 | $8,531,108 | 32 |
| Feb 26, 2019 | - | $2,018 | +137% | -46% | 22 | $92 | $8,533,126 | 33 |
| Feb 27, 2019 | - | $1,328 | -34% | -47% | 22 | $60 | $8,534,454 | 34 |
| Feb 28, 2019 | - | $1,207 | -9% | -60% | 22 | $55 | $8,535,661 | 35 |
| Mar 1, 2019 | - | $1,454 | +20% | -38% | 15 | $97 | $8,537,115 | 36 |
| Mar 2, 2019 | - | $2,103 | +45% | -46% | 15 | $140 | $8,539,218 | 37 |
| Mar 3, 2019 | - | $1,462 | -30% | -24% | 15 | $97 | $8,540,680 | 38 |
| Mar 4, 2019 | - | $492 | -66% | -42% | 15 | $33 | $8,541,172 | 39 |
| Mar 5, 2019 | - | $995 | +102% | -51% | 15 | $66 | $8,542,167 | 40 |
| Mar 6, 2019 | - | $790 | -21% | -41% | 15 | $53 | $8,542,957 | 41 |
| Mar 7, 2019 | - | $485 | -39% | -60% | 15 | $32 | $8,547,045 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 8 | $5,836,031 | 2,561 | $2,279 | $5,836,031 | 1 | |
| Feb 1, 2019 | 14 | $2,485,583 | -57% | 2,561 | $971 | $8,321,614 | 2 |
| Feb 8, 2019 | 38 | $165,908 | -93% | 283 | $586 | $8,487,522 | 3 |
| Feb 15, 2019 | 55 | $34,565 | -79% | 63 | $549 | $8,522,087 | 4 |
| Feb 22, 2019 | 57 | $13,574 | -61% | 22 | $617 | $8,535,661 | 5 |
| Mar 1, 2019 | 67 | $11,384 | -16% | 15 | $759 | $8,547,045 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/1/2019 | $35,719 | 72 | 72 | 72 | $70,010 | 3/30/2019 | |||
| Bulgaria | 1/25/2019 | $53,657 | 0 | 0 | 0 | $182,234 | 3/12/2019 | |||
| China | 12/20/2019 | $67,209 | 0 | 0 | 0 | $67,209 | 12/28/2019 | |||
| Czech Republic | 2/1/2019 | $38,316 | 71 | 71 | 108 | $59,943 | 2/12/2019 | |||
| Italy | 7/18/2019 | $436,157 | 0 | 2 | 2 | $1,514,327 | 10/19/2022 | |||
| Lithuania | 2/1/2019 | $23,529 | 83 | 83 | 123 | $54,646 | 2/26/2019 | |||
| Mexico | 3/1/2019 | $517,485 | 0 | 0 | 0 | $973,765 | 3/11/2019 | |||
| Netherlands | 1/25/2019 | $93,201 | 54 | 54 | 177 | $260,862 | 3/9/2019 | |||
| Portugal | 1/25/2019 | $72,996 | 47 | 47 | 104 | $141,077 | 2/21/2019 | |||
| Russia (CIS) | 1/24/2019 | $555,642 | 642 | 642 | 1,486 | $981,053 | 3/9/2019 | |||
| Slovakia | 2/1/2019 | $50,723 | 71 | 71 | 109 | $96,394 | 2/20/2019 | |||
| Spain | 7/12/2019 | $60,422 | 69 | 69 | 138 | $60,239 | 7/25/2019 | |||
| International Total | $4,461,759 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthew McConaughey | Baker Dill | |
| Anne Hathaway | Karen Zariakas |
Supporting
| Jason Clarke | Frank Zariakas | |
| Diane Lane | Constance | |
| Djimon Hounsou | Duke | |
| Jeremy Strong | Reid Miller | |
| Rafael Sayegh | Patrick Dill | |
| Garion Dowds | Samson | |
| Kenneth Fok | Lionel | |
| Robert Hobbs | Ape | |
| Edeen Bhugeloo | Mike | |
| Vinaya Sungkur | Consuella | |
| Guillaume Silavant | Man at the Bar |
Production and Technical Credits
| Steven Knight | Director | |
| Steven Knight | Screenwriter | |
| Greg Shapiro | Producer | |
| Guy Heeley | Producer | |
| Steven Knight | Producer | |
| Stuart Ford | Executive Producer | |
| Deborah Zipser | Executive Producer | |
| Karine Martin | Executive Producer | |
| David Lipman | Executive Producer | |
| Jeffrey Stentz | Executive Producer | |
| Carsten Lorenz | Executive Producer | |
| Paul Webster | Executive Producer | |
| David Dinerstein | Executive Producer | |
| Jason Resnick | Executive Producer | |
| William Sadler | Executive Producer | |
| Andreas Habermeyer | Co-Producer | |
| Jess Hall | Director of Photography | |
| Andrew McAlpine | Production Designer | |
| Laura Jennings | Editor | |
| Danny Glicker | Costume Designer | |
| Benjamin Wallfisch | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Baker Dill is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen tracks him down with a desperate plea for help. She begs Dill to save her—and their young son— from her new, violent husband by taking him out to sea on a fishing excursion, only to throw him to the sharks and leave him for dead. Karen’s appearance thrusts Dill back into a life he’d tried to forget, and as he struggles between right and wrong, his world is plunged into a new reality that may not be all that it seems.
Metrics
| Opening Weekend: | $4,415,403 (51.7% of total gross) |
| Legs: | 1.94 (domestic box office/biggest weekend) |
| Domestic Share: | 65.7% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,561 opening theaters/2,561 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,159,685 |
Movie Details
| Domestic Releases: | January 25th, 2019 (Wide) by Aviron Pictures |
| International Releases: | January 24th, 2019 (Wide), released as МОРЕ СОБЛАЗНА (Russia (CIS))
January 25th, 2019 (Wide) (Netherlands) January 25th, 2019 (Wide), released as Serenidade (Portugal) January 25th, 2019 (Wide), released as Фатално затишие (Bulgaria) February 1st, 2019 (Wide), released as Ticho před bouří (Czech Republic) ... Show all releases |
| Video Release: | April 30th, 2019 by Universal Home Entertainment |
| MPA Rating: | R for language throughout, sexual content, and some bloody images. (Rating bulletin 2544 (Cert #51662), 9/12/2018) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | Famously Bad |
| Plot point: | Betrayal, Domestic Abuse, Fishing, On a Boat, Relationships Gone Wrong, Surprise Twist, The Past Catching up with You, Video Game |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Global Road Entertainment, Aviron Pictures, Starlings Entertainment, Nebulastar Films, Shoebox Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 8 | $4,415,403 | 2,561 | $1,724 | $4,415,403 | 1 | |
| Feb 1, 2019 | 14 | $1,702,512 | -61% | 2,561 | $665 | $7,538,543 | 2 |
| Feb 8, 2019 | 33 | $121,025 | -93% | 283 | $428 | $8,442,639 | 3 |
| Feb 15, 2019 | 52 | $22,146 | -82% | 63 | $352 | $8,509,668 | 4 |
| Feb 22, 2019 | 57 | $8,170 | -63% | 22 | $371 | $8,530,257 | 5 |
| Mar 1, 2019 | 70 | $5,019 | -39% | 15 | $335 | $8,540,680 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 5 | $1,595,951 | 2,561 | $623 | $1,595,951 | 1 | ||
| Jan 26, 2019 | 9 | $1,764,605 | +11% | 2,561 | $689 | $3,360,556 | 2 | |
| Jan 27, 2019 | 9 | $1,054,847 | -40% | 2,561 | $412 | $4,415,403 | 3 | |
| Jan 28, 2019 | 8 | $305,024 | -71% | 2,561 | $119 | $4,720,427 | 4 | |
| Jan 29, 2019 | 7 | $514,644 | +69% | 2,561 | $201 | $5,235,071 | 5 | |
| Jan 30, 2019 | 9 | $309,211 | -40% | 2,561 | $121 | $5,544,282 | 6 | |
| Jan 31, 2019 | 9 | $291,749 | -6% | 2,561 | $114 | $5,836,031 | 7 | |
| Feb 1, 2019 | 11 | $567,972 | +95% | -64% | 2,561 | $222 | $6,404,003 | 8 |
| Feb 2, 2019 | 14 | $832,660 | +47% | -53% | 2,561 | $325 | $7,236,663 | 9 |
| Feb 3, 2019 | 15 | $301,880 | -64% | -71% | 2,561 | $118 | $7,538,543 | 10 |
| Feb 4, 2019 | 12 | $180,430 | -40% | -41% | 2,561 | $70 | $7,718,973 | 11 |
| Feb 5, 2019 | 11 | $297,722 | +65% | -42% | 2,561 | $116 | $8,016,695 | 12 |
| Feb 6, 2019 | 13 | $184,711 | -38% | -40% | 2,561 | $72 | $8,201,406 | 13 |
| Feb 7, 2019 | 14 | $120,208 | -35% | -59% | 2,561 | $47 | $8,321,614 | 14 |
| Feb 8, 2019 | - | $34,960 | -71% | -94% | 283 | $124 | $8,356,574 | 15 |
| Feb 9, 2019 | - | $56,806 | +62% | -93% | 283 | $201 | $8,413,380 | 16 |
| Feb 10, 2019 | - | $29,259 | -48% | -90% | 283 | $103 | $8,442,639 | 17 |
| Feb 11, 2019 | - | $14,321 | -51% | -92% | 283 | $51 | $8,456,960 | 18 |
| Feb 12, 2019 | - | $19,076 | +33% | -94% | 283 | $67 | $8,476,036 | 19 |
| Feb 13, 2019 | - | $5,789 | -70% | -97% | 283 | $20 | $8,481,825 | 20 |
| Feb 14, 2019 | - | $5,697 | -2% | -95% | 283 | $20 | $8,487,522 | 21 |
| Feb 15, 2019 | - | $5,610 | -2% | -84% | 63 | $89 | $8,493,132 | 22 |
| Feb 16, 2019 | - | $9,737 | +74% | -83% | 63 | $155 | $8,502,869 | 23 |
| Feb 17, 2019 | - | $6,799 | -30% | -77% | 63 | $108 | $8,509,668 | 24 |
| Feb 18, 2019 | - | $3,121 | -54% | -78% | 63 | $50 | $8,512,789 | 25 |
| Feb 19, 2019 | - | $3,743 | +20% | -80% | 63 | $59 | $8,516,532 | 26 |
| Feb 20, 2019 | - | $2,525 | -33% | -56% | 63 | $40 | $8,519,057 | 27 |
| Feb 21, 2019 | - | $3,030 | +20% | -47% | 63 | $48 | $8,522,087 | 28 |
| Feb 22, 2019 | - | $2,327 | -23% | -59% | 22 | $106 | $8,524,414 | 29 |
| Feb 23, 2019 | - | $3,920 | +68% | -60% | 22 | $178 | $8,528,334 | 30 |
| Feb 24, 2019 | - | $1,923 | -51% | -72% | 22 | $87 | $8,530,257 | 31 |
| Feb 25, 2019 | - | $851 | -56% | -73% | 22 | $39 | $8,531,108 | 32 |
| Feb 26, 2019 | - | $2,018 | +137% | -46% | 22 | $92 | $8,533,126 | 33 |
| Feb 27, 2019 | - | $1,328 | -34% | -47% | 22 | $60 | $8,534,454 | 34 |
| Feb 28, 2019 | - | $1,207 | -9% | -60% | 22 | $55 | $8,535,661 | 35 |
| Mar 1, 2019 | - | $1,454 | +20% | -38% | 15 | $97 | $8,537,115 | 36 |
| Mar 2, 2019 | - | $2,103 | +45% | -46% | 15 | $140 | $8,539,218 | 37 |
| Mar 3, 2019 | - | $1,462 | -30% | -24% | 15 | $97 | $8,540,680 | 38 |
| Mar 4, 2019 | - | $492 | -66% | -42% | 15 | $33 | $8,541,172 | 39 |
| Mar 5, 2019 | - | $995 | +102% | -51% | 15 | $66 | $8,542,167 | 40 |
| Mar 6, 2019 | - | $790 | -21% | -41% | 15 | $53 | $8,542,957 | 41 |
| Mar 7, 2019 | - | $485 | -39% | -60% | 15 | $32 | $8,547,045 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2019 | 8 | $5,836,031 | 2,561 | $2,279 | $5,836,031 | 1 | |
| Feb 1, 2019 | 14 | $2,485,583 | -57% | 2,561 | $971 | $8,321,614 | 2 |
| Feb 8, 2019 | 38 | $165,908 | -93% | 283 | $586 | $8,487,522 | 3 |
| Feb 15, 2019 | 55 | $34,565 | -79% | 63 | $549 | $8,522,087 | 4 |
| Feb 22, 2019 | 57 | $13,574 | -61% | 22 | $617 | $8,535,661 | 5 |
| Mar 1, 2019 | 67 | $11,384 | -16% | 15 | $759 | $8,547,045 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/1/2019 | $35,719 | 72 | 72 | 72 | $70,010 | 3/30/2019 | |||
| Bulgaria | 1/25/2019 | $53,657 | 0 | 0 | 0 | $182,234 | 3/12/2019 | |||
| China | 12/20/2019 | $67,209 | 0 | 0 | 0 | $67,209 | 12/28/2019 | |||
| Czech Republic | 2/1/2019 | $38,316 | 71 | 71 | 108 | $59,943 | 2/12/2019 | |||
| Italy | 7/18/2019 | $436,157 | 0 | 2 | 2 | $1,514,327 | 10/19/2022 | |||
| Lithuania | 2/1/2019 | $23,529 | 83 | 83 | 123 | $54,646 | 2/26/2019 | |||
| Mexico | 3/1/2019 | $517,485 | 0 | 0 | 0 | $973,765 | 3/11/2019 | |||
| Netherlands | 1/25/2019 | $93,201 | 54 | 54 | 177 | $260,862 | 3/9/2019 | |||
| Portugal | 1/25/2019 | $72,996 | 47 | 47 | 104 | $141,077 | 2/21/2019 | |||
| Russia (CIS) | 1/24/2019 | $555,642 | 642 | 642 | 1,486 | $981,053 | 3/9/2019 | |||
| Slovakia | 2/1/2019 | $50,723 | 71 | 71 | 109 | $96,394 | 2/20/2019 | |||
| Spain | 7/12/2019 | $60,422 | 69 | 69 | 138 | $60,239 | 7/25/2019 | |||
| International Total | $4,461,759 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthew McConaughey | Baker Dill | |
| Anne Hathaway | Karen Zariakas |
Supporting
| Jason Clarke | Frank Zariakas | |
| Diane Lane | Constance | |
| Djimon Hounsou | Duke | |
| Jeremy Strong | Reid Miller | |
| Rafael Sayegh | Patrick Dill | |
| Garion Dowds | Samson | |
| Kenneth Fok | Lionel | |
| Robert Hobbs | Ape | |
| Edeen Bhugeloo | Mike | |
| Vinaya Sungkur | Consuella | |
| Guillaume Silavant | Man at the Bar |
Production and Technical Credits
| Steven Knight | Director | |
| Steven Knight | Screenwriter | |
| Greg Shapiro | Producer | |
| Guy Heeley | Producer | |
| Steven Knight | Producer | |
| Stuart Ford | Executive Producer | |
| Deborah Zipser | Executive Producer | |
| Karine Martin | Executive Producer | |
| David Lipman | Executive Producer | |
| Jeffrey Stentz | Executive Producer | |
| Carsten Lorenz | Executive Producer | |
| Paul Webster | Executive Producer | |
| David Dinerstein | Executive Producer | |
| Jason Resnick | Executive Producer | |
| William Sadler | Executive Producer | |
| Andreas Habermeyer | Co-Producer | |
| Jess Hall | Director of Photography | |
| Andrew McAlpine | Production Designer | |
| Laura Jennings | Editor | |
| Danny Glicker | Costume Designer | |
| Benjamin Wallfisch | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.