Shadow in the Cloud (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $156,932 | Details |
| International Box Office | $903,806 | Details |
| Worldwide Box Office | $1,060,738 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $981,155 | |
| Blu-ray Sales (estimated) | $816,304 | |
| Total | $1,797,459 | |
| OpusData ID: 474260100 More info... | ||
| Further financial details... | ||
Synopsis
In the throes of World War II, on a rainy morning in Auckland, a group of Allied soldiers prepare to take to the air in a B-17 Flying Fortress. The all-male crew is caught off guard by Captain Maude Garrett boarding their plane carrying a top-secret package. The presence of a woman on a military flight is unusual enough to arouse their suspicion. Just as Maude’s quick wit and military knowledge is winning over the leery crew, strange happenings and holes in her backstory lead to paranoia surrounding her true mission. But this crew isn’t alone in the sky… lurking in the shadows, something with sharp teeth and a taste for chaos is tearing at the heart of the vessel. Crushed between an oncoming Japanese ambush and an evil lurking within, Maude must push her limits to save the hapless crew and to protect her mysterious cargo.
Metrics
| Opening Weekend: | $39,117 (24.9% of total gross) |
| Legs: | 2.61 (domestic box office/biggest weekend) |
| Domestic Share: | 14.8% (domestic box office/worldwide) |
| Theater counts: | 70 opening theaters/107 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $186,749 |
Movie Details
| Domestic Releases: | January 1st, 2021 (Limited) by Vertical Entertainment |
| International Releases: | January 14th, 2021 (Limited) (Australia)
February 4th, 2021 (Wide) (New Zealand) February 26th, 2021 (Wide) (Russia (CIS)) April 22nd, 2021 (Wide) (South Korea) November 4th, 2021 (Wide), released as O Passageiro Oculto (Portugal) ... Show all releases |
| Video Release: | December 15th, 2020 by Vertical Entertainment |
| MPA Rating: | R for language throughout, sexual references and violence. (Rating bulletin 2647 (#52760), 9/16/2020) |
| Running Time: | 83 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Plot point: | War |
| Social setting: | In a Plane, Supernatural, World War II |
| Subgenre: | Action Horror |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Four Knights, Automatik, Endeavor Content, Rhea Films, Vertical Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $39,117 | 70 | $559 | $39,117 | 1 | |
| Jan 8, 2021 | - | $60,203 | +54% | 107 | $563 | $112,069 | 2 |
| Jan 15, 2021 | - | $10,140 | -83% | 68 | $149 | $145,173 | 3 |
| Jan 22, 2021 | - | $3,061 | -70% | 22 | $139 | $154,887 | 4 |
| Jan 29, 2021 | - | $531 | -83% | 6 | $89 | $156,835 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $16,681 | 70 | $238 | $16,681 | 1 | ||
| Jan 2, 2021 | - | $14,250 | -15% | 70 | $204 | $30,931 | 2 | |
| Jan 3, 2021 | - | $8,186 | -43% | 70 | $117 | $39,117 | 3 | |
| Jan 4, 2021 | - | $3,445 | -58% | 70 | $49 | $42,562 | 4 | |
| Jan 5, 2021 | - | $3,067 | -11% | 70 | $44 | $45,629 | 5 | |
| Jan 6, 2021 | - | $2,675 | -13% | 70 | $38 | $48,304 | 6 | |
| Jan 7, 2021 | - | $3,562 | +33% | 70 | $51 | $51,866 | 7 | |
| Jan 8, 2021 | - | $18,601 | +422% | +12% | 107 | $174 | $70,467 | 8 |
| Jan 9, 2021 | - | $27,464 | +48% | +93% | 107 | $257 | $97,931 | 9 |
| Jan 10, 2021 | - | $14,138 | -49% | +73% | 107 | $132 | $112,069 | 10 |
| Jan 11, 2021 | - | $5,878 | -58% | +71% | 107 | $55 | $117,947 | 11 |
| Jan 12, 2021 | - | $5,956 | +1% | +94% | 107 | $56 | $123,903 | 12 |
| Jan 13, 2021 | - | $6,842 | +15% | +156% | 107 | $64 | $130,745 | 13 |
| Jan 14, 2021 | - | $4,288 | -37% | +20% | 107 | $40 | $135,033 | 14 |
| Jan 15, 2021 | - | $3,072 | -28% | -83% | 68 | $45 | $138,105 | 15 |
| Jan 16, 2021 | - | $3,826 | +25% | -86% | 68 | $56 | $141,931 | 16 |
| Jan 17, 2021 | - | $3,242 | -15% | -77% | 68 | $48 | $145,173 | 17 |
| Jan 18, 2021 | - | $1,926 | -41% | -67% | 68 | $28 | $147,099 | 18 |
| Jan 19, 2021 | - | $1,697 | -12% | -72% | 68 | $25 | $148,796 | 19 |
| Jan 20, 2021 | - | $1,627 | -4% | -76% | 68 | $24 | $150,423 | 20 |
| Jan 21, 2021 | - | $1,403 | -14% | -67% | 107 | $13 | $151,826 | 21 |
| Jan 22, 2021 | - | $784 | -44% | -74% | 22 | $36 | $152,610 | 22 |
| Jan 23, 2021 | - | $1,405 | +79% | -63% | 22 | $64 | $154,015 | 23 |
| Jan 24, 2021 | - | $872 | -38% | -73% | 22 | $40 | $154,887 | 24 |
| Jan 25, 2021 | - | $422 | -52% | -78% | 22 | $19 | $155,309 | 25 |
| Jan 26, 2021 | - | $378 | -10% | -78% | 22 | $17 | $155,687 | 26 |
| Jan 27, 2021 | - | $364 | -4% | -78% | 22 | $17 | $156,051 | 27 |
| Jan 28, 2021 | - | $253 | -30% | -82% | 22 | $12 | $156,304 | 28 |
| Jan 29, 2021 | - | $179 | -29% | -77% | 6 | $30 | $156,483 | 29 |
| Jan 30, 2021 | - | $238 | +33% | -83% | 6 | $40 | $156,721 | 30 |
| Jan 31, 2021 | - | $114 | -52% | -87% | 6 | $19 | $156,835 | 31 |
| Feb 2, 2021 | - | $24 | -94% | 6 | $4 | $156,859 | 33 | |
| Feb 3, 2021 | - | $48 | +100% | -87% | 6 | $8 | $156,907 | 34 |
| Feb 4, 2021 | - | $25 | -48% | -90% | 6 | $4 | $156,932 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $51,866 | 70 | $741 | $51,866 | 1 | |
| Jan 8, 2021 | - | $83,167 | +60% | 107 | $777 | $135,033 | 2 |
| Jan 15, 2021 | - | $16,793 | -80% | 107 | $157 | $151,826 | 3 |
| Jan 22, 2021 | - | $4,478 | -73% | 22 | $204 | $156,304 | 4 |
| Jan 29, 2021 | - | $628 | -86% | 6 | $105 | $156,932 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/14/2021 | $238,624 | 241 | 241 | 629 | $535,589 | 10/19/2022 | |||
| New Zealand | 2/4/2021 | $69,127 | 78 | 79 | 320 | $185,863 | 3/31/2021 | |||
| Portugal | 11/4/2021 | $213 | 3 | 3 | 5 | $423 | 10/20/2022 | |||
| Russia (CIS) | 2/26/2021 | $48,627 | 453 | 746 | 1,199 | $127,026 | 4/4/2026 | |||
| South Korea | 4/22/2021 | $4,938 | 70 | 70 | 70 | $7,072 | 4/28/2021 | |||
| Turkey | 7/29/2022 | $966 | 29 | 29 | 58 | $24,473 | 8/11/2022 | |||
| Rest of World | $23,360 | |||||||||
| International Total | $903,806 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chloë Grace Moretz | Maude Garrett |
Supporting
| Nick Robinson | Stu Beckell | |
| Callan Mulvey | John Reeves | |
| Taylor John Smith | Walter Quaid | |
| Beulah Koale | Anton Williams | |
| Benedict Wall | Tommy Dorn | |
| Byron Coll | Terrence Taggart | |
| Joe Witkowski | Bradley Finch | |
| Liam Legge | Baby |
Production and Technical Credits
| Roseanne Liang | Director | |
| Roseanne Liang | Screenwriter | |
| Max Landis | Screenwriter | |
| Fred Berger | Producer | |
| Tom Hern | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Kelly McCormick | Producer | |
| Sandra Yee Ling | Executive Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Terry Douglas | Executive Producer | |
| Tom Eagle | Editor | |
| Gary Mackay | Production Designer | |
| Mahuia Bridgman-Cooper | Composer | |
| Matt Jantzen | Composer | |
| Chelsea Ellis Bloch | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the throes of World War II, on a rainy morning in Auckland, a group of Allied soldiers prepare to take to the air in a B-17 Flying Fortress. The all-male crew is caught off guard by Captain Maude Garrett boarding their plane carrying a top-secret package. The presence of a woman on a military flight is unusual enough to arouse their suspicion. Just as Maude’s quick wit and military knowledge is winning over the leery crew, strange happenings and holes in her backstory lead to paranoia surrounding her true mission. But this crew isn’t alone in the sky… lurking in the shadows, something with sharp teeth and a taste for chaos is tearing at the heart of the vessel. Crushed between an oncoming Japanese ambush and an evil lurking within, Maude must push her limits to save the hapless crew and to protect her mysterious cargo.
Metrics
| Opening Weekend: | $39,117 (24.9% of total gross) |
| Legs: | 2.61 (domestic box office/biggest weekend) |
| Domestic Share: | 14.8% (domestic box office/worldwide) |
| Theater counts: | 70 opening theaters/107 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $186,749 |
Movie Details
| Domestic Releases: | January 1st, 2021 (Limited) by Vertical Entertainment |
| International Releases: | January 14th, 2021 (Limited) (Australia)
February 4th, 2021 (Wide) (New Zealand) February 26th, 2021 (Wide) (Russia (CIS)) April 22nd, 2021 (Wide) (South Korea) November 4th, 2021 (Wide), released as O Passageiro Oculto (Portugal) ... Show all releases |
| Video Release: | December 15th, 2020 by Vertical Entertainment |
| MPA Rating: | R for language throughout, sexual references and violence. (Rating bulletin 2647 (#52760), 9/16/2020) |
| Running Time: | 83 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Plot point: | War |
| Social setting: | In a Plane, Supernatural, World War II |
| Subgenre: | Action Horror |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Four Knights, Automatik, Endeavor Content, Rhea Films, Vertical Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $39,117 | 70 | $559 | $39,117 | 1 | |
| Jan 8, 2021 | - | $60,203 | +54% | 107 | $563 | $112,069 | 2 |
| Jan 15, 2021 | - | $10,140 | -83% | 68 | $149 | $145,173 | 3 |
| Jan 22, 2021 | - | $3,061 | -70% | 22 | $139 | $154,887 | 4 |
| Jan 29, 2021 | - | $531 | -83% | 6 | $89 | $156,835 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $16,681 | 70 | $238 | $16,681 | 1 | ||
| Jan 2, 2021 | - | $14,250 | -15% | 70 | $204 | $30,931 | 2 | |
| Jan 3, 2021 | - | $8,186 | -43% | 70 | $117 | $39,117 | 3 | |
| Jan 4, 2021 | - | $3,445 | -58% | 70 | $49 | $42,562 | 4 | |
| Jan 5, 2021 | - | $3,067 | -11% | 70 | $44 | $45,629 | 5 | |
| Jan 6, 2021 | - | $2,675 | -13% | 70 | $38 | $48,304 | 6 | |
| Jan 7, 2021 | - | $3,562 | +33% | 70 | $51 | $51,866 | 7 | |
| Jan 8, 2021 | - | $18,601 | +422% | +12% | 107 | $174 | $70,467 | 8 |
| Jan 9, 2021 | - | $27,464 | +48% | +93% | 107 | $257 | $97,931 | 9 |
| Jan 10, 2021 | - | $14,138 | -49% | +73% | 107 | $132 | $112,069 | 10 |
| Jan 11, 2021 | - | $5,878 | -58% | +71% | 107 | $55 | $117,947 | 11 |
| Jan 12, 2021 | - | $5,956 | +1% | +94% | 107 | $56 | $123,903 | 12 |
| Jan 13, 2021 | - | $6,842 | +15% | +156% | 107 | $64 | $130,745 | 13 |
| Jan 14, 2021 | - | $4,288 | -37% | +20% | 107 | $40 | $135,033 | 14 |
| Jan 15, 2021 | - | $3,072 | -28% | -83% | 68 | $45 | $138,105 | 15 |
| Jan 16, 2021 | - | $3,826 | +25% | -86% | 68 | $56 | $141,931 | 16 |
| Jan 17, 2021 | - | $3,242 | -15% | -77% | 68 | $48 | $145,173 | 17 |
| Jan 18, 2021 | - | $1,926 | -41% | -67% | 68 | $28 | $147,099 | 18 |
| Jan 19, 2021 | - | $1,697 | -12% | -72% | 68 | $25 | $148,796 | 19 |
| Jan 20, 2021 | - | $1,627 | -4% | -76% | 68 | $24 | $150,423 | 20 |
| Jan 21, 2021 | - | $1,403 | -14% | -67% | 107 | $13 | $151,826 | 21 |
| Jan 22, 2021 | - | $784 | -44% | -74% | 22 | $36 | $152,610 | 22 |
| Jan 23, 2021 | - | $1,405 | +79% | -63% | 22 | $64 | $154,015 | 23 |
| Jan 24, 2021 | - | $872 | -38% | -73% | 22 | $40 | $154,887 | 24 |
| Jan 25, 2021 | - | $422 | -52% | -78% | 22 | $19 | $155,309 | 25 |
| Jan 26, 2021 | - | $378 | -10% | -78% | 22 | $17 | $155,687 | 26 |
| Jan 27, 2021 | - | $364 | -4% | -78% | 22 | $17 | $156,051 | 27 |
| Jan 28, 2021 | - | $253 | -30% | -82% | 22 | $12 | $156,304 | 28 |
| Jan 29, 2021 | - | $179 | -29% | -77% | 6 | $30 | $156,483 | 29 |
| Jan 30, 2021 | - | $238 | +33% | -83% | 6 | $40 | $156,721 | 30 |
| Jan 31, 2021 | - | $114 | -52% | -87% | 6 | $19 | $156,835 | 31 |
| Feb 2, 2021 | - | $24 | -94% | 6 | $4 | $156,859 | 33 | |
| Feb 3, 2021 | - | $48 | +100% | -87% | 6 | $8 | $156,907 | 34 |
| Feb 4, 2021 | - | $25 | -48% | -90% | 6 | $4 | $156,932 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $51,866 | 70 | $741 | $51,866 | 1 | |
| Jan 8, 2021 | - | $83,167 | +60% | 107 | $777 | $135,033 | 2 |
| Jan 15, 2021 | - | $16,793 | -80% | 107 | $157 | $151,826 | 3 |
| Jan 22, 2021 | - | $4,478 | -73% | 22 | $204 | $156,304 | 4 |
| Jan 29, 2021 | - | $628 | -86% | 6 | $105 | $156,932 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/14/2021 | $238,624 | 241 | 241 | 629 | $535,589 | 10/19/2022 | |||
| New Zealand | 2/4/2021 | $69,127 | 78 | 79 | 320 | $185,863 | 3/31/2021 | |||
| Portugal | 11/4/2021 | $213 | 3 | 3 | 5 | $423 | 10/20/2022 | |||
| Russia (CIS) | 2/26/2021 | $48,627 | 453 | 746 | 1,199 | $127,026 | 4/4/2026 | |||
| South Korea | 4/22/2021 | $4,938 | 70 | 70 | 70 | $7,072 | 4/28/2021 | |||
| Turkey | 7/29/2022 | $966 | 29 | 29 | 58 | $24,473 | 8/11/2022 | |||
| Rest of World | $23,360 | |||||||||
| International Total | $903,806 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chloë Grace Moretz | Maude Garrett |
Supporting
| Nick Robinson | Stu Beckell | |
| Callan Mulvey | John Reeves | |
| Taylor John Smith | Walter Quaid | |
| Beulah Koale | Anton Williams | |
| Benedict Wall | Tommy Dorn | |
| Byron Coll | Terrence Taggart | |
| Joe Witkowski | Bradley Finch | |
| Liam Legge | Baby |
Production and Technical Credits
| Roseanne Liang | Director | |
| Roseanne Liang | Screenwriter | |
| Max Landis | Screenwriter | |
| Fred Berger | Producer | |
| Tom Hern | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Kelly McCormick | Producer | |
| Sandra Yee Ling | Executive Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Terry Douglas | Executive Producer | |
| Tom Eagle | Editor | |
| Gary Mackay | Production Designer | |
| Mahuia Bridgman-Cooper | Composer | |
| Matt Jantzen | Composer | |
| Chelsea Ellis Bloch | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.