Shallow Grave (1995)
| Theatrical Performance | ||
| Domestic Box Office | $2,834,250 | Details |
| International Box Office | $32,480 | Details |
| Worldwide Box Office | $2,866,730 | |
| OpusData ID: 52800100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $105,614 (3.7% of total gross) |
| Legs: | 7.73 (domestic box office/biggest weekend) |
| Domestic Share: | 98.9% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/85 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,369,042 |
Movie Details
| Domestic Releases: | February 10th, 1995 (Wide) by Gramercy |
| International Releases: | May 10th, 2024 (Limited) (30th Anniversary) (United Kingdom) |
| Video Release: | January 30th, 1996 by Polygram USA Video |
| MPA Rating: | R for scenes of strong grisly violence, and for some language and nudity |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 1995 | 42 | $105,614 | 6 | $17,602 | $105,614 | 1 | |
| Feb 17, 1995 | 43 | $113,213 | +7% | 7 | $16,173 | $258,361 | 2 |
| Feb 24, 1995 | 25 | $323,209 | +185% | 46 | $7,026 | $605,999 | 3 |
| Mar 3, 1995 | 24 | $366,659 | +13% | 84 | $4,365 | $1,069,541 | 4 |
| Mar 10, 1995 | 29 | $262,145 | -29% | 85 | $3,084 | $1,441,573 | 5 |
| Mar 17, 1995 | 31 | $178,008 | -32% | 81 | $2,198 | $1,702,976 | 6 |
| Mar 24, 1995 | 37 | $94,958 | -47% | 48 | $1,978 | $1,868,836 | 7 |
| Mar 31, 1995 | 49 | $53,757 | -43% | 31 | $1,734 | $1,952,130 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 1995 | 41 | $145,148 | 6 | $24,191 | $145,148 | 1 | |
| Feb 17, 1995 | 42 | $137,642 | -5% | 7 | $19,663 | $282,790 | 2 |
| Feb 24, 1995 | 25 | $420,092 | +205% | 46 | $9,132 | $702,882 | 3 |
| Mar 3, 1995 | 24 | $476,546 | +13% | 84 | $5,673 | $1,179,428 | 4 |
| Mar 10, 1995 | 28 | $345,540 | -27% | 85 | $4,065 | $1,524,968 | 5 |
| Mar 17, 1995 | 31 | $248,910 | -28% | 81 | $3,073 | $1,773,878 | 6 |
| Mar 24, 1995 | 36 | $124,495 | -50% | 48 | $2,594 | $1,898,373 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/10/2024 | $6,691 | 37 | 37 | 42 | $32,480 | 5/22/2024 | |||
| International Total | $32,480 | 5/22/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Ewan McGregor | Alex Law | |
| Christopher Eccleston | David Stephens |
Production and Technical Credits
| Danny Boyle | Director | |
| Simon Boswell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $105,614 (3.7% of total gross) |
| Legs: | 7.73 (domestic box office/biggest weekend) |
| Domestic Share: | 98.9% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/85 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,369,042 |
Movie Details
| Domestic Releases: | February 10th, 1995 (Wide) by Gramercy |
| International Releases: | May 10th, 2024 (Limited) (30th Anniversary) (United Kingdom) |
| Video Release: | January 30th, 1996 by Polygram USA Video |
| MPA Rating: | R for scenes of strong grisly violence, and for some language and nudity |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 1995 | 42 | $105,614 | 6 | $17,602 | $105,614 | 1 | |
| Feb 17, 1995 | 43 | $113,213 | +7% | 7 | $16,173 | $258,361 | 2 |
| Feb 24, 1995 | 25 | $323,209 | +185% | 46 | $7,026 | $605,999 | 3 |
| Mar 3, 1995 | 24 | $366,659 | +13% | 84 | $4,365 | $1,069,541 | 4 |
| Mar 10, 1995 | 29 | $262,145 | -29% | 85 | $3,084 | $1,441,573 | 5 |
| Mar 17, 1995 | 31 | $178,008 | -32% | 81 | $2,198 | $1,702,976 | 6 |
| Mar 24, 1995 | 37 | $94,958 | -47% | 48 | $1,978 | $1,868,836 | 7 |
| Mar 31, 1995 | 49 | $53,757 | -43% | 31 | $1,734 | $1,952,130 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 1995 | 41 | $145,148 | 6 | $24,191 | $145,148 | 1 | |
| Feb 17, 1995 | 42 | $137,642 | -5% | 7 | $19,663 | $282,790 | 2 |
| Feb 24, 1995 | 25 | $420,092 | +205% | 46 | $9,132 | $702,882 | 3 |
| Mar 3, 1995 | 24 | $476,546 | +13% | 84 | $5,673 | $1,179,428 | 4 |
| Mar 10, 1995 | 28 | $345,540 | -27% | 85 | $4,065 | $1,524,968 | 5 |
| Mar 17, 1995 | 31 | $248,910 | -28% | 81 | $3,073 | $1,773,878 | 6 |
| Mar 24, 1995 | 36 | $124,495 | -50% | 48 | $2,594 | $1,898,373 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/10/2024 | $6,691 | 37 | 37 | 42 | $32,480 | 5/22/2024 | |||
| International Total | $32,480 | 5/22/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Ewan McGregor | Alex Law | |
| Christopher Eccleston | David Stephens |
Production and Technical Credits
| Danny Boyle | Director | |
| Simon Boswell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.