For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
July 20th, 2008
Kung Fu Panda grew to its biggest yet pulling in $45.32 million on 6314 screens in 49 markets for a total of $221.64 million. This includes openings in France where it placed second with $8.64 million on 743 screens for the full week and in Spain where it topped the charts with $6.29 million on 581 screens. The film's best holdover was The U.K. where it slipped a spot to third with $5.55 million on 456 screens for a two-week total of $21.57 million. It also held well in Germany adding $4.54 million on 838 screens for a two-week total of $11.14 million while it now has $20.38 million in Australia, including $3.17 million on 361 screens during this past weekend. Meanwhile, the film has yet to open in Italy or Japan, as well as a few other smaller markets, and should have no trouble reaching $300 million before long.
July 13th, 2008
Kung Fu Panda saw its weekend numbers climb by close to 70%, and its weekend haul of $40.16 million on 5325 screens in 40 markets was the best of its run so far. A run that has brought in $154.13 million so far. However, it still remained in second place thanks to the opening of Hancock. The film had a pair of second place openings including the U.K. where it made $8.63 million on 446 screens over the weekend for a total of $11.96 million. Meanwhile in Germany it was not as strong with $4.48 million on 831 screens, but it still managed second place. The film also slipped to second place in Australia, but it held well down just 24% to $3.83 million on 363 screens over the weekend for a total of $13.63 million.
July 6th, 2008
Sex and the City fell more than 40% this past weekend, but still eared $12.94 million on 5991 screens in 53 markets over the weekend for a total of $198.97 million after a month of release. The film had no major, or even midlevel openings, in fact, it's only market of note where it hasn't opened in yet is Japan, where it does make its nationwide debut at the end of August. However, it still did well in a number of markets cracking $1 million in Australia ($1.58 million on 365 screens), Russia ($1.50 million on 496), U.K. ($1.18 million on 388), and Spain ($1.08 million on 359). In fact, in the U.K. the film has earned $49.24 million after a month of release, which is even better than it managed domestically, if you take into account the relative size of the two markets.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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