Shavua ve Yom (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $41,614 | Details |
| International Box Office | $108,402 | Details |
| Worldwide Box Office | $150,016 | |
| OpusData ID: 260320100 More info... | ||
| Further financial details... | ||
Synopsis
As Eyal finishes the traditional Jewish week of mourning for his late son, his wife Vicky urges him to return to their routine--but just because the shiva has ended doesn’t mean it’s life as usual. Each coping in their own way, Eyal and Vicky both attempt to regain a sense of control over their future, as they struggle to discover that there are still things in life worth living for.
Metrics
| Opening Weekend: | $6,833 (16.4% of total gross) |
| Legs: | 3.42 (domestic box office/biggest weekend) |
| Domestic Share: | 27.7% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/16 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $55,482 |
Movie Details
| Domestic Releases: | April 28th, 2017 (Limited) by Oscilloscope Pictures, released as One Week and a Day |
| International Releases: | December 16th, 2016 (Wide) (France)
June 30th, 2017 (Wide) (Argentina) |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Plot point: | Cancer, Death of a Son or Daughter, Depression, Jewish, Narcotics, Religious |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Sheep |
| Production Countries: | Israel |
| Languages: | Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 28, 2017 | 65 | $6,833 | 3 | $2,278 | $6,833 | 1 | |
| May 5, 2017 | 75 | $2,627 | -62% | 3 | $876 | $12,639 | 2 |
| May 12, 2017 | 56 | $12,181 | +364% | 15 | $812 | $25,952 | 3 |
| Jun 2, 2017 | 88 | $606 | 1 | $606 | $38,417 | 6 | |
| Jun 16, 2017 | 77 | $1,720 | 3 | $573 | $40,137 | 8 | |
| Jun 23, 2017 | 83 | $552 | -68% | 2 | $276 | $41,528 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 28, 2017 | 64 | $10,012 | 3 | $3,337 | $10,012 | 1 | |
| May 5, 2017 | 76 | $3,759 | -62% | 3 | $1,253 | $13,771 | 2 |
| May 12, 2017 | 55 | $18,928 | +404% | 16 | $1,183 | $32,699 | 3 |
| May 19, 2017 | 69 | $4,390 | -77% | 7 | $627 | $37,089 | 4 |
| May 26, 2017 | 79 | $722 | -84% | 4 | $181 | $37,811 | 5 |
| Jun 2, 2017 | 91 | $606 | -16% | 1 | $606 | $38,417 | 6 |
| Jun 16, 2017 | 79 | $2,559 | 4 | $640 | $40,976 | 8 | |
| Jun 23, 2017 | 89 | $638 | -75% | 2 | $319 | $41,614 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/30/2017 | $0 | 0 | 0 | 0 | $47,800 | 1/1/2019 | |||
| France | 12/16/2016 | $60,602 | 0 | 0 | 0 | $60,602 | 8/17/2018 | |||
| International Total | $108,402 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Shai Avivi | Eyal Spivak | |
| Evgenia Dodina | Vicky Spivak | |
| Tomer Kapon | Zooler |
Supporting
| Alona Shauloff | Bar | |
| Sharon Alexander | Shmulik Zooker | |
| Carmit Mesilati-Kaplan | Keren Zooler | |
| Uri Gavriel | Rafael |
Production and Technical Credits
| Asaph Polonsky | Director | |
| Saar Yogev | Producer | |
| Naomi Levari | Producer | |
| Asaph Polonsky | Screenwriter | |
| Moshe Mishali | Director of Photography | |
| Tali Halter Shenkar | Editor | |
| Tamar Aphek | Composer | |
| Ran Bagno | Composer | |
| Yoav Sinai | Production Designer | |
| Aviv Aldema | Sound Designer | |
| Aviv Aldema | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As Eyal finishes the traditional Jewish week of mourning for his late son, his wife Vicky urges him to return to their routine--but just because the shiva has ended doesn’t mean it’s life as usual. Each coping in their own way, Eyal and Vicky both attempt to regain a sense of control over their future, as they struggle to discover that there are still things in life worth living for.
Metrics
| Opening Weekend: | $6,833 (16.4% of total gross) |
| Legs: | 3.42 (domestic box office/biggest weekend) |
| Domestic Share: | 27.7% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/16 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $55,482 |
Movie Details
| Domestic Releases: | April 28th, 2017 (Limited) by Oscilloscope Pictures, released as One Week and a Day |
| International Releases: | December 16th, 2016 (Wide) (France)
June 30th, 2017 (Wide) (Argentina) |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Plot point: | Cancer, Death of a Son or Daughter, Depression, Jewish, Narcotics, Religious |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Sheep |
| Production Countries: | Israel |
| Languages: | Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 28, 2017 | 65 | $6,833 | 3 | $2,278 | $6,833 | 1 | |
| May 5, 2017 | 75 | $2,627 | -62% | 3 | $876 | $12,639 | 2 |
| May 12, 2017 | 56 | $12,181 | +364% | 15 | $812 | $25,952 | 3 |
| Jun 2, 2017 | 88 | $606 | 1 | $606 | $38,417 | 6 | |
| Jun 16, 2017 | 77 | $1,720 | 3 | $573 | $40,137 | 8 | |
| Jun 23, 2017 | 83 | $552 | -68% | 2 | $276 | $41,528 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 28, 2017 | 64 | $10,012 | 3 | $3,337 | $10,012 | 1 | |
| May 5, 2017 | 76 | $3,759 | -62% | 3 | $1,253 | $13,771 | 2 |
| May 12, 2017 | 55 | $18,928 | +404% | 16 | $1,183 | $32,699 | 3 |
| May 19, 2017 | 69 | $4,390 | -77% | 7 | $627 | $37,089 | 4 |
| May 26, 2017 | 79 | $722 | -84% | 4 | $181 | $37,811 | 5 |
| Jun 2, 2017 | 91 | $606 | -16% | 1 | $606 | $38,417 | 6 |
| Jun 16, 2017 | 79 | $2,559 | 4 | $640 | $40,976 | 8 | |
| Jun 23, 2017 | 89 | $638 | -75% | 2 | $319 | $41,614 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 6/30/2017 | $0 | 0 | 0 | 0 | $47,800 | 1/1/2019 | |||
| France | 12/16/2016 | $60,602 | 0 | 0 | 0 | $60,602 | 8/17/2018 | |||
| International Total | $108,402 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Shai Avivi | Eyal Spivak | |
| Evgenia Dodina | Vicky Spivak | |
| Tomer Kapon | Zooler |
Supporting
| Alona Shauloff | Bar | |
| Sharon Alexander | Shmulik Zooker | |
| Carmit Mesilati-Kaplan | Keren Zooler | |
| Uri Gavriel | Rafael |
Production and Technical Credits
| Asaph Polonsky | Director | |
| Saar Yogev | Producer | |
| Naomi Levari | Producer | |
| Asaph Polonsky | Screenwriter | |
| Moshe Mishali | Director of Photography | |
| Tali Halter Shenkar | Editor | |
| Tamar Aphek | Composer | |
| Ran Bagno | Composer | |
| Yoav Sinai | Production Designer | |
| Aviv Aldema | Sound Designer | |
| Aviv Aldema | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.